Run Wild, Run Free

I saw "Run Wild, Run Free" only once -- when I was 11 or 12 years old (now 49) and have never forgotten the moving effect it had on me. It was the second movie I had ever seen that brought me to tears -- the first was "Bambi." However, it remains indelible in my mind.

In doing Internet research today, I just discovered that he mute boy (Phillip) in the movie was supposedly autistic (something of I had no knowledge back then). Interestingly however, I ended up participating as a para-professional behavior therapist in the UCLA "Young Autism" program run then by Ivar Lovaas, Ph.D. when I was an undergrad there.

Having recently joined Netflix, I was hoping to be able to rent it and view it again, but to my dismay, it's not considered a classic so not generally available on rental.

I am hoping that someday this movie will be available for rental or purchase on DVD.

Regards,

Cassandra2

My only comment is that when I was a young girl I must have seen this movie three times. I have never done that for any other movie. It was one of the most beautiful movies I have ever seen in story line and cinematography. I am very, very disapointed that I will never be able to ever see this movie again, because I can not find it on video anywhere. If any one has information on where I can see it again please let me know. Thank you.

If you can ignore the ghastly musical score hampering every scene, this fine family film has much to offer: Excellent performances by the leads - Mark Lester and veteran John Mills, engaging and thought-provoking story, and the beautiful scenery of the moors. Whether the boy has autism or a case of anxiety-based mutism, the relationships developed between the boy (Mark Lester) and a wild pony and the moorman (John Mills) who befriends both is natural and affecting. Special mention must be given to the cinematographer, Wilkie Cooper, for his beautiful work in capturing the magical beauty of the misty moors.

Film just cant get more emotive than this. Its scenario may seem dated now, but nonetheless with a vividly atmospheric setting and soul-stirring music its a beautiful and cathartic journey. Mark Lester is fantastic as the autistic Phillip. The story highlights the desperate and frustrating difficulties for parents to communicate with a child with autism. Sylvia Syms as his mother twice says 'I want to love him', truly heartbreaking. The natural (well-meaning) errors of the parents are well delineated as they try to understand what's best for Phillip.

I give nothing away about the ending except to say it left an enormous and yet serenely gentle impression on me watching the first time as a child.

The Colnol played by John Mills (bless the great actor's memory) believes that wild animals may help to unlock the running-wild nature of the boy. Yet the strength of the story, for me, is much more than the love of a boy for a blue-eyed white colt. Most importantly I think the film presents the need of close attention to and understanding of a child who isn't 'normal', rather than thinking out of fear for their well being. The world is more beautiful for people like Phillip. I hope you will enjoy this film.

RUN WILD, RUN FREE is a clear entry in the 'love of nature' sub-genre of movies that came out during the late '60s; titles include BORN FREE and RING OF BRIGHT WATER. This one's heavily indebted to the latter as well as KES, telling of a young autistic boy growing up on Dartmoor who finds himself unable to communicate with the human race. Instead, he finds a love of animals and nature which gradually brings him out of his shell.

This was made shortly after the success of OLIVER! and saw Mark Lester's fame riding high. He's certainly a good choice for the role of the protagonist, but John Mills is even better in support, essaying the role of the kindly benefactor with skill and ease. Gordon Jackson and Sylvia Sims play Lester's exasperated parents and the former is particularly effective. Watch out for future Bond girl Fiona Fullerton as a kid, playing a girl who befriends Lester.

Inevitably, it's the creatures who end up being the most enjoyable characters in these productions, and the pony and the kestrel are undoubtedly the best things in the movie, lovable both of them. There aren't too many films set on Dartmoor and the cinematography brings out the best of the rugged locales, which I loved. There are the usual highs and lows, peaks of happiness and moments of tragedy, alongside one of the most gruelling climaxes I've seen in a film. It's well worth a watch if you're a fan of the genre.