The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what... Read allThe world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right."The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right."
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I used this film with high schoolers in the middle 70s. I believe it's a good time to remind students again of the tremendous gap we sometimes experience when so many of us feel we have the only right answers. This film depicts various groups and the great divide among them so vividly, that I still recall the images and Wells' booming narrative, even though it's been almost 30 years since I've seen a copy. It's a great open-ended examination of truth, and how different points of view affect us all. The issues may have changed since the 70s, but attitudes have not, and those issues still divide our nation. The Hawks and Doves, the Old and Young, etc. battle it out, believing Right is Might. The message of tolerance is clearly conveyed. I would love to find a copy to share with today's teenagers.
With Orson Welles' stentorian voice, he lays out what mankind needs. There is little to argue with unless your ox is being gored. All the bromides we have heard for decades are laid out, and they sound good. The problem lies in the the larger humanity, who want to be one of the factions. Simplistic and trite.
I can't compare this film to the other two Oscar nominees for 1971, as they apparently are not available. I assume that IS IT ALWAYS RIGHT TO BE RIGHT? was the best film, as it won...plus I really liked the film--even though it may seem a tad preachy.
This cartoon is about all the negative and polarizing issues we were confronted with in America at the time--racism,the generation gap, the war in Vietnam, etc.. In dealing with these issues, the film takes an amazingly neutral view--and suggests we all do the same. Now this does NOT mean that we should necessarily allow evil, but that we should all learn not to be so dogmatic and try to see the truth in both sides of the issue. In other words, seldom, if ever, is one side 100% right and being "right" should not be the goal but learning to understand and cooperate. It's all told through a parable and it's very clever. While it's all a bit obvious and perhaps preachy, the message is a good one and this film was incredibly timely back when it debuted.
As for the animation style, it ain't much to look at, but this was the case for all animation at the time. Simplistic backgrounds, low frame-rates and hastily drawn characters were all the norm, so I can't really penalize the film too much--it was a product of the times.
Fortunately, in addition to the nice message, clever parable and decent artwork, the film makers were also able to persuade Orson Welles to narrate--giving the film some clout and a touch of class.
Overall, a nice film--one that I wouldn't mind seeing again sometime.
This cartoon is about all the negative and polarizing issues we were confronted with in America at the time--racism,the generation gap, the war in Vietnam, etc.. In dealing with these issues, the film takes an amazingly neutral view--and suggests we all do the same. Now this does NOT mean that we should necessarily allow evil, but that we should all learn not to be so dogmatic and try to see the truth in both sides of the issue. In other words, seldom, if ever, is one side 100% right and being "right" should not be the goal but learning to understand and cooperate. It's all told through a parable and it's very clever. While it's all a bit obvious and perhaps preachy, the message is a good one and this film was incredibly timely back when it debuted.
As for the animation style, it ain't much to look at, but this was the case for all animation at the time. Simplistic backgrounds, low frame-rates and hastily drawn characters were all the norm, so I can't really penalize the film too much--it was a product of the times.
Fortunately, in addition to the nice message, clever parable and decent artwork, the film makers were also able to persuade Orson Welles to narrate--giving the film some clout and a touch of class.
Overall, a nice film--one that I wouldn't mind seeing again sometime.
Fifty years on from this admittedly lacklustre animation, it's still worth listening to the words of Warren H. Schmidt's narrative (from Orson Welles) about the repetitive and fruitless nature of human belligerence. All the vested interests convinced that they, and they alone, are correct. No-one prepared to even hint that there might be room for manoeuvre or compromise as chasms begin to exist in society based on things like age, politics, race, sex, faith - and even chasms within chasms. Until, that is, someone somewhere has the courage to say that everything isn't just a case of black and white or right or wrong. Maybe bridges can and should be built if tolerance and understanding can be found amidst the hitherto bloody-minded and opinionated. Social media "influencers" in 2024 take note!
In 1972 I started teaching Race Relations in the Air Force. Many say that the Armed Services are conservative or bigoted, but this is an example of the forward thinking of the Air Force as this was one of the first films purchased for our program. It is probably one of the most powerful short films about bigotry and closed mindedness I have ever seen. Men and women of all ranks thought that the message was clear and meaningful. I wish it were available today, I am still in Social Work and while I primarily do therapy, the message is applicable to marriage counseling, domestic violence, anger control and even substance abuse group therapy. If any one has a copy I would appreciate contacting me at facts1@swbell.net
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