Matt Helm règle son comte

Well, at least compared to the two Matt Helm flicks immediately preceding it. After a couple of pretty big missteps, the series returns to the fine form of the first film, The Silencers. This is in no doubt very much due to the return of that film's director, Phil Karlson of Walking Tall fame.

While the budget was obviously reduced for this one, it may have helped the pacing, which is not bogged down by cumbersome set pieces and elaborate gadgets. From the time Helm first arrives at Contini's château, the movie races breezily along helped by well choreographed (by Bruce Lee!)fight scenes in place of the earlier movies' overblown hovercraft chases, runaway spaceships and the like. Additionally, this is the only one of the 4 Helm movies where the main villain's death doesn't seem anti-climatic. The soundtrack is great and absolutely helps to keep things moving along as well.

This cast is most enjoyable, with Nigel Green stealing the show while stealing the gold. He delivers many of the best lines in the movie, nay the series. Nancy Kwan and Elke Sommer are excellent as a couple of deadly femme fatales and Tina Louise is rescued from Gilligan's island just in time to give Helm his first lead. Sharon Tate showed a proclivity for comedy that was so deft and popular with movie goers that she was supposed to reprise her role in the never to be made The Ravagers. Also notable was the film debut of a little known martial arts expert named Chuck Norris. Dino himself seems to be enjoying the proceedings this time around and is a little more energetic. MacDonald, Helm's boss, is now being played by John Larch and actually takes part in some of the action.

In conclusion, this is one tight, exciting and truly funny (without being silly) little movie, at least by Dean Martin Matt Helm standards. It's too bad this was the last in line, because it could have served as the action comedy template going forward.

Dino was 51 and smooching ridiculously hot actresses half his age when he did The Wrecking Crew, one of the all-time cringeworthy films but still fun. A fifth Helm was planned but Martin bowed out. The entire total-escapist series was written, produced and directed by a team that owed its sensibilities and point of view to the men's magazines of the late 50s and 60s and took very little from Hamilton's novels. It made fantasy logic that his cover was a glamour magazine photographer pursued at first sight by gorgeous models. I saw them all at the movies and dreaded the moments when Dean would croon a tune. The supporting players were always great pros and the actresses were all fantasy women. In this final entry, James Gregory (Matt's boss McDonald) is replaced by John Larch and while Larch was a fine actor, Gregory's rich baritone is missed. Someone must have watched Deadlier Than The Male, a much better film than any of the Helm movies, because Elke Sommer and Nigel Green, the lethal duo from Deadlier, essentially reprise their roles. The opening theme song ("Ah So, Ah So") was embarrassing 50 years ago. Otherwise, Montenegro's music was memorable at times. The production values are top-notch, for the most part. The hand-to-hand fight scenes were poorly choreographed, performed, shot and edited even though the great Bruce Lee was involved. The only sad note about this film is the fate of lovely Sharon Tate who has a substantial role, exploited this year by Tarantino in his uber-fantasy Once Upon A Time In Hollywood.

Much better than the previous 2 Matt Helm films, but not as good as the first, THE SILENCERS. THE WRECKING CREW was directed by PHIL KARLSON as was the first Matt Helm movie 3 years earlier. This time around, Matt Helm (DEAN MARTIN) is sent to Denmark to immobilize Count Contini (NIGEL GREEN) who has hijacked a fortune in gold bullion. Assisting Helm is eager, but bumbling Freya Carlson (SHARON TATE). Freya is more of a hindrance than a help however. Contini's former flame Lola Medina (TINA LOUISE)is willing to provide pertinent information to Helm, for a cut of the action. She is killed though before she can tell him anything by a bomb laden bottle of scotch placed in her bar by Contini's current paramour Linka (ELKE SOMMER). Another beauty in the Count's arsenal is Yu Rang (NANCY KWAN). Contini tries to buy Helm off, but when that is unsuccessful, resorts to a dozen lame brained attempts to murder him. Will Helm triumph over the evil Count Contini ? What do you think ? One of the reasons that this movie is better than the previous 2 is that Helm is giving a female sidekick that is funny. As in THE SILENCERS where you had klutzy Gale Hendricks (STELLA STEVENS), here you have Freya (SHARON TATE) in a similar role. Neither MURDERERS ROW, nor THE AMBUSHERS had that. And TATE, although only 25 when this was made, showed very funny comedic ability. The production dollars spent appear less than in all 3 prior Helm flicks. In a scene where Helm is sparring with one of Contini's men outside of the Count's chateau, the artificial grass fold up like a rug. The interior sets look like something from a porno movie. The fight scenes are slow, and obvious. At 51, MARTIN was getting a little old for this kind of thing. Plus, JAMES BOND aside, ersatz "Spy Films" were on their way out. If you watch the credits at the end, you'll see a notice that states : Matt Helm will be back in THE RAVAGERS. Alas, it was not to be. This genre had run its gamut and what a schmaltzy time it was !!!

The movie is fantastic in its execution, not its substance, but it was never intended to be serious.

The movie has all the glamor, and opulence that only American movies seems to be able to deliver. The choice of color, the character, and of course the girls.

Dean Martin's Matt Helm was a product of the swinging '60s, and it's a beautiful movie in its own way. I wish that the modern movies had more of this kind of opulence to its style. Why not live a little like the way these people did ?

It's intentionally silly, but if you take away the silly it still has the glamor like nothing you see these days. The movie is worth seeing for this alone.

Elke Sommer, and Sharon Tate were beautiful, and we don't see beauties like this anymore either.

Count Massimo Contini (Nigel Green) is the mastermind behind a billion dollar gold robbery. His plan is to send the world markets into chaos. He may get away with it unless Matt Helm (Dean Martin) can track down the missing gold. But along the way, Helm will meet up the Count's hired muscle, a gorgeous female killer, and a ditsy woman who insists on helping him.

I suppose the best way to describe a Matt Helm film would be a light and breezy spoof of the James Bond movies. Nothing is very serious and you're sure that everything will work out in the end. Dean Martin plays Matt Helm about as laid back as could be imagined. Instead of a gun, you're more likely to see him with a drink in one hand, a cigarette in the other, a beautiful woman to ogle, and a quick quip. His fights scenes may leave a lot to be desired, but there's no denying his "cool".

The Wrecking Crew is actually one of the better Matt Helm films. The hiding place of the gold is ingenious, the spy gadgets are plentiful, and the women are everywhere. The cast is one of the better assembled for any of these films. Nigel Green and Elke Sommer make a wonderful pair as the distinguished master criminal and the sexy killer (roles very similar to the ones they played in 1966's Deadlier Than the Male). But Sharon Tate really shines as the ditsy Freya Carlson. It's incredibly sad to think that this would be Tate's last role before her brutal murder. She's a joy and a real pleasure to watch.