Matt Helm règle son comte

Someone once said that Dean Martin was so laid-back he made Perry Como look like a nervous wreck. It was said if a nuclear bomb went off behind him he wouldn't even drop his martini glass. Martin and his fellow Rat-packer Frank Sinatra were among our few recording giants who achieved in films as well. Although not as good an actor as Sinatra, Martin had a charming presence on the screen and was always entertaining to watch, even when you knew he wasn't taking it too seriously. The Matt Helm films came out at the same time as Sean Connery was playing Bond and have been largely forgotten today. Martin played the reluctant spy with tongue firmly in cheek. The Wrecking Crew was the last of the four Helm films and I feel it was the best. A gold train has been hijacked by a criminal mastermind. The one billion dollar theft will cause world wide financial panic and its up to Matt Helm to save the day. Of course in any spy film of this nature, you have to have beautiful women and there are plenty here. Elke Sommer and Tina Louise light up the screen, but it is Sharon Tate who steals the show as bumbling MI5 agent Freya Carlson. I thought it was so funny how she kept getting Helm into deeper and deeper trouble, even getting him arrested at one point. She tells him "I wont desert you Mister Helm". He says "Do me a favor PLEASE DESERT ME!". However, she comes through in the end and there is a good fight scene between her and Nancy Kwan. (For trivia lovers, Chuck Norris and Bruce Lee helped to set up the fight scenes for this film). People have commented the fight scenes involving Helm are fakey, what do you expect? Dean Martin was 52 when this film was made. Sharon really stole the show in this one, in fact they later based one of the characters in the Austin Powers films on her character here. This was her last film before she was murdered by the Charles Manson family. Its chilling when you watch it and think of how horribly her life ended.

In this one, Matt Helm's antagonist is Count Contini, a gold smuggler, played by Nigel Green. He is aided by his gang of thugs and two female sidekicks, Linka (Elke Sommer) and Gwen Ya-Rang (Nancy Kwan). As might be expected, both try to seduce Matt, offering fake carrots. Interestingly for a Matt Helm movie, however, Linka is a rare woman in Matt's orbit who is the recipient, rather than initiator, of the first display of interest. Earlier, there is a nice scene in which Lola Medini (Tina Louise), a former associate of Contina, seduces Matt in connection with the intrigue.

Ultimately, it is Freya Carlson (Sharon Tate) who gets her man. She is a Danish tourist agent who leads Matt around in fulfilling his duties. Like Stella Stevens in "The Silencers," she is initially quite clumsy, and is involved in a nice wetlook scene (actually, so is Linka). Freya helps Matt foil the villains.

I'm focusing mostly on the women here, but hey, you can hardly beat this bunch in this male fantasy series. The only Bond movie that can rival this group is "Thunderball."

As I watched this movie I couldn't help smiling. The movie is essentially a spoof of James Bond flicks with super-guy fighting well-equipped villain. Seductive women and ridiculous gadgets are abundant. Some are as cute as they come (I am talking about women here). All are fallible (women). All women fall for our super-guy. He seemed to be bemused by this (who wouldn't). While he conquers one woman after another, he also manages to rescue a few tons of gold from the grip of the above mentioned villain (the later is usually considered to be the main plot - what a preposterous notion). One has to love the irreverent soundtrack. They don't make movies like this anymore. Pity. 9/10.

I have not seen any of the other Matt Helm films, first off. My main reason for getting this film was that Sharon Tate was in it. I think it's safe to say that, out of her very brief acting career, her role in "The Wrecking Crew" is her best out of all her films. In all her other roles she played the blonde sex kitten with little to do but smile pretty for the camera. In this film, however, she gets the chance to shine as a tough yet sexy, red-haired secret agent who assists Dean Martin's Matt Helm in apprehending a group of gold thieves. The plot is ridiculous, Dean Martin looks more than a little out of it, and the sets and music are bursting with such an infectious '60s vibe that you just have to love it in all of its corniness. That title song is stuck in my head for weeks after I watch the movie - and I love it! Don't miss the catfight between Sharon and Nancy Kwan, as well as Sharon's jaw-dropping booty-shake dance sequence. Oh man, what a babe.

Dino was 51 and smooching ridiculously hot actresses half his age when he did The Wrecking Crew, one of the all-time cringeworthy films but still fun. A fifth Helm was planned but Martin bowed out. The entire total-escapist series was written, produced and directed by a team that owed its sensibilities and point of view to the men's magazines of the late 50s and 60s and took very little from Hamilton's novels. It made fantasy logic that his cover was a glamour magazine photographer pursued at first sight by gorgeous models. I saw them all at the movies and dreaded the moments when Dean would croon a tune. The supporting players were always great pros and the actresses were all fantasy women. In this final entry, James Gregory (Matt's boss McDonald) is replaced by John Larch and while Larch was a fine actor, Gregory's rich baritone is missed. Someone must have watched Deadlier Than The Male, a much better film than any of the Helm movies, because Elke Sommer and Nigel Green, the lethal duo from Deadlier, essentially reprise their roles. The opening theme song ("Ah So, Ah So") was embarrassing 50 years ago. Otherwise, Montenegro's music was memorable at times. The production values are top-notch, for the most part. The hand-to-hand fight scenes were poorly choreographed, performed, shot and edited even though the great Bruce Lee was involved. The only sad note about this film is the fate of lovely Sharon Tate who has a substantial role, exploited this year by Tarantino in his uber-fantasy Once Upon A Time In Hollywood.