Alex au pays des merveilles

Made in the aftermath of the sixties - and not without a hint of LSD - this view on the life, times and troubles of a young movie director, is also a must-see commentary on the relations between art and industry, independent film-makers and big-time producers, American cinema and European cinema. Glorious appearances by Federico Fellini (a hard-working man, whom Alex disturbs in Cinecittá while he's editing a TV special) and Jeanne Moreau serve as extra features that will attract every real movie-buff. At the same time, the movie owes much of its intensity (and/or intimacy) to a close-knit cast, where even the director and his wife are listed. And for very good reasons. If you still think at cinema as an adventure in the making, you won't be disappointed by this one.

i saw this for the first time last night and thought it was fantastic - the best Mazursky movie i've seen (by far). i come here and find it has a 5.0 and most people hate it... strange. must have hit me at the right moment. i've been interested in seeing it for 20 years - glad i didn't until now.

yes, portions are derivative and pretentious, but Sutherland's incredibly likable and the film has a free and easy feel reminding me of a kind of urban easy rider. it's more of a long poem than a standard movie.

the sequence at Mazursky's office is amazing.

Paul Mazursky co-wrote and directed this self-indulgent, though rarely boring, chronicle of an emerging movie director's quest to find a relevant, honest subject for his second picture. With reality and fantasy intermingling (often with a heavy hand), Mazursky is able to try out different filmmaking styles and techniques--some bold and some pretentious. This approach turns the picture into a series of vignettes, not all of which hold together, however there are wonderful individual moments amongst the dross. Donald Sutherland has a magical chance meeting with Jeanne Moreau in front of a book store, and there's an elaborate, surreal scene of war on Hollywood Boulevard (as seen through the jaundiced eye of a movie camera). A prickly bit of overstated authority on the U.S./Mexico border (with Sutherland singled out possibly because of his long hair and beard) is still topical today, however the circus folk and hippie longueurs probably looked embarrassing and dated only a year or so after the movie was released. An excursion to Rome seems included only to get a Federico Fellini cameo in the movie (Mazursky emulates Fellini's "8½" throughout, however the director's bit part is a gambit that fails to pay off). Everyday scenes of family life (house hunting, grocery shopping, etc.) are handled far too lackadaisically, although the depiction of Hollywood, California circa 1970 (wherein the Old Regime has been replaced with the avant garde New Wave) has a pointed preciseness which makes "Alex in Wonderland" an occasionally bracing document of its era. ** from ****

.....because I have fond memories around it. Yes...it is so very dated. But I remember the tender relationship Sutherland's character had with his family, his wife and two daughters, in this movie. I also remember how entranced I was with Donald Sutherland - the actor. He was so charming. This was the first movie I ever saw with him and the first movie I ever saw in the theater without my parents. It was the first time I was able to go to the movies with friends only, and what a time we had. All five of us silly, giggly, girls....and we couldn't take our eyes off of "THE Donald". So when you watch this movie now on cable or DVD, see NOT a movie of no value, but of a wonderful fantasy vehicle that five little girls took one Saturday afternoon in 1970. What a memory!

This is definately not for everybody. I found this really interesting and since I started combining forces of cable TV with IMDB I discover really nice films. After all THERE ARE nice, different & interesting american films, even in the seventies!

Anyway, this movie is not for people who like one-dimentional films. This is both serious and funny, both tragic and amusing. Even if its not too slow, it won't appeal to those who like it fast.

Basicly it's about an intelligent director who is starting to lose it a bit. This is depicted in a most realistic way. I dont know what it has in common with Fellini's 8-IN-1, as I havent seen it. Anyway ALEX IN WONDERLAND implies a straight effect of 8-IN-1 on it.

The dialog is the strongest about this one and people on stupid action films or those who dont like a dialog based flick wont find anything in this one.