Chisum

(6.5/100) One of the few films the Duke made that was based on true events. Its nowhere near his top films, but the film itself is solid and has enough memorable moments to separate itself from Wayne's later westerns. Although having his character's name in the title, the movie actually plays out as an ensemble giving equal time to Pat Garrett and William Bonney, better known as Billy the Kid. However, Corbett and Deuel were mediocre and unable to pull their own weight in scenes with Wayne. On the flip side, Christopher George played a good, villainous gun-for-hire while Ben Johnson gave one of his best supporting performances that I've seen out of him. Has a pleasant amount of humor with a good final shoot out and a catchy, yet borderline annoying theme song. The film is carried down with a strikingly large cast for a sub two hour movie, but has a number of memorable moments.

McLaglen's western showcases Wayne as John Simpson Chisum, an historical figure who was the largest owner of land, of horses and cattle in New Mexico territory around 1878… The Pecos River runs through the middle of his land… He lets the water flow to all the ranches, big and small… If another man, with more appetite—like Lawrence Murphy (Forrest Tucker) owned that land— he'd control a territory bigger than most states and some countries… The story is based on the bloody Lincoln County cattle war…

Things come to 'one hell of a fight' when Murphy's men kill Chisum's friend Henry Tunstall, mentor to Billy the Kid, and have Alex McSween, manager of their general store, with Billy and some men, trapped in…

Forrest Tucker plays Chisum's enemy who really thinks himself skillful enough to 'own' the law…

Christopher George (Dan Nodeen) plays the half-crazy bounty hunter who gimps because of Billy the Kid…

Ben Johnson has one of the most impressive records of any supporting Westerner… He came here to support Chisum all the way…

Andrew V. McLaglen has built up a reputation as one of the most promising of post-war directors of Westerns, but has yet to fulfill that promise with a really major work

Although a few notches below classic Wayne westerns like "Stagecoach" and "Rio Bravo," this film was a masterful return to form for Wayne. This was the first film Wayne did after gaining weight and donning an eye-patch for his work on "True Grit." In this film, Wayne plays an honest, straight talking man of action, not too different from the type character on which he built his career. The supporting characters are very well drawn and the villains resourceful enough to keep the action moving. In a way, this character, though based on an actual rancher, is similar to the character of Dunson in the superior "Red River." Both characters gambled on a long cattle drive from Texas and although "Red River" is about the drive itself, "Chisum" is about what happens to a similar character twenty years after the drive succeeds. At the time the film was released, at least one critic commented on how improbable it was for John Wayne, at the climax of the movie, to have done that much riding, fighting and falling all within the same sequence. As far as I am concerned, that sequence helped prepare me for later action sequences of 1980's action stars like Bruce Willis and Arnold Schwarzenegger and action directors like James Cameron and John Woo. The film is no "Red River" but it is fine western nonetheless.

For those of us who love him, there's something about a John Wayne movie that kind of makes it immune to criticism. You can fault his no-frills acting style, the pious patriotism, the oft-uneven supporting cast, the predictable fight scenes, But even a lesser Wayne film still has John Wayne, and for his fans, that's nine-tenths of the battle in determining whether it's a good film.

"Chisum" is not going to convert non-Duke fans. On its own merits it's a serviceable western with good action sequences, some incredible vistas of the Mexican countryside (supposed to be Lincoln County, New Mexico) by cinematographer William H. Clothier, and an interesting if not always coherent storyline that places Wayne's title character, John Chisum, as more of a remote icon than active player in the proceedings, especially in its second half. Much of the film focuses on young William Bonney (Geoffrey Deuel), a former gunman better known as Billy the Kid now trying to live "clean and forward, all the way" with the help of a fatherly rancher named Tunstall (Patric Knowles, Will Scarlet to Errol Flynn's Robin Hood some 32 years before).

