And Soon the Darkness

Pamela Franklin and Michele Dotrice are British nurses on a cycling holiday in France. The two women have a disagreement and Franklin splits, while Dotrice stays behind. When Franklin returns a few minutes later to the spot where she left her friend, she discovers that the woman has mysteriously vanished. As if that weren't distressing enough, she learns from the local people that the site where her friend disappeared from is the same place where a lady tourist was found murdered a few years before. Moody, suspenseful British thriller with good performances, particularly by Franklin as the worried heroine.

you won't be disappointed. The set-up is very slow and plodding, but the last hour is one of the most atmospheric and tense I've ever seen. I really felt for Jane after she loses her friend while on a biking holiday in France. I was annoyed at first, but then glad, that there are no sub-titles for the French speaking people. Jane doesn't speak French well either, so her helplessness and frustration translated to me extremely well. I felt her situation was very real. The story keeps you guessing about who to trust and who not to trust. Also, the whole movie takes place in one day during the daytime, so the title takes on extra meaning as Jane tries to find the truth. As darkness approaches, she loses more and more hope her friend is alive. Its really cool. I give it 8 out of 10.

I first saw this film in the mid 70's one night when I was babysitting.I found it thrilling and deliciously scary.There's something very natural about the girls performances.A shame Pamela Franklin retired from acting some years ago. Great to see it on DVD.Have to get a copy!.It pops up now and then on late night tv.Well worth a look.

I remember seeing this on late night television years ago, and had very fond memories of it. Recently i caught up with it on dvd, and found that my memory had not let me down. Every aspect of this film demonstrates film making talent of the very highest order. The script is superb, keeping you guessing right up to the end. The acting of the leads is faultless, but the icing on the cake is the amazing direction by Fuest. He manages to turn the open, sunny, French countryside into a nightmare landscape. Gradually cranking up the tension, alienation, and paranoia with the skill of a master. He really should have been a massively successful director. Pure craftsmanship, with a very creepy edge.

This minimalist thriller is a one-of-a-kind film with an excellent pedigree; not only is it directed by Robert Fuest, who gave us a minor horror classic in THE ABOMINABLE DR PHIBES, it is also written by two top television writers of the time, Brian Clemens (THE AVENGERS) and Terry Nation (DR WHO). However unlike the various work of the contributors this isn't an effects-driven exercise in flashiness and action; instead barely anything happens in the movie.

The pacing is deliberately slow, and the film as a whole is largely an atmosphere-building exercise with the only action appearing at the very end of the film. The visceral horror aspects are mainly non-existent and instead the film strives hard to create and maintain high levels of suspense and foreboding. The forbidding setting of a rural French landscape is a clever touch and through static camera angles and creepy music we are led to believe that the landscape we see is both alien and dangerous.

Beautifully filmed and with a strong script - with little dialogue Clemens and Nation make sure that every word counts - AND SOON THE DARKNESS is an exercise in realism. As there are no special effects involved the film hasn't dated at all and could be taken for the present day if it wasn't for the minor trappings, i.e. the old fashioned vehicles and hairstyles. Again the realism is strengthened through the matter-of-fact storyline, with large periods of inaction adding to the experience.

The main emphasis is on the murder mystery aspect of the plot, most of the film acting as a whodunit and asking the viewer to guess firstly what happened and secondly who is responsible. The task isn't easy at first, with loads of red herrings and plot twists being thrown in our way, but gradually light will begin to dawn on those who have prior knowledge of these kinds of movies.

The cast is an extremely small one, consisting of only four or five major characters. This adds to the isolated nature of the movie, especially with the language barrier deeply affecting the situation of our leads. Pamela Franklin proves she has grown up a lot since THE INNOCENTS with her mature yet fragile nurse character and her subdued turn is generally spot on. In comparison, Michele Dotrice (SOME MOTHERS DO 'AVE 'EM) is flirty and attractive as her outgoing companion and also makes a favourable impression. Sandor Eles (COUNTESS Dracula) is given a chance to shine as the shifty Frenchman who gets caught up in the events and becomes a prime suspect.

Shots of unkempt farmers staring at Franklin over lonely open landscapes and cars soaring into the distance go a long way in adding to the increasing atmosphere. Despite the lack of violence, murder and bloodshed, horror fans should enjoy this movie through the sheer amount of suspense and atmosphere that it offers. Definitely a thought-provoking and at times gripping movie. A similar offering - but even rarer - followed three years later with DEADLY STRANGERS.