Morris Mishkin is an elderly Jewish tailor plagued by hard times who prays to God for help and receives it in the person of a most unusual angel named Levine, a young, black, Jewish hustler ... Read allMorris Mishkin is an elderly Jewish tailor plagued by hard times who prays to God for help and receives it in the person of a most unusual angel named Levine, a young, black, Jewish hustler from somewhere between Harlem and Heaven.Morris Mishkin is an elderly Jewish tailor plagued by hard times who prays to God for help and receives it in the person of a most unusual angel named Levine, a young, black, Jewish hustler from somewhere between Harlem and Heaven.
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I absolutely hate it when a film completely falls apart near the end, after you've already invested an hour into it. and that's what happened with this film. i was intrigued by its actors and the fact that malamud wrote its source story. I haven't gone to read that story but I cannot imagine that it ends like this film ends.Fortunately i didn't pay good money to see or rent it because my library had it. ohhhh such a waste of excellent acting (the wife in particular was so perfect).but milo o'shea as a Jew?!!!! now THAT was funny. I haven't researched into its making but it played like the director lost his marbles or died 3/4 of the way through the film. Before that point, a story and characters were developing,there were a number of neat plot points and there wasn't too much time wasted. but ooh that last 1/2 hour- if that wasn't the screwiest, most worthless denouement I've ever witnessed, I don't know what is. I just hate it when one's faith is so destroyed like that; it feels like an act of violence.
Morris Miskin (Zero Mostel) is a Jewish man whose faith in God and mankind is at all all-time low. His wife is bedridden and they can barely afford her medications, he's lost his business after it burned down, due to back trouble he's unemployable and he's disowned his daughter for marrying a non-Jew. And, when the film begins, he's applying for welfare benefits as he simply cannot pay his bills. Into this messed up and depressing life arrives a man who claims he's an angel (Harry Belafonte). Not surprisingly, Morris isn't convinced the guy is an angel...especially since the angel curses God and steals. Later in the film this 'angel' even slaps his girlfriend. Clearly, if he is an angel, he's NOT a very good one. But this guy who claims to be angel promises to help Morris if only he'd believe in him.
The acting in this film is excellent...very nice and well done by Belafonte and Mostel. As for the movie itself, it's incredibly depressing...and a bit like a modern telling of Job....just a bit. But is it good and should you watch it? Well, if you are dealing with depression, my suggestion is you skip it. The film is so downbeat and hard to watch...it'll likely make you more depressed if you see it. This actually is likely for ANYONE watching the movie...it's oppressively sad to watch. And, after all is said and done, you might just feel miserable yourself. Interesting? Yes. Enjoyable, good grief, no.
The acting in this film is excellent...very nice and well done by Belafonte and Mostel. As for the movie itself, it's incredibly depressing...and a bit like a modern telling of Job....just a bit. But is it good and should you watch it? Well, if you are dealing with depression, my suggestion is you skip it. The film is so downbeat and hard to watch...it'll likely make you more depressed if you see it. This actually is likely for ANYONE watching the movie...it's oppressively sad to watch. And, after all is said and done, you might just feel miserable yourself. Interesting? Yes. Enjoyable, good grief, no.
An intriguing exploration of life and death, guilt and redemption.
Milo O'Shea, Ida Kaminska, and especially Zero Mostel are all expert with complicated (Bernard Malamud) material. But it is Harry Belafonte as the "angel" Levine that makes this must viewing.
Truly fascinating to watch.
An odd, but worthwhile film.
... and I DO mean it. If not literally (after all, I have not seen every movie ever created!), at least, obviously, among the ones, the many I know.
5.3 ??? The rule of thumb with IMDb is this: sometimes movies rated very highly (for example, the piece of Kannes-Kompetition-Krowned-Korean-Kraap called "Oldboy") can be truly bad. But rarely a movie worth watching is actually rated under 6. This movie, very much worth watching, is. A disgrace.
True, I give it a 10 in protest. The movie is not perfect. Its true rating should be an 8 or a 9. It has some acting flaws (Belafonte especially), the script wanders around, sometimes. However, what we have here is one of the greatest directors of all times, the Czech Jan Kadar, directing two of the greatest actors of all time, the beloved, larger-than-life Zero Mostel and the sublime Ida Kaminska in an acting/poetic/moral tour de force. A pair made in Heaven! It's true that this movie, little flaws apart, does not pander to the average audiences, but those interested in watching an excellent (while, again, not beyond criticism) movie of the incomparable director who gave us "The Shop on the Main Street" (the best movie ever about Holocaust) should not miss this just because some silly IMDb rating system decides that "American Beauty" is better than "The Angel Levine".
It isn't.
5.3 ??? The rule of thumb with IMDb is this: sometimes movies rated very highly (for example, the piece of Kannes-Kompetition-Krowned-Korean-Kraap called "Oldboy") can be truly bad. But rarely a movie worth watching is actually rated under 6. This movie, very much worth watching, is. A disgrace.
True, I give it a 10 in protest. The movie is not perfect. Its true rating should be an 8 or a 9. It has some acting flaws (Belafonte especially), the script wanders around, sometimes. However, what we have here is one of the greatest directors of all times, the Czech Jan Kadar, directing two of the greatest actors of all time, the beloved, larger-than-life Zero Mostel and the sublime Ida Kaminska in an acting/poetic/moral tour de force. A pair made in Heaven! It's true that this movie, little flaws apart, does not pander to the average audiences, but those interested in watching an excellent (while, again, not beyond criticism) movie of the incomparable director who gave us "The Shop on the Main Street" (the best movie ever about Holocaust) should not miss this just because some silly IMDb rating system decides that "American Beauty" is better than "The Angel Levine".
It isn't.
6tavm
When I looked up Harry Belafonte on netflix.com, this movie was listed as available for streaming. And so it is that I'm now reviewing what was previously unknown to me. Zero Mostel is unemployed because of a bad back and his wife (Ida Kaminska) is bedridden. Belafonte claims to be an angel in order to help with his problems but he has some of his own like a woman named Sally (Gloria Foster) who can't forgive him for his condescending attitude toward her. I'll stop there and just say part of me was confused by the narrative especially when Harry just keeps on making one uncomfortable with his profanities and not-always-trusting manner. Mostel also makes himself hard to identify with especially when he argues with his wife. Still, it was fascinating to watch and I was never bored. So on that note, The Angel Levine is at the least worth a look. P.S. I have to mention that Ms. Foster was born in the same city I was which was Chicago, Ill.
Did you know
- TriviaEdward G. Robinson was originally slated to play the part of Mishkin, but had to pull out due to illness.
- GoofsIt's stated the spoken languages are English and Hebrew. This is incorrect. Mishkin and his wife speak to each other in Yiddish.
- Quotes
Dr. Arnold Berg: These days, all of us need angels more than we admit.
- ConnectionsFeatured in Fosse/Verdon: All I Care About Is Love (2019)
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- The Angel Levine
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Box office
- Gross US & Canada
- $427,800
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