Geoffrey Deuel didn't go on to much of a career after this, and it's not hard seeing why. In "Chisum" his shallow characterization exudes no visible menace even after Bonney, well-provoked though not well-reasoned, turns against the law. I'm not sure how much of it was Deuel's fault. The script works against him, setting Bonney up as a decent, humble guy to the point of boringness, and director Andrew V. McLaglen only adds to the emasculation by showcasing Deuel's shy smile and his character's rote romancing of Chisum's niece. One scene freezes on Bonney holding a gun in one hand and a Bible in the other. I don't think Marlon Brando could have acted his way out of Deuel's bind.

Other actors come off better, especially Forrest Tucker as the chief heavy, Lawrence Murphy, who showcases an affable menace that makes him a good foil to Wayne's straightforward Chisum; Glenn Corbett, who plays drifting gambler Pat Garrett, hard but decent, who joins Chisum and befriends young Bonney until he turns into The Kid again; and Christopher George, whose Dan Nodeen is a nasty bounty hunter obsessed with killing the Kid. One nice thing about this film is seeing these actors, all best known for TV series work, stretching out beyond their popular identities of the period. George makes the strongest impression as the cold-eyed Nodeen.

"You just had to kill him," asks a sheriff when Nodeen brings in the body of a wanted man.

"No, less trouble that way," Nodeen replies.

Ben Johnson and Richard Jaeckel also have their moments as companions to Chisum and Murphy respectively, as does Andrew Prine as a lawyer who switches sides halfway through. There are many other performances, too, most good and all detracting somewhat from Wayne at the center, though Chisum does assert himself from time to time.

"Chisum" may be too busy a film that way, with too rambling a focus even when its on Wayne. There's one scene where Chisum looks after an old Commanche chief which should have been cut, while others need trims. But director McLaglen keeps a firm rein on things most of the time, and the story does move. His mentor was John Ford, but while McLaglen lacked Ford's nuance and depth, he was better at delivering action sequences, both in terms of frequency and originality. "Chisum" gives you plenty of action, none better than the final battle at the Lincoln general store between Billy and the baddies with Chisum riding to the rescue.

The first time I saw "Chisum," I was stuck at a sleepaway camp and hating life in general. Something about seeing John Wayne on a horse made the world seem right again, even if the film was kind of hokey with that silly title music and all. Years later, I still relish this film, in some ways more than I did then, despite its flaws. "Chisum" is not a showcase for Wayne's greatness, like "The Searchers" or "Rio Bravo," but it's a nice film to have around for those of us who don't need him justifying our love every time out.

The first few times I saw this movie, I hadn't read the history of the Lincoln County Land Wars.

However, in recent years, with the convenience of the internet at hand, I read the histories along with watching the movie. Compared to the amount of factual change that most movies based on a history put on film, this movie is not far from being spot on.

In fact, the amount of direct action that John Wayne's character, Chisum, took in the film, is probably the element that is the most out of place.

Billy the Kid really did work for an English rancher involved in the dispute. His boss really did fund a rival general store with a lawyer. Both the English rancher and the lawyer were murdered by the faction controlled by the rival general store.

Billy the Kid really did get his outlaw career kicked off in seeking vengeance for his boss and mentor's murder. Pat Garret really was supported for sheriff by John Chisum, who somehow managed to stay out of the thick of the feuding even though his use of huge tracts of public grazing land was part of the heart of the dispute.

So history buffs can safely enjoy this movie knowing that history is just bent a little, and not ripped completely asunder as the case would be with most movies. LOL That said, this is a very entertaining western. John Wayne is on top of his game as a cattle baron, and the supporting cast does a fine job. It includes a bit of everything: rustling, gunfights, stampedes, crooked sheriffs, greedy bad guys, heroic good guys. It has more plot surprises than the normal western (and that is precisely because it kills off certain characters approximately when and how they died in the real events).

All in all, an enjoyable and surprisingly informative film about a real "old west" feud.