Le week-end des assassins

A film with annoying characters, the most annoying being the Scotland Yard inspector who comes to solve the mystery of the murders. Then, annoying is the young man who stages murders before the actual murders. Then, annoying is the mother of the young man who stages murders. Then, the rest of the characters. Seeing the names of Michele Lupo and Gastone Moschin, who worked together to make the excellent "Seven Times Seven" Original title: Sette volte sette (1969), I hoped that I would see a comedy at least as successful. I was sorely mistaken, this production is a total cretinous nonsense. The glaring mistake: after the Scotland Yard inspector together with the policeman played by Gastone Moschin completely demolish the door behind which one of the victims had just "committed suicide", the door is intact. With the exception of Gastone Moschin, an excellent actor in many other films, here having a stupid, ridiculous role, Michele Lupo used 14th-rate actors. It's not a comedy, it's a poorly written drama around an inheritance. Another mistake, at the beginning of the film, the policeman played by Gastone Moschin, an Italian actor, says "Good Morning Padre" to the priest, instead of "Good Morning Father", the action is somewhere in England, with English characters (padre means priest in Italian, it also means father), but the director and almost all the other actors are Italian... The only one who has written another real, honest, sincere review is "wmschoell". Zero stars from me, exactly as it deserves.

The Weekend Murders is disconcertingly British. It's not just that this Italian giallo is in UK English but that the setting, style and even the lame quaint humor are all indicative of a mid-century cozy English mystery-comedy.

I must say that i was completely taken by surprise by who the murderer is and what method they used. However, this isn't unusual in Agatha Christie mysteries which totally cheat and throw so many red herrings at the reader that the end is usually a nice surprise. Either you get it or you don't, no review on Earth will talk someone into the sheer relaxing enjoyment of watching a formulaic mystery set on a European estate where you'll never be able to figure out the murderer by discerning the clues.

This effort is solid, the cinematography and musical score are lovely, but in a very mainstream MGM sort of way.

A group of relatives gather at the family estate for the reading of the will of the late Sir Henry. When the entire fortune is left to niece Barbara (Anna Moffo), one of the occupants of the house turns to murder. It is up to local bobby Aloisius Thorpe (Gastone Moschin) and Scotland Yard Superintendent Grey (Lance Percival) to crack the case.

Italian murder mystery The Weekend Murders is often classed as a giallo, but I don't think it really qualifies as such: its English setting and typical Agatha Christie style 'whodunnit' plot make it far too British in tone for it to be a part of the giallo genre. Admittedly, director Michele Lupo throws in a few typically Italian flourishes - most notably, rapid zooms and jump cuts (to the strains of Tchaikovsky and the sound of gun shots!)- but there is little else to link it to the ultra violent, style-over-substance world of shadowy leather-gloved maniacs stalking sexy female victims.

The films 'Ten Little Indians'-style structure holds very few surprises, but the excellent cast make this fun to watch despite the predictability, with the amusing dynamic between the pompous detective Grey and the actually-cleverer-than-he-seems Thorpe making for a whole lot of fun. Chris Chittell, as emotionally disturbed Georgie, is also worth a mention, his deranged character a prime suspect, while the ravishing Orchidea de Santis, as Evelyn, the maid, is worth keeping an eye on for very different reasons.

6.5 out of 10, rounded up to 7 for IMDb.

Agatha Christie mysteries and Italian gialli may have some things in common, but they're also very different. First off, gialli are really "mass-murder mysteries", whereas only a few Agatha Christie mysteries really fit that description(the most famous being her seminal "Ten Little Indians"). Moreover, Agatha Christie mysteries are very mannered and British while Italian gialli are very over-the-top and usually chock-full of lurid sex and violence. This movie is impressive, therefore, because it manages to successfully combine the two styles (much like Mario Bava's "Five Dolls for an August Moon"). It has a typical Agatha Christie set-up with various grasping relatives gathered at a remote country estate to hear a will, but like a giallo, it's also full of ridiculously shifty characters, sexual perversity, OTT crash-zooms, and overly dramatic music.

Perhaps, even more impressive, it's one of the few gialli to successfully incorporate (completely intentional) black comedy. It really plays with the conventions of the mystery genre--the first person killed is the butler (so he didn't do it), and the Scotland Yard detective (Lance Percival) turns out to be an inept bumbler while the thick-looking local bobby (Gaston Moschin) turns out to be quite clever. Being a giallo though, it also has certain stock "giallo-esque" characters like an impotent, virginal mama's boy (Chris Chittel) who likes fake bloody suicides and a black woman(Beryl Cunningham)who is married to one of the family members and (naturally) is the most sexually predatory of the characters--with the possible exception of the saucy maid (Orchidea DeSantis).

This has a great cast including Eveline Stewart, Giacomo Rossi-Stuart, and American Peter Baldwin who were in any number of 60's and 70's Italian films. Gaston Moschin (who is GREAT here) was usually in Italian crime thrillers, but also had an important part in the "The Godfather 2". The sexy Beryl Cunningham was in "Crimes of the Black Cat", and the even sexier Orchidea DeSantis played all kinds of sexy roles in all kinds of sexy Italian movies. Even the English actors are familiar--Lance Percival was a big comedy actor in Britain at the time and Christopher Chittel was in another movie very much like this called "Erotic Inferno", except that it was a softcore porn movie with Mary Millington! (VERY few actors have ever appeared in both Italian giallo thrillers AND Mary Millington sex comedies). This has just received a superior release by Code Red. I would definitely check it out.

THE WEEKEND MURDERS gets underway as a body is discovered buried in a sand trap at a posh, private golf club. The police reveal that it is the latest in a series of murders.

A flashback introduces us to the Carter family, gathered at the vast Carter estate for the reading of their dearly departed relative, Sir Henry Carter's will. Of course, the inheritance isn't distributed in a manner that pleases everyone. Well, okay, it pleases no one, except for an inept, flower-loving policeman, Sergeant Aloisius Thorpe (Gastone Moschin), and Sir Henry's Niece, Barbara Worth (Anna Moffo). The rest of the family is bitter to say the least, and it's not long before the bodies start popping up all over the grounds!

With greed, jealousy, and treachery in the air, a mansion full of suspects, and a pair of bungling coppers on the case, this movie is enjoyable on several levels. Part "old dark house" mystery, part giallo, and all comedy, this movie manages to parody its subject matter while still respecting it.

Co-stars Ida Galli as Isabelle Carter, and Giacomo Rossi Stuart as Ted Collins.

On a personal note: I didn't figure it all out until the very end. I like that in a movie!...