The Grandmother

No matter how cynical you make think this film is, it is very realistic in what our world looks like as children. Dysfunctional families are all around us and we experience neglect very often. A child's point of view of course, is always exaggerated. I can relate to some of what is shown in "The Grandmother." Throughout my childhood my grandmother was the only person i could turn to. My parents talk, and their life during my childhood was very blurred to me. And the horrifying things that happen are more horrifying than they really are as a child. Lynch may have imaged this film out of nowhere, but it still speaks. The use of sound, and animation is powerfully effective. This is a must for Lynch fans!

This film is a must-see for anyone interested in the world of surreal cinema. Combines fascinating visual metaphor with rich, vivid animation to create a disturbing ambience that draws the viewer in, like a fish caught on a hook. The music (provided by a collective of music engineers known as "Tractor") is like a grey canopy that wraps itself over your mind as you find that time and space and your life outside of a cold, flickering living room seem to fade into this backdrop of radioactive multimedia. Make no mistake about it, Lynch is an artist of the highest calibur, and in this gripping work he uses everything in the film as a medium to transmit his imagination to the outside world.

P.S. - If you like Lynch's style, I suggest looking into the films of Alejandro Jodorowsky, Luis Bunuel & Jean Cocteau. All of them brilliant artists in their medium.

Sick, disturbing and surreal short from David Lynch. A man and a woman get married and have a son who they don't really want. The child grows up being horribly abused by his parents. Then, in a dark sinister room, he plants a seed who sprouts into a grandmother. She, in a way, shows him the affection his parents never gave him. There's more but I won't spoil it.

The film mixes live actors with animation seamlessly. It has sound but no dialogue--the actors just make sounds somewhat like human speech. It's in washed-out color which certainly fits the subject matter. Also you see Lynch using odd noises on the soundtrack which he perfected years later with "Eraserhead". I'm giving this film a 10 but it is VERY disturbing. It's definitely not for everybody. The abuse scenes are horrible to watch and the nonstop morbidness did start to wear on me, but I couldn't stop watching. It all leads to a very sad ending. Sick, troubling and (at times) horrifying movie but just incredible. A 10 but only for those who can stand extreme subject matter.

Long-time Lynch collaborator Jack Nance once said that watching The Grandmother was like spending half an hour in the electric chair. Mixing live action (both colour and black & white) with animation, along with a dark & unsettling soundscape created by Alan Splet (still Lynch's sound designer today, three decades later), the film is an intensely disturbing experience.

The Grandmother deals with the story of a boy, abused by his brutal, animal-like parents, who grows himself a kindly grandmother in the attic.

Although it does suffer from a certain 'student film' feeling, this half-hour short is a must-see for all fans of David Lynch, particularly those who admire the stark & surreal world of Eraserhead. One can definitely see the genesis of Lynch's next film within it.

This is a very odd, and rather disturbing short. If you're not into Lynch then give it a wide birth, even if you are, then approach with caution. The story concerns itself with an unhappy boy who grows a grandmother. Well, that's all I could work out anyway. The rest of the film is filled with bed wetting, barking parents, and bizarre animations. Everything is in disturbingly garish colours (generally deep blue), and there isn't a single line of dialogue. See this if you're a die-hard Lynch fan or if you're a budding experimental film maker. If, however, you found Eraserhead too weird then steer well clear.