C.C. & Company

Luscious Ann Margaret,her husband Roger Smith, an almost schoolboy-like "Broadway Joe", assorted character actors known for playing these kinds of roles, and a script that motorcycle enthusiasts either laugh like loons, or groan, at...or both.

Features some of the most priceless dialog this side of an Elvis epic. Some examples: "Those are the kind of people who give motorcycling a BAD name!", "Are you boys gonna help out a damsel in distress, or just make like Marlon Brando?", and more! Chicks and dudes - you will dig this! This love story/musical/60s stoner drive-in delight highlights incredibly stupid acts of riding AND crime (PLEASE don't try these anywhere!). All this, and Wayne Cochran (aka "The King of Blue-eyed Soul"), too. Makes a great double bill with either "Roustabout", "Easy Rider", "On Any Sunday", or NFL highlights of the Jets when Joe was their star QB. Good thing he stuck to sports after this mostly-intentionally forgotten effort. At least the bikes are cool, and the locations are stunning in that vivid color they used back then. Oh, and A-M gets a song in there, too...I think.

Largely forgotten now, this movie was viewed by a lot of people in the 1970s. Parents saw it, mainly for Ann Margeret, in movie theaters during its 1st run, older kids caught it, mainly for Joe Namath, during its drive-in run and all us youngsters saw it when it made it's way to TV in the mid-1970s. I remember it fondly.

A product of a by gone era, it's really not as bad as some have made it out to be. Worth it for the novelty of Joe Namath and the 1970s cheese factor alone. Broadway Joe isn't really half bad because he did have tremendous charisma and a screen presence which somewhat compensates for his lack of acting chops. Plus as his adversary, we have quintessential 1970s bad guy, William Smith (the unforgettable Falconetti from Rich Man, Poor Man mini series or bad-ass Jack Wilson in Clint Eastwood's Any Which Way You Can) who turns in a fine performance. Throw in Sid Haig, Crispin Glover's father Bruce (of Diamond's Are Forever fame) and a delightfully campy performance from Teda Bracci and you have a pretty memorable Biker gang.

I wonder if Ann Margret and her husband originally thought of Elvis for the title role because this film is similar to many of his mid-sixties on screen personas (misunderstood rebel woos wary girl, defeats opposition in race at end). Fortunately for Elvis, his career, unlike Miss Margret's at the time, had just been spectacularly reignited with his TV Comeback Special and Vegas headlining. Anyway, Ann always possessed a great screen presence of her own; enough, along with all the outdoor scenery, to keep the viewer interested.

I think if you take this movie for what it is, a mindless artifact of late 1960s/early 1970s culture starring one of that era's biggest icons, you won't regret having spent 90 mins. watching it on a dreary Saturday afternoon.

Released in 1970, "C.C. & Company" is a low-budget biker flick starring none other than Joe Namath as C.C. Ryder, a quasi-member of The Heads motorcycle gang. When C.C. hooks up with a pretty fashion designer, played by Ann Margret, it causes friction with the other gang members, particularly Moon, played by William Smith. It all comes down to C.C. and Moon squaring off in a bike race at a high school football field track.

This is a fun biker flick and not as dead serious as 1966's "The Wild Angels" – the first and best biker flick – or 1969's popular "Easy Rider," which was just as good in its own way. "C.C. & Company" also seems to have a lower budget. For instance, there's some noticeably bad acting by Smith and Teda Bracci, the latter who plays biker chick Pig, but – then again – maybe they were intentionally shooting for camp (ya think!). The obvious draw here is Namath's larger-than-life charisma and cutie Margret; it's inexplicable that Namath didn't develop a lasting acting career (maybe that infamous pantyhose commercial did him in, lol). The rockin' late 60's soundtrack is also a treat. The whole cast obviously had fun making the film and it comes off on the screen.

Besides Margret, the movie features a couple other standout women, like Jennifer Billingsley as Pom Pom and Jacquie Rohr as Zit Zit. Billingsley is rather tall with model-like beauty, albeit hidden behind her wild biker chick garb, while Rohr is petite and curvy. The latter could've easily stolen the show if she had more screen time.

While worthwhile just for the two stars and amusing as light biker fare, "C.C. & Company" is unable to overcome its limitations, which explains my mediocre rating. Nevertheless, if you appreciate the biker genre that ran from 1966-1974 "C.C. & Company" is mandatory viewing, sort of.

The film runs 83 minutes and was shot in Tucson, Arizona, and Las Vegas.

GRADE: C

As far as low budget biker films go, "C.C. and Company" definitely makes enjoyable viewing for a number of reasons. Of course, the main reason is Joe Namath, who fumbles (bad pun), stumbles and basically sleep walks (I guess he simply cannot act) through this abomination of the "so bad it's good" variety. Watching Joe in this film now is rather funny, because you wonder what he was thinking in even signing to do this movie, hoping to have some sort of film career.

Of course there is also Ann-Margaret, who is very good looking, but she isn't much in the acting department either. Actually it's safe to say that the two big names in this flick are the film's worst actors, and you can almost fall asleep in the scenes where it's just Joe and Ann. Everyone else, dare I say, seems to be having a lot more fun making this movie, especially the leader of The Heads, Joe's biker gang. He's the most fun to watch, especially when he's mad at 'ol Joe for not giving all his money into the biker "pot."

There's some good bike action, especially the final showdown between Joe and the Heads' leader on a track. Tons of cheesy scenes abound, but it's all a lot of fun. It's funny how in almost all these old biker films, many of the bikers are of the "goofy" type, and do things like carry each other in their arms. Even the big chair the leader gets to sit in looks funny. Many of the biker girls are pretty, especially when they go out on the road to "earn" some cash for the gang's money pot.

It was especially good to see this film in it's original "R" rated uncut form, after a bunch of times watching as a kid on TV in the 70's.

I found "C.C. and Company" on a DVD with two other 1971 biker flicks, "Evel Knievel" and "Angels Hard As They Come" (Gary Busey's first flick) for less than ten dollars, talk about a great bargain! The DVD was called "Classic Biker Movies" and is a definitely great deal. Even the quality was pretty decent.

I wonder how 'ol Joe feels about this flick now. No doubt he'd probably be up for a sequel!

While Joe Namath was likeable in his role, William Smith, who made a living mostly playing "bad guys" in many B pictures, gave the best performance in this movie. Smith looked like a biker, unlike Namath. He was nasty, grizzled, and mean. Just what you would expect from a "Hells Angel." With an R rating it would have been nice to see a little more skin (especially on a young Ann Margret) but the movie is worth seeing anyway.