La fiancée du vampire

For anyone who enjoys Gothic melodramas, this one is for you. In the late 1960s and early 1970s, producer Dan Curtis was on a roll with his hit afternoon television series Dark Shadows. When the powers that be decided to make a feature film version, most of the original cast members of the daily soap opera were recruited to star in this production. It is worth noting that several of the performers were pulling double duty at the time, since the daily program was churning out new episodes while HOUSE OF DARK SHADOWS was being filmed.

Of course, a feature film version is going to have a much larger budget than its TV counterpart. And it is also going to be made in color, not black and white. Curtis and his crew do a very effective job transferring the basic original ideas to the big screen. In fact, they do not miss a beat introducing vampire Barnabas Collins (Jonathan Frid) and the rest of the inhabitants of Collinwood to celluloid. From the first fade in, it's a bloody good show, and the entire affair is raised a notch or two by the presence of an old pro-- Joan Bennett, doing quite well as matriarch Elizabeth Stoddard Collins, fang you very much!

Movie version of the Gothic soap opera Dark Shadows with better production values. It's a great-looking movie that makes effective use of location shooting. Dan Curtis, creator of the series as well as many other horror-related films and shows for television in the '70s, directs his first theatrical release here. I've always been a big admirer of Curtis, who did more for horror (and television in general) than he seems to get credit for.

The plot for the film comes directly from the TV series. Essentially it retells the story of vampire Barnabas Collins (Jonathan Frid), the show's most popular character, and his quests for a cure and to be with his reincarnated love. I wouldn't call it a scary movie, though some of the outdoors scenes at night do carry a reasonable amount of spooky atmosphere and tension. Also, the old-age makeup used on a character at one point is well-done and creepy. Nice music, as well. Fans of the series will probably find more to like than most but I think there's a lot here to enjoy, even for those unfamiliar with Dark Shadows.

In 1966, the soap opera Dark Shadows debuted with a most unusual villain and heartthrob - Jonathan Frid as Barnabus Collins the vampire, freed from his coffin prison of almost two hundred years by Willy Loomis, the Collins handyman in search of the fabled Collins jewels. This is also how he is introduced in the film.

I watched the television show in reruns when it appeared on afternoon TV in 1976. Frid is a most unconventionally attractive man, but he has class and style, and he is most magnetic. Frid introduces himself to the Collins clan as Barnabus, a distant cousin who has been living in England. He takes up residence in "the old house" - the Collins family home as it existed when Barnabus was "alive" - and fixes it up to restore it to its former glory. This allows Barnabus to have his vampire existence without prying eyes. Here as in the TV show, the main line of the plot is that Barnabus becomes attracted to Maggie, a servant to the Collins family, because she is a body double to Josette, the girl he was to have married until his vampire existence and Josette's death got in the way.

This is mainly going to be of interest to people who remember the TV show or who have spent time watching the TV show in the years since it went off the air, because it is there all of the character development is put in place. The original cast, though, does a terrific job of recreating the atmosphere and the magic in the short feature film time frame that they have. There are a couple of odd casting decisions though. Onr of those is Dennis Patrick playing the sheriff here. In the TV show the same actor played Jason McGuire, a shady character and a very hissable villain who blackmailed Elizabeth Collins.

Standouts are John Karlen as Willy Loomis - he is a great modern Renfield without the appetite for insects - and Thayer David as Professor Stokes. He really does remind me of classic Hollywood actor Sydney Greenstreet. Too bad he died so young. But of course, the centerpiece is Jonathan Frid as Barnabus. I believe him when he erupts into uncontrollable anger and violence and I believe him when he is a romantic, marveling at how beautiful the trees look glistening in the sunlight. How is a vampire able to be outside in the daytime? Watch and find out.

