The Blind Woman's Curse

The dragon-tattooed leader of the Tachibana Yakuza gang, Akemi (Lady Snowblood's Meiko Kaji) tries to avenge the death of her father in a rain-drenched showdown, only when she is about to deal the final death blow, she slashes at the eyes of the rival's boss younger sister, rendering her blind while a mysterious black cat laps up her blood. Akemi spends three years in jail before returning to the head of the Tachibana clan, where she intends to stop the violence that is causing her city to bleed and live out her days in peace. With the help of a Tachibana turncloak, a rival gang headed by Dobashi (Toru Abe) starts to invade Akemi's territory, planting drugs in their stalls and fighting them in the streets.

Dobashi finds some unexpected help with the arrival of a blind female swordsman, Aiko (Hoki Tokuda), the woman from the opening scene who is seeking vengeance. It's here that the film starts to get seriously weird. Working as a knife-thrower at a carnival show, Aiko is accompanied by two assistants, a grotesque hunchback with a fetish for decapitation, and the black cat that Akemi believed put a curse upon her for mutilating an innocent. Soon enough, Akemi's gang are turning up dead, often with their dragon tattoo flayed from their back. Less of a threat and providing most of the film's comic relief is another gang boss permanently adorned in a thong and cursed with foul-smelling body odour.

Blind Woman's Curse's mix of sword opera, Yakuza gangster movie, horror and surrealism is an unbalanced and occasionally frustrating concoction. If the story wasn't out-there enough, Kaji's disappointingly limited screen-time means that there is little holding everything together. The supernatural elements occur so sporadically that they seem out of place, but thanks to cinematographer Shigeru Kitaizumi, are beautiful to behold. The carnival scene is a montage of macabre and vibrant colours, with strange dancing and avant-garde plays from it's performers, and the climactic showdown between Akemi and Aiko plays out against a lavish painted backdrop of spiralling clouds. It's completely nonsensical, but it's an experience like no other.

The way this film juggles being a samurai/yakuza, crime, and horror film all at once is quite impressive, and keeps things from feeling predictable. It's worth watching to see all those genres in play at once.

I think it may have become a little less satisfying in the second half, with maybe more characters than it needed, and Meiko Kaji (who's great here) unfortunately gets a little less focus in that back half.

It comes together well enough by the end at least, and the action's pretty good, the samurai/yakuza stuff is fun, and the horror elements work well, leading to a couple of creepy sequences. It's an odd and pretty good movie overall.

It's been a long time since I've seen this movie but I remember the plot as follows;

A woman in a cell in jail is being assaulted by other women inmates who draw back in fright when they rip her kimona off to reveal a tattoo of the head of a dragon, recognised by the inmates as having extraordinary significance.

She is the "Head" of an infamous group of swordfighters.All the other inmates want to know how she ended up imprisoned. The remainder of the movie recounts the exploits of a band of brigands who fight together against overwelming odds always starting and regrouping by standing together shoulder to shoulder, kimonos down, wriggling shoulders to make the full dragon tattoo (of which they each have a portion thereof) wriggle. The story is interspersed with various sexual exploits and goofy slapstick comedy, yet maintains a tense action-packed roller coster ride right to the end.

I only saw it the one time and yearn to see it again.

All I have to say is that them Japanese seem like they have way too much fun sometimes. Lots and lots if bloody sword fighting. Eccentric characters. The plot is straightforwards although it jumps around to odd places here and there. Not for everyone thats for sure.

Meiko Kaji spends 3 years in jail for avenging her Yakuza father, and on her release she inherits the leadership of the Tachibana gang. They're quite a nice bunch, for Yakuza, but a nasty rival gang are bent on taking over their territory. As if that wasn't bad enough, she appears to be under the curse of a black cat that got a taste of her victim's blood...

The film takes a broadly familiar period-Yakuza story and mixes it up with elements of horror and... strangeness, making for an intriguing cocktail of styles, moods and ideas. Teruo Ishii was one of the premier visual stylists of the Japanese exploitation wave, and this film shares the style even though it's relatively light on the exploitation. The plot is straightforward but the details make it interesting, and having Meiko Kaji as the lead actress certainly helps there too.

Good stuff!