Le fossoyeur

This is the third Sartana played by Garko film I have seen and while I found the first two to be mediocre at best this one hit me positively. Sartana is falsely accused and is searching for the real bank robbers. The evolving story consists of many little entertaining episodes and whenever you think that the real bad guy is already revealed there is one more twist. In his quest Sartana is assisted only by Buddy Ben who is well played by Frank Wolff, the rest of the characters is hunting the bounty put on his head. No problem for Sartana who kills them all, most of them with his Derringer pistol. Kinski with more screen time than usual shines in his role as an addicted gambler.

The lead characters are having their own and nice scores. Cinematography is above average but I've seen already better. The German budget DVD is OK and has even the original Italian soundtrack.

7 / 10 (**1/2)

Forget all American westerns when you've been watching Spaghetti westerns, they are utterly opposite, "Sono Sartana, il Vostro Becchino" was a second entry Sartana, it's has a stylized concept, as dark and obscure characters, fancy clothes, skillful handling cards, unusual guns, also when someone falling down by a deadly shot they made it in humbling scene, the moving camera work is extremely well-done for several angles, anyway a different genre, the plot is about a fake Sartana who stolen 300.000 dollars of a bank, henceforth Sartana's (Gianni Garko) head has a fabulous reward 10.000 bucks, then he starts to clean his name, meanwhile has to struggles against countless bounty hunters that are willing lost his skin for this such large amount of money, each one was a proper grave at his path, until reach on lawless gambling city, there is the hideout of phony Sartana, but who is him anyway? Usually spaghetti has pretty girls around, in this just few ordinary girls was introduces at casino, also the casting are great names as Frank Wolff, Ettori Manni, Klaus Kinski, Renato Bladini and Gordon Mitchell in just two sequence, what a waste, enjoyable spaghetti!!!

Resume:

First watch: 2020 / How many: 1 / Source: DVD / Rating: 7

It's true that the spaghetti western genre isn't one to brag about originality. Movies from it often borrow thematic elements from one another and most of the time that results in one very unsuccessful imitation of the real thing. But sometimes a director is able to look past the genre's obvious limitations and instead of just trying to blindly emulate he focuses on creating something that stands good on it's own. Such is the case of Giuliano Carnimeo's "Sartana the Gravedigger".

The whole movie revolves around it's main star and character, namely Gianni Garko as the crafty, nearly legendary gunslinger, Sartana. Whom soon after the opening scene finds himself framed for a bank robbery and chased by a never-ending wave of bounty hunters. This of course prompts him to track down the people who were actually involved in the robbery and have wrongfully framed him for it. From then on this becomes a fast ride, never slowing it's pace. It doesn't try to be anything more than entertainment and it works. Garko's character is an obvious Eastwood look alike both in physical looks and in terms of behavior, but then again this has already become an accepted feature to most Spaghetti westerns and for all the good it does, Garko has captured (if only partially) that mysterious "man with no name" persona that made Eastwood famous. The support cast is equally good in their respective roles with Klaus Kinsky playing a down on his luck bounty hunter and Frank Wolf as the comedic sidekick to Garko's Sartana.

Giuliano Carnimeo directs with a strong emphasis on action rather than simply trying to copy Sergio Leone. "Sartana the Gravedigger" is indeed a fast moving picture. With a large body-count and countless firefights it doesn't stop to entertain even for just a minute. Some of the action scenes are particularly well done, with the battle in the church making the biggest impression. It is by far one of the most unique showdowns I've seen in an Italian western. There Carnimeo employs, complete darkness with the only visible light coming from aimless fire of dozens of guns that are trying to hit Sartana while he himself silently kills them off one by one. The battle is accompanied with an atmospheric musical piece by composer Vasco Mancuso that further helps in establishing a claustrophobic no escape feel of the scene.

The movie does have it's share of problems and it, as a lot of others in the genre suffer from low production values. Typical example would be the not so good costume designs, especially in the opening bank robbery where we saw guards wearing some very un-western like clothing.

All in all "Sartana the Gravedigger" is a very good spaghetti western that is sure to please fans of the genre, with it's non-stop action, good music and characters

So Kinski is in this one too, as he was in the first official entry of the Sartana movie series. But the movie is a bit different than the first one, as is his role and his credited name (the first one listed him as Kinsky). What remains the same is the thirst for getting rich. Who can blame them? It's always about Gold or money in general isn't it? Especially in Spaghetti Westerns, where there seems to be no other motivation.

Although our "hero" here does seem to have some sort of morals. And the body count does pile up. If you like shootouts, you will like this. Setting is clear, goal is pretty simple and in contrast to the first one, this plays quite confined. There are more character moments without too much "twist" to it. It's ok for what it is, and that is what you should expect - of course if you haven't seen a movie like this before you might be and feel bewildered

Nothing short of great stuff here with an excellent cast and a well written script punctuated by some great little moments of humor. Garko is better than usual as the eagle-eyed, razor toungued and lightning fast Sartana and has a wealth of great character actors to support him, including the vastly underrated Frank Wolff. The direction is exceptionally stylish, with numerous POV shots and expressionist angles that add loads of atmosphere to what, in lesser hands, could have been a rather average outing. Great stuff, that may not convert the heathens, but will definitely please the spag aficionados.