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5.2/10
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Chautauqua manager Walter Hale and his loyal business manager struggle to keep their traveling troupe together in small-town America.Chautauqua manager Walter Hale and his loyal business manager struggle to keep their traveling troupe together in small-town America.Chautauqua manager Walter Hale and his loyal business manager struggle to keep their traveling troupe together in small-town America.
Anthony 'Scooter' Teague
- Clarence
- (as Anthony Teague)
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It's 1927. A traveling Chautauqua show arrives in a small Iowan town. Walter Hale (Elvis Presley) is the new manager of the struggling company.
This is most notable for being one of Elvis' last films. One may also notice The Brady Bunch's Cindy. Elvis may be trying to do some acting but I'm not sure how far into the drug haze he is at this point. I expected more from him and his character. He is still very beautiful with his natural charms. In the end, the plot has no narrative drive and Elvis isn't doing that much with the character. It's like he hasn't grown as an actor and he doesn't have that many songs in this one. It's trying for some light comedy but it's not getting much laughs. It's the end of an era.
This is most notable for being one of Elvis' last films. One may also notice The Brady Bunch's Cindy. Elvis may be trying to do some acting but I'm not sure how far into the drug haze he is at this point. I expected more from him and his character. He is still very beautiful with his natural charms. In the end, the plot has no narrative drive and Elvis isn't doing that much with the character. It's like he hasn't grown as an actor and he doesn't have that many songs in this one. It's trying for some light comedy but it's not getting much laughs. It's the end of an era.
Although Elvis' fans may be disappointed at his lack of screen time here, he's actually in a role that is suitable to his persona -- a free-wheeling carnival organizer in turn of the century middle America. The festival he is promoting is no ordinary carnival, though -- it also features theater and philosophical dissertations (delivered by none other than then king of horror Vincent Price) and a kiddie talent show that motivates part of the plot. The rest of the plot is motivated by sleazy merchant Dabney Coleman, and his relations to the mother of a girl in the talent show.
The children in the talent roles are really excellent performers, and this whole production has a quality and a care taken with it that no other post 1966 Elvis movies can boast of. The title is really a turn off, but this is a movie that not only would have stood on its own without Elvis, but which actually benefits by his performance. Solid quirky directing in all but the musical numbers, somewhat interesting movie.
The children in the talent roles are really excellent performers, and this whole production has a quality and a care taken with it that no other post 1966 Elvis movies can boast of. The title is really a turn off, but this is a movie that not only would have stood on its own without Elvis, but which actually benefits by his performance. Solid quirky directing in all but the musical numbers, somewhat interesting movie.
One of the few of Elvis' last movies I'd never seen before, and kind of refreshing. The action takes place in 1927 and that setting looks and feels very much in the spirit of the period as Presely plays the cool manager of a traveling show, or a "Chautauqua". He tries to keep the show going on and the profits coming in, while all sorts of crazy situations present themselves, including a murder. There's quite a cast of characters on hand: Marlyn Mason is the union shop steward and piano player, Sheree North is the local town slut, Dabney Coleman plays a despicable gambling drug store merchant, and even Vincent Price and John Carradine get into the act as members of the troupe (Price is delightful as an energetic Philosopher, but Carradine not so much in a wasted quickie as a Shakespearean actor). Also featuring little Anissa Jones (Buffy from "Family Affair") and a quick singing turn by Susan Olsen (Cindy of "The Brady Bunch").
The direction here is sometimes odd, but some handling of sequences are interesting. Elvis is solid in the film and really looks great if not a true reflection of the times, but the only song of note is his rather nifty rendition of "Clean Up Your Own Back Yard", one of the film's highlights. Someone really made a mistake in coming up with this extremely inappropriate title, though -- this is not one of Presley's typical formula films about girls, girls, and more girls ... it's misleading and doesn't do the movie justice. **1/2 out of ****
The direction here is sometimes odd, but some handling of sequences are interesting. Elvis is solid in the film and really looks great if not a true reflection of the times, but the only song of note is his rather nifty rendition of "Clean Up Your Own Back Yard", one of the film's highlights. Someone really made a mistake in coming up with this extremely inappropriate title, though -- this is not one of Presley's typical formula films about girls, girls, and more girls ... it's misleading and doesn't do the movie justice. **1/2 out of ****
Elvis Presley runs a traveling medicine show that sweeps into a small Ohio town and stirs up the locals. Interesting (if not entirely convincing) 1920s production design (no one had hair like Elvis in the '20s...or so I've been told), cute kids running around (including Anissa Jones from "Family Affair" and an uncredited Susan Olsen from "The Brady Bunch"), Dabney Coleman doing his schmuck-thing (very well), and a hilarious Joyce Van Patten as an Olympic swimmer. Elvis drops out of sight for much of the proceedings; he's around to break up a fight or help pitch a tent, but the film is mostly about the wacky small town folk. In the final minutes, when Elvis gets up on stage with his guitar, the movie is suddenly no longer about these supporting characters--it's all about E.P. whipping the audience into a frenzy, and the cinematographer goes wild with his zoom-lens. "Girls" is misguided, oddly directed, and unsure of what audience to target, yet there are some good things in it, including an interesting milieu for its star. ** from ****
For an Elvis movie his presence here is strictly secondary and he is sidelined throughout. The picture seems like it wanted to be more than it was, which is a run of the mill mystery with a few songs thrown in. It tries to tell a couple of different stories at once, none really compelling, and sort of limps along until it just ends. Of more interest as a chance to spot the familiar face in small parts than anything else. Hey look there's Vincent Price and Buffy from Family Affair and Cindy Brady and WOW look how young Dabney Coleman is! At least the film is loaded with reliable performers, Sheree North, Edward Andrews, Marlyn Mason, John Carradine etc. they just aren't given much to work with. Not a ghastly film just very ordinary and not terribly involving.
Did you know
- TriviaElvis was paid $850,000 plus 50% of the profits.
- GoofsThe opening narration summarizes some of the events of the movie's 1927 setting, including "Janet Gaynor won the first Oscar." Her Academy Award was not awarded until May 1929.
- Quotes
Betty Smith: Do you think Romeo and Juliet had pre-marital relations?
Mr. Drewcolt: Only in the Des Moines company.
- ConnectionsEdited into Elvis on Tour (1972)
- How long is The Trouble with Girls?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Trouble with Girls
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 39 minutes
- Aspect ratio
- 2.35 : 1
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