Josie et les Pussycats

I enjoy this cartoon, but the comic series was different. They've changed it in several ways: Alan is now the love interest, not Josie; Alexander is now like Shaggy (maybe so they could get Casey Kasem to play him), and Alan is like Fred! I thought only movies could change the stories on which they were based! On top of everything else, Alexandra pursues Alan endlessly. This is weird!

This cartoon is great! While many people look at it as a poor man's version of Scooby Doo, this series was more urban, more hip & more fun. Prior to "Where in the world is Carmen San Diego?" this cartoon introduced me to geography and history and got me interested in learning about other places in the world. There was definitely more of an adult sense of humor and some interesting characters. The stories varied and often had a few surprises (unlike Scooby Doo). This series was good enough to spawn a spin-off series (Josie and the Pussycats in Outer Space). Unfortunately, like many spin-offs, it wasn't as good as the original. If you get a chance to see the original Josie & the Pussycats, enjoy!

The fearless redhead. The dingbatty blonde. The ingenious African-American. The hunky roadie. The gutless manager. The catty raven. The snickering Shorttail. The gallery of brilliant villains. A library of marvelous music. The perfect formula for a great cartoon series named "Josie and The Pussycats". Yeah, yeah, dirty minds(and several little minds)would go nuts about a certain part of the title, but the rest of us think the title was really groovy. Based on Archie Comics' great comic book, the Hanna-Barbera cartoon showcases musicians Josie McCoy, Melody Valentine and Valerie Brown, their roadie Alan Mayberry, their manager Alexander Cabot III, his volatile sister Alexandra and her snickering cat Sebastian. They perform all around the world, spending their spare time thwarting international schemes to conquer the world. Troublemakers such as The Countess, Mr. X, Greenthumb, Evil Eye, Midas, Nemo, and the Scorpion make the band's lives a living HELP(a term Alexander never forgets to yell for in every episode)! Janet Waldo, Jackie Joseph, and Barbara Pariot are the terrific trio, Jerry Dexter and Scooby Doo Alumni Casey Kasem are the dudes, Sherry Alberoni is the 'tude and Scooby himself, Don Messick, is the cool cat. The girls who give us those cool tunes such as my favorite, "You still have a way to go" are really Catherine Dougherty, Patrice Halloway and Cheryl Ladd as Melody's singing voice. JATP's charm comes from Josie and her allies. Josie makes the perfect leader, a perfect combo of wisdom, strength and beauty. Melody is the giggling silly of the group, always smiling and laughing no matter what the situation. Valerie is one of the first influential Afro-American cartoon characters. A pre-Cleopatra Jones like super spy who's the brains of the outfit and the lyrics of Josie's songs. Alexandra's cattiness keeps Josie on her toes and Alexander's gutlessness makes for some fine comedy. Alan's hunky appearance makes Josie and Alexandra's conflicts even more juicier. I felt it was only fair for me to rave over this great cartoon series, because I dissed the movie. Mayhaps if the writers made the movie more closer to the cartoon and more family friendly, I would have loved it. But NOOOOOOO, those saps made it just another Hollywood PG-13 zombie. Phooey on them! Their spin-off, JATP IN OUTER SPACE, may not have all the songs, but it is equally entertaining. I suggest you all see both the cartoon versions . .. and the comics, too.

Sarcastic Alexandra is really the star of this cartoon series, with her cantankerous manner and continual put-downs (she even tells her cat Sebastian off, as with this caveat while unloading the van: "How would you like a suitcase sombrero?"). Josie gets completely lost in the woodwork, offering no solutions and no banter; blonde Alan is also a dullard (is that why they put them together?). I enjoy "Josie and the Pussycats" somewhat more than the similar "Scooby Doo" series simply because it's about musicians in danger and not a motley crew of teenage sleuths (and the music is actually pretty jazzy for bubblegum). Still, there isn't much direction at work here...and no driving force.

It would be nearly three decades when I would see this cartoon again, having totally suppressed all my memories. As I watched a six episode marathon on Cartoon Network, when the song "Lie, Lie, Lie" began in "The Secret Six Secret", I was transformed to my childhood again. Since then I have collected comic books, recorded all the cartoons as well as various storybooks.

