Prends l'oseille et tire-toi!

For those of you who think that all Woody Allen's movies are vapid stories of neurotic rich New Yorkers, you need to see his early movies. "Take the Money and Run" is a good example. Allen plays Virgil Starkwell, an inept criminal. No matter what sort of crime he tries to pull off, something always goes wrong. Probably the funniest scene is when he tries to escape from jail like John Dillinger did. Other scenes include the time when the authorities use him in an experiment, with a silly result.

Anyway, Woody Allen's old movies were really funny. The thing was that he created a bunch of outlandish premises and infused his New York Jewish humor. This is what comedy is all about!

Woody Allen hit gold with his second film, "Take the Money and Run", which is a basic film that works on so many levels and is memorable strictly for its charm and good wit.

The story follows Allen's Virgil Starkwell, whose life is told in documentary fashion. We learn he had a strange childhood and turned to crime to fulfill his needs. We learn of his romance and sympathize with him as we engage in prison escapes and witness him put in a chain gang. The documentary style might prove to be a "gimmick" of sorts, but it works because had the story been told any other way it simply would not have worked.

Also, "Take the Money" is an early token of what's to come and what the general audience will expect of Allen; smooth drama balanced by fast, witty monologues and lots of self-humiliation. To see this is to witness the early work of the director who ultimately brought us "Bananas", "Sleeper", "Manhattan", and the Oscar-winning "Annie Hall". And if anything, just track it for its over-the-top humor, not as in-your-face funny as "Sleeper" or as sexually hilarious as "Annie Hall", but it's warm and withdrawn, balanced all together by a very good ending (always one of the weaker parts in almost all of Allen's films).

Highly recommended! ***+ (8.5/10)

Take the Money and Run (1969) was Woody Allen's motion picture debut (sans 'Tiger Lily). The film follows the life of a criminal loser, shot in a faux documentary style. Allen used the most out of his small budget and made an amusing film. This was the beginning of his slapstick/farce phase that would last until the early 70's. An interesting start for one of America's most unique film-makers of that era. The script by Mickey Rose and Woody Allen is deeply engraved with screwball humor from their childhood icons such as the Marx Brothers and Charles Chaplin. This film showed the promise of a brilliant director who would become a major player in Hollywood in the years to come. Highly recommended.

A.

The clumsy Virgil Starkwell (Woody Allen) is bullied when he is a child. Then he decides to play cello, but without musical talent, the loser joins a street gang and ends in prison. When he escapes, he meets the laundry worker Louise (Janet Margolin) and lies to her, telling that he plays cello in the symphonic orchestra.

He is arrested in a hold up and Louise finds him in prison. He breaks out and flees with Louise to another state. He tries to be honest but he is incapable to fit in any job. When he finally finds a job position suitable for his intellect, he is blackmailed by a colleague and returns to his criminal life. But his heists are disastrous and he always ends in prison.

"Take the Money and Run" is the second film by Woody Allen in a documentary style the same way he does with "Zelig" in 1983, and tells the saga of a clumsy smalltime thief. The last time I had seen this film was on 22 August 1999 and this time I found it still enjoyable, but less than the last time.

Virgil Starkwell is an incompetent loser obsessed with bank heists. The narrative and interviews in the documentary style of the 60's and 70's have hilarious moments and is closed by the funny interview of his neighbor that asks to the interviewer how an imbecile like Virgil could plan the heist of banks. My vote is seven.

Title (Brazil): "Um Assaltante Bem Trapalhão" ("A Very Clumsy Thief")

Take the Money and Run ranked rather high on the AFI's list of the 100 Funniest movies, which surprised me. Although it's got some hilarious bits of comedy (the bank robbery, of course, is the funniest bit), the humor seems a bit dated, on par with What's New Pussycat or Casino Royale as opposed to Bananas and Sleeper (his two early comedy classics, in my opinion). Janet Margolin (RIP) was a talented actress, but I didn't find her particularly funny in this movie. She was better in a brief role as one of Woody's high-strung ex-wives in Annie Hall. Louise Lasser and Diane Keaton were worthier (and funnier) replacements. A good bet for rainy day laughs, but not one of the funniest movies of all time.