La résidence

The Plot = A young girl joins a French boarding school for problem girls and soon feels that something's amiss with a sinister head mistress and nasty students, and girls begin to disappear and the teaching staff keep covering it up.

Despite being over 40 years old, this movie still holds up well in my opinion and is still effective and creepy by today's standards. The directing is both skillful and artistic and the suspense is spot on, with the murder sequences played out like a stylish nightmare and kept me on the edge of my seat the entire time. Okay there is not a lot of blood and gore and this flick does rely on character development more, but that works because the cast are well acted and keeps you interested the entire way through. The killer's identity was easily figured out, but the motive when it's revealed is highly shocking and effective and will stick with for a long time afterwards.

The formats of this movie is nothing new but given the fact that this movie came out in 1969, it's pretty easy to see where a lot of these slasher movies get their inspiration and this proves that this movie is ahead of its time. The performances like I said before are excellent, Lilli Palmer who plays the head mistress simply steals to show, with a strong performance easily hold a film together single-handedly, and inject menace or compassion into a scene with a subtlety missing from many horror films of the period. Christina Galbo balances emotion and strength perfectly, as the new student.

All in this entire movie works well as a Gothic murder mystery filled with tension, a definite must see for any fans of European horror.

Generally speaking, the reviews on this film are in it's favor. After watching the movie I have to agree that this is a worthwhile older horror-thriller - it's good.

It's fairly easy to know whodunit and why but it's still interesting to watch how the film plays out. Knowing whodunit and why does not spoil the film.

Sexual repression, incest, murder, a sadistic boarding school owner/teacher, lesbianism, torture and mystery - this movie has all of that. It is reminiscent of the 60s/70s Hammer Horror films. If you like all that then you might enjoy this film. It's sorta a hidden gem.

8/10

The House That Screamed (1970)

** 1/2 (out of 4)

The setting is a French boarding school where Teresa (Cristina Galbo) arrives and soon realizes that there's just something that isn't right. The head mistress (Lilli Palmer) is an abusive woman who forces her will onto the girls of the school but she seems to be unable to control her young son (John Moulder-Brown). Before long some of the girls start vanishing.

Narciso Ibáñez Serrador's THE HOUSE THAT SCREAMED is a rather interesting Spanish horror film that became a hit back when it was originally released. The film did well throughout the world including its release in America but then it pretty much fell off the map. For years it was hard to find and it really became known for its story apparently inspiring Dario Argento and SUSPIRIA. The film certainly isn't a great one but if you're a fan of the genre then it's certainly worth watching.

For my money the best thing about the film was the atmosphere. I thought the director did a really good job at building up an atmosphere that worked a certain magic throughout the running time. I thought it managed to make you feel as if you were in the middle of this location and it certainly benefited the film. Another plus are the performances by the three leads. All of them are quite good in their roles and I especially liked Galbo and Palmer.

For me, the biggest issue with the film was the actual screenplay. Some have called this an early giallo but I really wouldn't considering the film that. The problem I had with the screenplay is that it never really builds up the mystery aspect. I mean, all the girls start to disappear yet there are only a handful of possible suspects and the film doesn't even try to play it up. It's as if the director just wanted a visual style and the before mentioned atmosphere.

Another problem is that there's really not too much that happens. There's not much of a story here and the film is extremely slow-moving at times. With that said, there are enough interesting moments to make the film worth watching.

An authentic bold and disturbing thriller for its time, during General Franco reign in Spain. And, we can see here many elements that we can find now in today's cinema, especially the Spanish gnre, involving teenagers.. Some lines may remind the Italian Giallo, but don't expect to see here a kind of SUSPIRIA; I recommand this awesome atmosphere, not very usual for this decade that will stick you to your seat.

THE HOUSE THAT SCREAMED (La Residencia)

Aspect ratio: 2.35:1 (Franscope)

Sound format: Mono

(35mm and 70mm release prints)

A young girl (Cristina Galbó) arrives at an isolated boarding school in the south of France where several students are believed to have run away, but were actually the victims of a psychotic killer...

Odd mixture of giallo mystery and Hammer-style Gothic, set in a labyrinthine girl's school where principal Lilli Palmer struggles to contain the passions of her youthful charges, all of whom she considers 'marked' by their sublimated sexual desires. However, Palmer is quickly revealed as a hypocrite with an incestuous crush on her handsome teenage son (played as a child-like simpleton by John Moulder Brown), and the students are forced to endure a regime which fosters cruelty, rebellion and murder. Palmer dominates the film with effortless grace, and there's solid support from Mary Maude as the ice-cold beauty who makes life miserable for heroine Galbó. Memorable set-pieces include a slow-motion murder in the school's greenhouse, Galbó's doomed attempt to flee the building at midnight, and - believe it or not - an erotically-charged sewing circle! But the film reaches an apex of horror in its closing moments, when the killer is unmasked during a showdown in the attic, staged with stunning conviction by debut director Narciso Ibáñez-Serrador (¿QUIÉN PUEDE MATAR A UN NIÑO?).

But the *real* star of the show is cinematographer Manuel Berenguer (55 DAYS AT PEKING, KING OF KINGS, etc.), whose prowling camera-work makes a virtue of Victor María Cortezo's Gothic set designs, and the widescreen compositions are judged with startling clarity (indeed, Dario Argento's SUSPIRIA owes an obvious debt to the style and tone of Ibáñez-Serrador's movie). For all its virtues, however, THE HOUSE THAT SCREAMED is a little too leisurely in places, and the film's sumptuous visual aesthetic disguises a fairly routine plot line, spiced with 'subversive' trimmings. Flawed, but beautiful.

(English version)