[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro

L'Insurgé

Original title: The Great White Hope
  • 1970
  • Tous publics
  • 1h 43m
IMDb RATING
6.9/10
3K
YOUR RATING
L'Insurgé (1970)
A black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down.
Play trailer2:46
1 Video
52 Photos
TragedyDramaRomanceSport

A Black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down.A Black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down.A Black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down.

  • Director
    • Martin Ritt
  • Writer
    • Howard Sackler
  • Stars
    • James Earl Jones
    • Jane Alexander
    • Lou Gilbert
  • See production info at IMDbPro
  • IMDb RATING
    6.9/10
    3K
    YOUR RATING
    • Director
      • Martin Ritt
    • Writer
      • Howard Sackler
    • Stars
      • James Earl Jones
      • Jane Alexander
      • Lou Gilbert
    • 42User reviews
    • 23Critic reviews
    • 53Metascore
  • See production info at IMDbPro
    • Nominated for 2 Oscars
      • 2 wins & 8 nominations total

    Videos1

    Trailer
    Trailer 2:46
    Trailer

    Photos52

    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    + 45
    View Poster

    Top cast52

    Edit
    James Earl Jones
    James Earl Jones
    • Jack Jefferson
    Jane Alexander
    Jane Alexander
    • Eleanor
    Lou Gilbert
    • Goldie
    Joel Fluellen
    Joel Fluellen
    • Tick
    Chester Morris
    Chester Morris
    • Pop Weaver
    Robert Webber
    Robert Webber
    • Dixon
    Marlene Warfield
    Marlene Warfield
    • Clara
    R.G. Armstrong
    R.G. Armstrong
    • Cap'n Dan
    Hal Holbrook
    Hal Holbrook
    • Cameron
    Beah Richards
    Beah Richards
    • Mama Tiny
    Moses Gunn
    Moses Gunn
    • Scipio
    Lloyd Gough
    Lloyd Gough
    • Smitty
    George Ebeling
    • Fred
    Larry Pennell
    Larry Pennell
    • Brady
    Roy Glenn
    Roy Glenn
    • Pastor
    • (as Roy E. Glenn Sr.)
    Bill Walker
    Bill Walker
    • Deacon
    Marcel Dalio
    Marcel Dalio
    • French Promoter
    Rodolfo Acosta
    Rodolfo Acosta
    • El Jefe
    • Director
      • Martin Ritt
    • Writer
      • Howard Sackler
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews42

    6.92.9K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    9paullester

    The shining gem in the film career of a great actor.

    James Earl Jones has certainly done fine in his career; if he ever feels his talent has been overlooked, I'm sure that, after supplying the voice of Darth Vader and CNN, he's crying all the way to the bank.

    Still, I regret that he hasn't left us a greater body of work on film that is worthy of his talent. Much of his best work has been performed on stage. (For instance, right now he's performing with Cicely Tyson on Broadway in a hit revival of *The Gin Game* -- go see it if you can!)

    But in films? After *The Great White Hope*, you'd think Jones would have been deluged with offers for Oscar-caliber roles in Oscar-caliber films; instead, we saw him (performing admirably) in a series of mediocre films and a short-lived TV series. Like many actors, he was probably glad to be working at all -- a gig's a gig, as they say. But he deserved better. No wonder he seems to prefer the theater.

    So I treasure *The Great White Hope*, not only because it's a great, great movie,but also because it is the single shining gem in the film career of a great actor -- who deserved more recognition from Hollywood than he got.

    (And to be fair to this magnificent film, I must also acknowledge the other actors, all superb.)
    10anton_merrick

    James Earl Jones at his best

    It's criminal that this movie doesn't get the type of attention or respect it deserves. Great White Hope chronicles the life of Jack Johnson, the first black heavyweight champion, and his bouts with the racism of the 1900s. Before this movie, I never understood where James Earl Jones got his reputation from. Clearly it's from this. He commands all of the scenes he's shot in, demonstrating a mastery of his craft that I've rarely with any other actor. Jones rages and roars through the movie, conveying a mixture of pride and frailty that is simply not to be missed.

    At the risk of being redundant: don't sleep on this movie. It's James Earl Jones at his best.
    10zerogirl42

    Brilliant film.

    Before I fully begin, let me make one thing clear: The emphasis in this film is not boxing, but the life of a boxer (Jack Johnson) played by James Earl Jones (Darth Vader).

    In telling the tale of Johnson's life this movie depicts the racial boundaries going on in America in the early 20th century. Unlike many films which tell a tale of racial injustice, this film manages to do it:

    a) Without sugar coating anything. b) Without being over-dramatic.

    I saw it today on television and I didn't know what to expect before it started. I was interested to see it because I've heard references made to it in the past and was curious. I can say for certain that giving this film a chance, and watching it beginning to end, is the best movie-related decision I've made in a long time (at least ten-thousand times better than deciding to rent Resident Evil 2).

    In watching this I got a deep sense of reality. A big reason for this is a simply phenomenal performance by James Earl Jones, as well as solid acting on the part of Jane Alexander and many of the supporting cast members.

    I couldn't believe that IMDb only has 8 reviews of this movie (at least at the time of me writing this), and due to some folks totally missing the point of it, it has a somewhat sad rating.

