IMDb RATING
7.3/10
4.9K
YOUR RATING
An Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.An Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.An Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 1 win & 2 nominations total
Lyudmila Saveleva
- Mascia
- (as Ljudmila Saveljeva)
Nadya Serednichenko
- Contadina russa
- (as Nadja Cerednicenko)
Gunars Cilinskis
- Funzionario russo
- (as Gunnar Zilinskij)
Carlo Ponti Jr.
- Giovanna's Baby
- (uncredited)
Mariya Sapozhnikova
- Passerby
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"I Girasoli" is certainly one of the best romantic stories in an honest and pure setting in Italy and Russia. It is a dramatic love story of Antonio and Giovana wanting to stay together in the war. The impossibility to hold on to the newly found and sweetest happiness becomes inevitable in the destructive war, where Anoinio is found half frozen by a Russian woman. The accent lies in finding love in warm sunny Italy and loosing this in the freezing cold war thousands of miles away. Although in this new other world there is love too, it is never the same as before. At the end the search for the lost love is completed and in vain when life has changed there lives irreversibly. Un impossibile ritorno al passato.
I went to a san francisco theatre to see this film along with my mother when I was a teenager in the 60's. It was in english and I loved it so much I saw it twice. I never forgot it, and although it was never shown again, I was told by someone a few years ago, that it was featured on one of the cable channels, and unfortunately I must have missed it. I don't think its ever been shown since. In my humble opinion, this classic movie depicting love, war, passion, separation, hope, and tears should be rated right up there along with Dr. Zhivago, Casablanca, In Love and War, and many other great films of all time. It's a pity that this movie "Sunflower" is nowhere to be found on video or better yet DVD in the english version in the U.S. I did purchase it on video in Italian, and even though I am fluent in Italian and can understand it, others in my household cannot. Can somebody PLEASE see that it gets some recognition, and becomes a familiar movie and available here in the U.S.A.?
I suppose this film is just a maudlin melodrama, so is the music by Mancini. But then..., what a marvelous maudlin melodrama!... Why shouldn't it be? what's wrong with maudlin melodramas? If they are well done and authentic with their characters, if we get wrapped up with their emotions..., well, can you ask for anything more?
I just saw this movie on "You Tube" for the second time. I remember seen it on late TV in Italy, many years ago, and the impression was so powerful that after somebody mentioned it a few days ago --I didn't remember any more this title until they mentioned it-- I decided to look for it and watch it again, to see after so many years if the impression was still the same (so many films are a total disappointment when seen for a second time years later), but it wasn't the case with this one.
The story is so poignant that it can hold on its own very well no matter the change in mores and film technical improvements, it definitely grabs your interest till the very end (I must admit the film is far from perfect, since, for example, there are no indications of how many years went by or the new life style Sophia's character turns to after her Russian trip.
It also has two climaxes, both marvelous, but I think they should have decided for one or the other, two climaxes is too much within the same movie, and the length should have been shortened quite a bit.
Anyhow, forget about the lachrymose side of the story and submerge yourself in it (also get some Kleenex handy because everybody will need them, and plenty) and if you have to have a good cry, well, have it and enjoy it!! (After all is just a movie).
I just saw this movie on "You Tube" for the second time. I remember seen it on late TV in Italy, many years ago, and the impression was so powerful that after somebody mentioned it a few days ago --I didn't remember any more this title until they mentioned it-- I decided to look for it and watch it again, to see after so many years if the impression was still the same (so many films are a total disappointment when seen for a second time years later), but it wasn't the case with this one.
The story is so poignant that it can hold on its own very well no matter the change in mores and film technical improvements, it definitely grabs your interest till the very end (I must admit the film is far from perfect, since, for example, there are no indications of how many years went by or the new life style Sophia's character turns to after her Russian trip.
It also has two climaxes, both marvelous, but I think they should have decided for one or the other, two climaxes is too much within the same movie, and the length should have been shortened quite a bit.
Anyhow, forget about the lachrymose side of the story and submerge yourself in it (also get some Kleenex handy because everybody will need them, and plenty) and if you have to have a good cry, well, have it and enjoy it!! (After all is just a movie).
meeting between two great actors and an impressive director. images from Italy and picture of Russia in the air of Cold War.a basic story about a couple, a war and a choice. a travel and the form of truth. beautiful music and force of unspoken words. that is all. or only gentle performance of Ludmila Savelieva. a great film. not for cast or dramatic slices, for the force of emotions or for the sunflower as vegetable testimonies about a tragedy. but only for its virtue to be a seed. a seed of questions and answers. an exercise of empathy. a sad love story in which love is more than feeling. a poem but just a very special poem. mixture of pure joy, shadows of war, a miracle and a search, it is homage to a sacrifice generation and reflection of deep need of sense in a chaotic world. nothing pink, nothing cold. only picture of a man, a young Russian woman who speaks Italian, a charming Sophia Loren and same Mastroianni. but the essence is possession of public.
As another reviewer pointed out this bit of cold war propaganda (pro Soviet) was absurdly impossible. An axis soldier would have been shot period or arrested as a spy and killed slowly in a prison camp.
So you have to dismiss the story as absurd as it stands and place it in Iran or Finland or some place where it could have happened. Or just suspend your disbelief.
Once you do that you can enjoy this bit of really well done maudlin romance. Loren had to be at the height of her classy beauty in this film (before she was aged for the story).
I loved the part where she spots an Italian man---the only handsome well dressed stylish man in any of the Russian scenes. Of course Loren herself is like a super nova star compared to the kerchiefed thick legged Russian women. Italian audiences must have loved this film.
I give it a 7 as it is very enjoyable once you deal with the absurd story and the maudlin nature of the movie. As another reviewer states what is so wrong with first class maudlin??
So you have to dismiss the story as absurd as it stands and place it in Iran or Finland or some place where it could have happened. Or just suspend your disbelief.
Once you do that you can enjoy this bit of really well done maudlin romance. Loren had to be at the height of her classy beauty in this film (before she was aged for the story).
I loved the part where she spots an Italian man---the only handsome well dressed stylish man in any of the Russian scenes. Of course Loren herself is like a super nova star compared to the kerchiefed thick legged Russian women. Italian audiences must have loved this film.
I give it a 7 as it is very enjoyable once you deal with the absurd story and the maudlin nature of the movie. As another reviewer states what is so wrong with first class maudlin??
Did you know
- TriviaThe child of Giovanna (Sophia Loren) in this film was actually Loren's from her partnership with producer Carlo Ponti.
- GoofsMascia tells Giovanna that when she found Antonio, he was hurt so badly that he had forgotten everything, including his own name. If that's true, then how did Mascia know his name was Antonio?
- ConnectionsEdited into Marcello, una vita dolce (2006)
- How long is Sunflower?Powered by Alexa
Details
- Runtime
- 1h 47m(107 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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