Josie began as a female Archie. Her creator, Dan DeCarlo, named her after his own wife. Alexander and Melody were there from the start, and yes, Alexander Cabot III was indeed very similar to Reggie Mantle in Archie.

Basically, Josie and Alexander were gender-reversed Archie and Veronica, to an extent.

When Alexandra appeared in the comic book, she was more of a soundboard for Alexander and would even befriend Josie.

Just before the Hanna Barbera cartoon would be launched six years later, Alan M. would be introduced as a folk-singer and an object of affection for Josie and Alexandra, bringing on what is one of the grandest rivalries this side of Betty & Veronica, totally devoid of any friendly terms.

Believe it or not, Sebastian would be introduced in the comic book as the reincarnation of an ancestor of Alexander and Alexandra. Rarely, if ever, would the comic book cat have the life of the cartoon version.

With the sudden creation of Valerie, the assortment would be complete for the cartoon, which was seeking to cash in on the success of the animated Archie and Scooby Doo.

Tho it would be on for only one year, it would end up a remarkable cartoon. All the other cartoons, Scooby Doo included, would have a group that would leave you wondering why they were there. Were Shaggy and Velma boyfriend and girlfriend, too? Did the Neptune band members in Jabber Jaw date as well, then in what order, since Clamhead and Shelly would run off together.

None of them would be as intertwined as the Josie group was, especially the interfering rivalry of Alexandra. She wanted to be leader of the Pussycats and she wanted Alan, both of which Josie possessed. Josie may have been totally devoid of character, but you had to have pity for the girl with Alexandra after her from both sides like that.

Sebastian's reincarnation would be totally dropped, much for the better. As an upright, anthropomorphic cat, Sebastian seemed more feline than he even might have as an ancestral Cabot wizard.

Alexander was clearly altered into Shaggy II, yes, to cash in on Casey Kasem's vocal talents. The only time this was damaging was in the Scooby Doo movie when Josie met the Scooby Doo gang and Shaggy and Alexander spoke at the same time. Alexander's voice changed.

Hands down, Alexander, Alexandra and Melody kept the cartoon moving. When the gang would split into groups (varying in order, unlike Scooby Doo, which nearly always sent Fred, Velma and Daphne out of the picture), for Alexander to go with Valerie and Melody and Alexandra with JOsie and Alan would be a delight, with character conflict on both ends. When Josie, Alan and Valerie were off together, the show would be uneven.

Alan would attempt a character with a "man of a thousand faces" bit in one episode, but that really bordered on insulting, with native American and oriental depictions. And the face change with pies to the kisser wasn't very entertaining either.

Song-wise, the show was smoother than Archie or Scooby Doo. Lie, Lie, Lie is undoubtably my favorite, but Road Runner, Voodoo, Beat of My Heart, Clock on the Wall are powerhouses unlike the songs in any other cartoon. The song in Midas Mix Up, played while the gang is fleeing down a snowy mountain on skis is truly wonderful.

The Josie gang would attempt to carry on as did Scooby Doo, but they would do the outrageous thing like going into outer space, which isn't regarded as anything near as good as the original show. They even got their own Scrappy Doo in the form of Bleep, a space cotton ball seal thing.

The Pussycats were a groundbreaker as an all-girl band, they were also original in that the female ratio outnumbered the male, unlike Scooby Doo or Archie, yet again, we could perceive why everyone was there.

And the band sequences were animation over real persons, much like Disney had done with Snow White thirty years earlier, another factor that makes the cartoon so endearing.

It would be nice to think that Josie and her gang got their big break some day, but the struggle was also a winner for the show.

The movie blew it by deciding Alan, Alexandra and Alexander were minor and trying to focus on the girl trio. The non-Pussycats would at least be prominently featured, but I would have just loved to see a black and white cat shown just once.

Was that too much to ask for?

Still, observing the transition from comic book to cartoon to movie is a fantastic journey.