This is one of the best horror films of the '70's, and certainly the best vampire flick of that decade. Based on the highly successful supernatural soap opera DARK SHADOWS, this feature film version of the ever popular series recounts the resurrection of Barnabas Collins(Jonathan Frid), a 175-year-old vampire who passes himself off as a modern-day descendant of the Collins clan. While staying at the Gothic Collinwood estate, Barnabas becomes entranced by a beautiful governess(Kathryn Leigh Scott) who bears a striking resemblance to his long-lost love, Josette, and determines to make the young woman his new bride. Few films based on Tv shows work, but HOUSE OF DARK SHADOWS is an exception to that rule and like the TV series on which it is based, HOUSE OF DARK SHADOWS has developed into a cult classic over the years. Like its sequel, 1971's NIGHT OF DARK SHADOWS, the film is currently under restoration. There are several sequences from both films missing. Hopefully, the generally unfavorable opinion of NIGHT will change once all of the missing footage has been recovered, and the film will then rank right up there along with its predecessor like it should.

The shining glory of Producer/Director Dan Curtis's career came in 1983 when he transformed Herman Wouk's acclaimed World war 2 novel "The Winds of War" into an epic television miniseries. But it was during the late 60s and 70s that Curtis originally became a known and respected commodity in hollywood. During that time, Curtis was responsible for the creation of several suprisingly effective "B" horror films.

Minor classics like "The Night Stalker"...."The Night Strangler"....."Scream of wolf" are must see nostalgia pieces for true fans of the Genre. His 1971 semi-gothic effort "House of Dark shadows" also ranks high on the list of Curtis's early cinematic achievements.

The film is based on the unquestioned most popular segment of the old daytime TV series, "Dark Shadows". For those that don't know..."Dark Shadows" was a struggling 60s daytime soap opera concerning the dulling exploits of a boorish super rich New England family....the Collin's. After a season of well worn plots about family infighting and powerstruggles the show was on verge of being canceled. That's when series creator....Curtis....came up with a radical idea. Introduce supernatural elements into the show.

Soon the shows focus drifted from standard issue soap opera melodrama into a detailed examination of Collins family's haunted past. Over the next five years, Dan Curtis brought to light virtually every family Skeleton.....often literally. The seemingly eternally cursed clan's estate....Collinwood...was to play host to various unwanted preternatural ghouls who in one way or another were connected to the family. Among the collection of these occult charactors were: Vampires, Werewolves, Witches, Wizards, Demons, Artifically created men and women, Ghosts, Headless entities.....just to name a few.

When Dark Shadows faded from the afternoon scene in 1971....its ever loyal fans cried for more. Curtis responded with with pair of post series movies....and some 20 years later....a prime time sequel series. The first of these films efforts being the aforementioned 'House of Darkshadows'. In the recreation process the noted director quite capably revived and enhanced many of numberous supernatural elements that made the old serial popular....while offering up far superior production values.

In house of Dark Shadows the audience is privy to the scheme of a wily caretaker who happens upon a map he believes leads to an ancient treasure buried on the grounds of Collinwood. The map brings him to the Collins family crypt where rather than treasure, the caretaker accidentally releases something dark from its eternal bondage.

That same night a young woman is attacked at the main gate of the estate. Left comatose from loss of blood caused by mysterious twin puncture wounds on her neck.....the girl can provide no clue to the nature of her attacker. But soon other victims start to pop up...similarly wounded and minus a few pints of plasma.

A pair of learned locals conclude a vampire is responsible for the attacks. The authorities and Collin's family....quite naturally scoff at the notion. They prefer to believe an unknown type of animal or a madman is behind the attacks. However, the doubters soon change their tune when a Collins family member on the intruders menu is killed and eventually returns from the grave as one of the living dead.

The supernatural nature of the killer revealed....the police are soon scurrying about the area with crosses and stakes....while almost the entire Collins family are armed with cross bows and stringing up enough garlic to corner the market.

While terror reigns supreme at Collinwood, the family has no way of knowing the perpetrator of this unspeakable villainy is dwelling unsuspected within their midst.

By todays standard "House of Dark Shadows" might seem somewhat hokey with its max factor fangs and cherry syrup blood. But for its time, it was quality achievement and even now it provides something rarely seen.....a well written horror film with some into classic gothic overtones added into the mix.