Bloody Mama

Shelly Winters plays a wild Ma Barker in this decent Roger Corman directed flick about the Barker gang of the great depression era. Everyone playing Ma Barkers sons, who include Robert Deniro, gives a good performance. Bruce Dern also has a small role as sort of an outside member of the gang. The Barker gang is on the run, lead by their fearless mother. They rob banks and whoever they can get their hands on. There is one particular good scene involving Deniro, complete with his Max Cady accent, where he acts on the advances of a young blonde swimmer who flirts with him while he sits on the dock. Her flirty ways turn to terror as Deniro realizes he tells her some forbidden information and can't afford to let her live. Deniro lost 30 pounds for the role. He also told Corman he could drive even though he didn't have a license. Pat Hingle, a great character actor, as a high profile man who the gang kidnaps to get ransom money is also very good. This film is no "Bonnie and Clyde" but I'm surprised it didn't get more attention. Worth a look.

A gleefully trashy Corman cheapie, with Shelley Winters as the sex-crazed head of a family of criminals. Very bloody and perverse, yet strangely campy, and with good support from Bruce Dern, Robert DeNiro and Don Stroud, in a brilliantly sadistic role. Add to this Winters' fascinatingly overblown performance and you have a classic. Based on a true story, but you'd never guess.

"Blood's thicker than water," explains Shelley Winters' pious and psychotic Ma Barker. Based extremely loosely on the exploits of Ma Barker and her sons, who went on a crime spree during the 1920's and was chased by J. Edgar Hoover's newly formed F.B.I., director Roger Corman reverses the familiar pre-credits text by stating 'any similarity to Kate Barker and her sons is intentional." The truth is that the real Ma Barker had very little to do with the organisation of her family's criminal activities, but Corman gives her to Shelley Winters who grabs the role and runs away with it. This is a loud, crude, violent film, about a bunch of despicable characters. But Corman does something that is rarely done and delves into the psychology of these gangsters, and, although it's hardly Freud, comes up with some interesting and uncomfortable answers.

Leaving her home and husband in Arkansas, Ma Barker and her four sons - the towering brute Herman (Don Stroud), the practical Arthur (Clint Kimbrough), the submissive, bisexual Fred (Robert Walden), and the quiet, drug-addled Lloyd (Robert De Niro) - embark on a petty crime spree on the command of Ma. Herman and Fred find themselves locked away for petty theft, and inside, Fred is dominated by the violent Kevin (Bruce Dern), who joins Ma and her boys when they are released from prison. As their notoriety grows, the family kidnap wealthy businessman Sam (Pat Hingle) and hold him for ransom. When the boys start bonding with the father figure, cracks begin to appear in the gang.

On the surface this is just a cheap exploitation film made the master of the quickie, but it has recently received some acclaim for its unorthodox portrayal of its ugly characters. There's more than a hint of incest that runs throughout the film, conveyed in Ma's hyper-sexual activity and Herman's hesitation to leave his mother's breast. It is also often quite disturbing, as the lengths that Ma will go to in order to protect her sons becomes evident as she drowns an innocent young woman who Lloyd rapes. The performances are noticeably excellent too, especially Winters, who gives Ma a vulnerability in her need to have strong men around her, and Dern, who is creepy as the alpha-male whose sexual preferences is somewhat questionable. This is one of the finest examples of Corman's skill as a director, using limited resources to create a genre film that still stands out in a crowded marketplace, never ashamed to embrace it's exploitation roots, but bold enough to dig that little bit deeper.

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This film is Roger Corman and Sam Arkoff's answer to "Bonnie and Clyde". But not only did they take the theme of Depression-era gangsters, they also borrowed the idea of completely eradicating the facts. I would be hard-pressed to name one thing in this film that was based a real event.

That being said, it has some historical merit. Shelley Winters gives a good performance, and has said she was proud of the film (which she oddly enough promoted as a film denouncing violence, despite its clearly violent nature). She even allegedly took a punch to the face, resulting in a nose injury bad enough to get X-rays.

Bruce Dern and Robert DeNiro give some of the earliest performances of their careers, and any DeNiro fan who has not seen him in this is really missing out on his humble beginnings. These days, he is past his prime, making cheesy comedies. But have you seen him before his prime?

Perhaps most interesting, this was the big-screen debut of cinematographer John A. Alonzo. While he may not be well-known, he did go on to film "Harold and Maude", "Chinatown" and "Scarface" and snagged an Oscar nomination. Not bad for a graduate of the Corman School.

This is an amazing film for 1970, and a good film to watch by itself today. A true gangster story, with no romantics at all. Evil people do evil things, they just do them because they are stupid and degenerated. No social comment is being made, and this is actually the best decision the script writer and the director could make. Only a completly social careless society can let such people 'enjoy the freedom', with the execution squad being the only 'educational tool' it knows. The viewer gets it by itself. The mix of documentary with the true story is discrete and smart. I liked the movie, and gave it 8/10 on my personal scale.