Les sadiques de Satan

Having served a stint in the Marine Corp, "Johnny Martin" (Gary Kent) has returned from Vietnam to the United States and decides to hitchhike to Los Angeles to start life all over again. On the way a married couple by the names of "Charlie Baldwin" (Scott Brady) and "Nora Baldwin" (Evelyn Frank) pick him up and they drive through the barren California countryside and eventually stop at a small gas station in the middle of nowhere to get something to eat. While there a motorcycle gang called "Satan's Sadists" drive up and upon entering the café begin to give the few people there a hard time. One thing leads to another and after eventually killing Charlie, Nora and the owner of the café outside the gas station, the psychotic leader of the gang who goes by the name of "Anchor" (Russ Tamblyn) returns to the café to finish off both Johnny and the waitress named "Tracy" (Jackie Taylor). However, Johnny manages to overpower the men left behind to guard them and escapes with Tracy in a dune buggy out into the desert. Not long afterward, Anchor and his gang soon give pursuit with the intention of killing these two witnesses. What nobody in the gang counts on is the resourcefulness of Johnny or the mental instability of their leader. Now rather than reveal any more I will just say that I thought this was one of the grittier films of this particular sub-genre with a good dose of raw violence and a late-60's atmosphere that blended in quite nicely. That said, although it certainly wasn't an outstanding movie by any means, it still managed to keep my attention for the most part. For that reason I have rated this movie as slightly above average.

Al Adamson's film is so low-budget and the actors( with a few minor exceptions) are so obscure, that this grade Z biker-flick is brutally realistic. Made during a time of political as well as social conflict, Adamson strives to show the "hopelessness" of an entire generation "lost" as a result of the war in Viet-Nam. Russ Tamblyn's horrifying role as the demented leader of the gang is gut wrenching. It's one of his most brutal and meatiest roles. Gary Kent shines as the hero of the story. And as usual, veteran character actor Scott Brandy gives a sturdy performance. To the naked eye this may simply seem as a "schlock"- drive-in biker- quickie film. But, a deeper study finds a symbolic film with nerve-shattering reality. It's Al Adamson at his finest.

I say "One of the Best" because I collect "Cheap Biker Movies" and this IS one of the best. The cheaper (as in low budget, minimal plot, horrible acting, etc.) the better. I realize most accidents in the home happen in the bathroom,so take note of the medicine cabinet scene in the diner's restroom. Did you know you can DIE if someone opens a medicine cabinet door in your face? It was a very graphic and horrible scene (notice any tongue-in-cheek, here?) I felt sorry for the Bro who died a terrible and bloody death. Also, these "Bros" can really handle a "Hog" off road. Realistic? Wow! Honestly, this movie keeps me on the edge of my seat every time I break it out and watch it. I have to be on the edge of my seat 'cause my head is in a bucket! Highly recommended movie to watch if you love the best of the worst.

Satan's Sadist (1969)

** 1/2 (out of 4)

This biker flick pretty much put Independent International on the map and today it still holds up quite well. The story is pretty simple as a biker gang led by Anchor (Russ Tamblyn) take people hostage inside a restaurant. He kills three but two (Gary Kent, Jackie Taylor) get away and head out in the desert to hide. Naturally the biker gang must go after them and soon both sides realize that Anchor really is beyond crazy. Once you become familiar with the work of Adamson you'll begin to realize that he rarely turned out an "good" movie but this one here is perhaps the best I've seen at least from a technical point of view. The performances, direction and cinematography are actually pretty good here, which might make some people think this isn't an Adamson picture but he had quite a bit to work with here and the end result works. Tamblyn is extremely fun as the psycho biker as his laid-back approach makes for a good, cold villain. Kent makes for a good hero and Taylor is at least easy on the eyes. The supporting players feature some familiar faces including John "Bud" Carlos as an Indian biker, Adamson regular Regina Carrol play a sympathetic biker chic and Kent Taylor appears briefly as the restaurant owner. We even get Richard Dix playing a one-eyed biker. The film pretty much goes all out in terms of exploitation as we get some fairly violent death scenes, several mild rape scenes and of course you can't be a biker flick without a good number of fist fights. One of the highlights of the film happens when the bikers first appear inside the restaurant and the folks inside try to fight back at them. This leads to a pretty well-directed sequence once Anchor has three people on the outside and he plans on raping the cop's wife. The film starts to wear thin towards the end but this is something that happened with a lot of exploitation movies. Those wanting nudity will find plenty of it here as the women were clearly hired more for the size of their breasts than anything else. The most outlandish thing about SATAN'S SADIST is the fact that it has a soundtrack featuring six films by a group called The Nightriders. This group isn't going to make you forget The Rolling Stones but the songs actually fit the film rather nicely.

This film is a kind of guilty pleasure of mine. It's not that good, but it definitely delivers on the drive-in schlock that made the late 60s and early 70s exploitation films fun. The cast was mostly unknown at the time (most of them still are) with the exception of Russ Tamblyn (still can't get plum roles like in West Side Story). I wouldn't say that it's a true biker film, but it's still pretty wild.

The Sadists stop at a gas station/diner in the middle of nowhere in Death Valley. At this diner there is the old man who runs it, a waitress, a middle age couple on vacation, and an ex-marine who is traveling to California. The gang decides to have a little fun at the diner, but things go sour when the old man tells them to leave. They take it badly and go on to kill everyone except the marine and waitress. The marine kills two of the gang, and then he and the waitress escape into the desert. Of course, the gang chases them down because they don't want any witnesses.

The acting wasn't great, but it sufficed for a low budget biker film. The bikers, of course, were stereotypes of the typical members of biker gangs at the time. There's the sadistic leader (Tamblyn), the acid freak (cleaverly nicknamed acid, those zany bikers), the tough guy, the sex fiend, and leader's strung out girlfriend. Most of these characters were pretty one dimensional, but you really don't need to know much more about them anyway. The plot of the film keeps moving at a decent pace, so I can't find too much of a problem with it. Of course there are some psychedelic scenes (it was the 60s after all) and some interesting deaths. Overall, it wasn't great, but it suffices as an exploitation film and if you get into it it is kind of fun.

MST3K fans look out for the teacher in "Angel's Revenge" as the waitress, and Acid (Greydon Clark, the director of "Angel's Revenge").