Paroxismus

Paroxismus (AKA Venus In Furs) is an absolute treat from beginning to end. The film looks beautiful and the surrealist vibe that runs throughout the film suits the subject matter perfectly. The hepcat jazz trumpeter central character played by James Darren and the truly luminous and beguiling Maria Rohm add much to the proceedings, but the soundtrack, you cats, the soundtrack! Paroxismus is a Euro horror film in which the visuals and sound match beautifully, but the musical score is fantastic. Therefore, even if the dreamy images and plot baffles and befuddles, just close your eyes and listen a truly superb and innovative score.

Thus, Paroxismus is a Jess Franco gem.

then I'll never watch another franco movie. I was excited to see this by the reputation and the American title (shades of Leopold von Sacher Masoch)and all I saw was fifteen minutes of good film (the first 15) and then a bunch of stock footage,nonsensical dialogue, and BS plot development. I needed more dungeon scenes or more masochism, and less stock-footage/VO mental masturbation. I was sorely disappointed. Some might say "You should see it stoned", well, I did, and that didn't improve things. Someone compared this to "Lost Highway", and to them I can only spit derisively. I'd rather watch a Dolph Lundgren movie. How that guy still has a career is more honestly surreal than this stuff.

Jazz musician Jimmy Logan finds the dead body of a beautiful girl Wanda Reed on the beach outside his home in Istanbul, a girl he recognizes from a party he was at the previous night. Jimmy is haunted by her vision and memories of how she was raped and tortured at the party and how he didn't step in to help. Two years later he is now living in Rio and finally has his musical career back on track, but he is stopped in his tracks when a woman who appears to be Wanda walks in to the club where he is playing, is it really her, can she still be alive or is it all a dream. Bizarre, trippy, love story with some Noir overtones, it has a fantastic jazzy score that creates a hypnotic mood, its beautifully filmed with a striking use of colour, touches of sadomasochism and lesbianism add even more to the mix, there's even time for a great twist or two at the end.

Super-prolific Spanish exploitation director Jess Franco is often bashed as being merely a creator of cheap trash - which is a preconception that only people who are not familiar with all of his work can take. Sure, the man's impressive repertoire of more than 180 films includes more than a few stinkers, but Franco also made several films that are downright brilliant, especially in his earlier years. "The Awful Dr. Orloff" (1962) and "The Diabolical Dr. Z" (1966) are two of these films, and "Paroxismus" aka. "Venus In Furs" of 1969 definitely also belongs in this category. "Venus In Furs" is a bizarre, sleazy and amazingly artistic Exploitation gem that mixes Horror, Mystery, sexual perversion and great music in an obscure and highly memorable manner. The casting of Klaus Kinski in a typically demented role and sexy Maria Rohm as the eponymous Venus are by far not the only aspects that make "Venus In Furs" a must for cult-cinema lovers.

When walking along the beach in Isanbul, a Jazz trumpeter (James Darren) stumbles across the body of a young woman. He recognizes her as a girl who was assaulted by a rich playboy (Klaus Kinski) and two others. He travels to Rio, where he meets Rita (Barbara McNair) a foxy black bar singer who becomes his girlfriend. In Rio, he also runs into a young woman (beautiful Maria Rohm) who is the spitting image of the dead girl from the Istanbul beach.... I do not want to give away too much of the, sometimes confusing, plot, but I can assure that it is highly obscure and very interesting throughout. The English title, "Venus In Furs", is also the title of a novel by Leopold Sacher-Masoch. The film has nothing to do with the novel, however, the title refers to the character played by Maria Rohm. Rohm is incredibly sexy and mysterious at the same time. Barbara McNair, who is also responsible for the best parts of the great score, makes another great female character. The female cast members are all beautiful, and, as in is the case with most of Franco's later films, the film provides sleaze, female nudity, lesbianism and perversions, though not as explicitly as many of his later films. It also provides ingenious surrealism, obscure mystery, psychedelic imagery and delightful weirdness of all sorts. The great Klaus Kinski (one of my all-time favorite actors) is once again brilliantly demented in his role, and James Darren fits well in the lead. One of the greatest aspects of the film is the great score, especially memorable is the 'Venus in Furs' sung by Barbara McNair herself. "Venus In Furs" is an obscure and bizarre gem that is ingenious in many aspects and should disabuse all the Jess Franco-haters out there. To some people, this is Franco's best film. I would still give that title to either "The Awful Dr. Orloff" or "The Diabolical Dr. Z", but this film is doubtlessly also a must-see for everyone interested in cult cinema, and an absolute proof for what a great filmmaker Franco is. 8.5/10

Trumpet player, Jimmy Logan (James Darren) is haunted by an enigmatic woman who looks identical to a woman named Wanda Reed (Maria Rohm). Jimmy knows it can't be Wanda, because she was murdered. A nightmarish mystery unfolds, as Wanda's killers are "visited" by this woman, and Jimmy is swept away by her. Is any of this really happening?

Arguably, one of Director Jess Franco's best films, VENUS IN FURS is a sort of surrealistic, erotic noir / revenge / ghost story. The jazzy soundtrack also plays a big role, nearly making this a musical! The lyrics, "Venus in furs will be smiling!" will pop into your head for weeks after seeing this movie! Ms. Rohm is utterly captivating, dominating every scene she's in.

Co-stars Klaus Kinski as the perverse Ahmed, Margaret Lee as the wicked Olga, and Barbara McNair as the long-suffering Rita...