    SEE this film if you are into compelling stories about interesting people which are well written and acted.

    DON'T see this film if you expect Rocky III.

    There are a lot of good movies out there and I enjoy all manner of cinema, but I can say without a doubt in my mind that The Great White Hope has made it into the realm of my favorites.

    10 out of 10
    elliottyoung

    The film is only BASED on Jack Johnson.

    I continue to read comments about how this film is about Jack Johnson. That's not true. It's a story inspired by Jack Johnson, who was much more articulate and sophisticated than Jack JEFFERSON, who is the character James Earl Jones plays. Granted, every obstacle put in his path because of the severe level of blatant racism was true to Johnson's life. However, I just want to point out that the real man, in spite of his era, was a more intelligent and cultured individual than the Jefferson character. In spite of this complaint, the performances in this film are absolutely sublime! It deserves to be seen for the dramatic efforts of each performer, especially James Earl Jones. EXCELLENT acting, but not an accurate representation of the man himself.
    8tavm

    The Great White Hope is a fine way to end my Black History Month series of reviews

    Concluding reviewing African-Americans in film in chronological order for Black History Month, we're at the near end of 1970 when James Earl Jones reprises his Tony-winning role as boxer Jack Jefferson in film version of The Great White Hope which got him an Oscar nomination. Since this takes place in the early part of the 20th century, he's not very much liked by the majority white public of America at the time certainly whenever he's seen with his Caucasian female partner Eleanor Backman (Jane Alexander, also Academy nominated). His former girlfriend Clara (Marlene Warfield) certainly resents Eleanor for usurping her power over Jack who has no use for her. Good thing he has his manager Goldie (Lou Gilbert) as well as his trainer Tick (Joel Fluellen) on his side so they all go to Europe where they don't have to worry about jail time. I'll just stop there and just say that the staginess is quite evident in many scenes. Still, both Jones and Ms. Alexander are effective whenever they're together whether intimate or arguing. And Fluellen has his biggest role here and makes the most of it. In addition, it was such a treat, after playing husband-and-wife in Guess Who's Coming to Dinner, to see Beah Richards-as Jack's mother-and Roy Glenn-as a pastor at her house-in the same scene again. And seeing Bill Walker-so memorable as Reverend Sykes in To Kill a Mockingbird-playing a deacon in an early scene was also pleasurable to me. One more thing, Hal Holbrook has a memorable turn as an attorney interviewing Ms. Alexander. So on that note, The Great White Hope is highly recommended. Oh, and while this is the official last entry for BHM, there are a few movies I wanted to review in the time alloted that I'm viewing in the next few days (or weeks, depending on my mood) so if you are reading this under my username, watch this space for those reviews...

    More like this

    L'homme qui tua la peur
    7.2
    L'homme qui tua la peur
    Conrack
    7.3
    Conrack
    Le propriétaire
    6.9
    Le propriétaire
    Claudine
    7.3
    Claudine
    Je n'ai jamais chanté pour mon père
    7.4
    Je n'ai jamais chanté pour mon père
    L'outrage
    6.2
    L'outrage
    Le prête-nom
    7.3
    Le prête-nom
    La couleur de l'arnaque
    5.5
    La couleur de l'arnaque
    L'usure du temps
    6.8
    L'usure du temps
    Le Journal intime d'une femme mariée
    7.0
    Le Journal intime d'une femme mariée
    Grand-père à louer
    6.6
    Grand-père à louer
    Marjorie
    6.9
    Marjorie

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Redd Foxx, who knew former heavyweight champ Jack Johnson, whose career and struggle against racism inspired the original play, turned down a role in the film as he believed it was not a true picture of his old friend.
    • Goofs
      In the first scene in which we see Jefferson practicing, the sweat on his shirt changes from shot to shot in a way that wouldn't be predicted by evaporation.
    • Quotes

      Reporter: Now you're the first Black man in the history of the ring who's ever had a crack at the heavyweight title. Now white folks, of course, are behind Brady. He's the redeemer of the race and so on. But you, Jack Jefferson, are you the Black hope?

      Jack Jefferson: Well, I'm Black and I'm hopin'.

      Goldie: Answer him straight, Jack.

      Jack Jefferson: Hey, look, man, I ain't fighting for no race, I ain't redeeming nobody. My mama told me *Mr. Lincoln* done that. Ain't that why you shot him?

    • Crazy credits
      The 20th Century Fox logo appears without the fanfare.
    • Connections
      Edited into The Loving Story (2011)
    • Soundtracks
      Let Me Hold You In My Arms Tonight
      Written and Performed by Jesse Fuller

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    FAQ17

    • How long is The Great White Hope?Powered by Alexa

    Details

    Edit
    • Release date
      • April 21, 1971 (France)
    • Country of origin
      • United States
    • Languages
      • English
      • Hungarian
      • German
      • Spanish
    • Also known as
      • The Great White Hope
    • Filming locations
      • Globe, Arizona, USA
    • Production company
      • Lawrence Turman
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $8,000,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 43m(103 min)
    • Color
      • Color
    • Aspect ratio
      • 2.39 : 1

    Contribute to this page

    Suggest an edit or add missing content
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb App
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb App
    For Android and iOS
    Get the IMDb App
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.