Au service secret de Sa Majesté
Original title: On Her Majesty's Secret Service
- 1969
- Tous publics
- 2h 22m
British agent James Bond goes undercover to pursue the villainous Ernst Stavro Blofeld, who is planning to hold the world to ransom.British agent James Bond goes undercover to pursue the villainous Ernst Stavro Blofeld, who is planning to hold the world to ransom.British agent James Bond goes undercover to pursue the villainous Ernst Stavro Blofeld, who is planning to hold the world to ransom.
- Director
- Writers
- Stars
- Awards
- 1 win & 4 nominations total
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Featured reviews
Admittedly, I did not like this film at first and I can't adequately explain the reasons why. Was it because I didn't like George Lazenby, or that it distanced itself from the Sean Connery outings? On second viewing though, I was surprised at how wrong I initially was. It is not the best Bond but it is light years away from the worst. George Lazenby may be a tad inexperienced and the least charismatic of the Bonds, but he is still likable and does try hard, that I can see. And it does tone down some of the gadgetry and spectacle, however in doing that the film does boast some of the best and slickest sequences in a Bond film. The story is believable and sticks closely to the book, and the script goes into a greater psychological depth. Consequently both Bond's pursuit of Blofeld and romance with the feisty Tracy are wholly believable. Terry Savalas is great as Blofeld, and Diana Rigg is splendid as Tracy. The cinematography and scenery are beautiful, and John Barry's score and Louis Armstrong's theme song are simply terrific. In conclusion, better than I thought and dare I say underrated. 8/10 Bethany Cox
Yeah, I think so. Like most people who are interested in James Bond, I saw the films over and over on TV before I read any of the books. I then got round to buying Casino Royale, and being knocked out by it - this was somewhat different to Moonraker and all that Roger Moore stuff. So I read the books in their sequence, seriously the best way, and by the time OHMSS came round, I had a pretty good idea of who James Bond was. And, I'm sorry to inform all the Seanophiles, James Bond is not Connery, Moore, Dalton (though he came close, but is Welsh..)or Brosnan. Oddly enough, given the choices, he's kind of like George Lazenby.
Sure, Sean Connery was suave, sexy, and spoke rather curiously, Timothy Dalton had the serious side sorted, Brosnan is sophisticated etc, Roger Moore.. well, another time, maybe.
George Lazenby, maybe due to his lack of experience, (though why is his debut so widely mulled over in that respect.... it's not something that most actors are subjected to?) is not so at ease with his surroundings, not so cocksure that everything is going to work out fine as the others, and this is the real James Bond. The one in the books. You can almost believe in this one. And when things don't work out fine, you feel a weird familiarity with him. He's just a man, though admittedly he's disproportionately talented at a pretty impressive range of activities, from skiing to flying, swordsmanship, shooting people, jumping out of things, carnal endeavours etc.. Oh no, sorry, that's me. Well, anyway, I'm quite tired now. OHMSS is the best of the films, though From Russia With Love contains possibly the finest fight scene of all and maybe the best trio of baddies (including a slightly peripatetic Blofeld)and is Connery's best.
George Lazenby is the best Bond, because his talents - a certain naturalistic charm, physical dexterity, and a capacity for possible failure - are used brilliantly, and he is closer by far than any of the others to the book-Bond.
There you go.
Oh, and Diana Rigg is the best 'Bond girl', though that description is not very fair to her, We Have All The Time In The World is the best Bond song, and the theme tune is possibly John Barry's finest work.. let alone being the best Bond title theme.
There you go again.
Thanks for reading, and if you happen to disagree, well... you're wrong. Cheers.
Sure, Sean Connery was suave, sexy, and spoke rather curiously, Timothy Dalton had the serious side sorted, Brosnan is sophisticated etc, Roger Moore.. well, another time, maybe.
George Lazenby, maybe due to his lack of experience, (though why is his debut so widely mulled over in that respect.... it's not something that most actors are subjected to?) is not so at ease with his surroundings, not so cocksure that everything is going to work out fine as the others, and this is the real James Bond. The one in the books. You can almost believe in this one. And when things don't work out fine, you feel a weird familiarity with him. He's just a man, though admittedly he's disproportionately talented at a pretty impressive range of activities, from skiing to flying, swordsmanship, shooting people, jumping out of things, carnal endeavours etc.. Oh no, sorry, that's me. Well, anyway, I'm quite tired now. OHMSS is the best of the films, though From Russia With Love contains possibly the finest fight scene of all and maybe the best trio of baddies (including a slightly peripatetic Blofeld)and is Connery's best.
George Lazenby is the best Bond, because his talents - a certain naturalistic charm, physical dexterity, and a capacity for possible failure - are used brilliantly, and he is closer by far than any of the others to the book-Bond.
There you go.
Oh, and Diana Rigg is the best 'Bond girl', though that description is not very fair to her, We Have All The Time In The World is the best Bond song, and the theme tune is possibly John Barry's finest work.. let alone being the best Bond title theme.
There you go again.
Thanks for reading, and if you happen to disagree, well... you're wrong. Cheers.
To understand the controversy behind `On Her Majesty's Secret Service,' one must understand the events so impacting the spy genre by the time of its production in 1969. After the back to back tremendous successes of `Goldfinger' and `From Russia With Love,' every hack producer and distributor rushed to make spy movies. There were serious ones (`The Spy That Came in From the Cold,' `The Ipcress File'), satirical ones (`Our Man Flint,' `The Man From U.N.C.L.E.,' `Get Smart' ), and incredibly silly ones (`The Silencers,' `Last of the Secret Agents,' `Casino Royale'). `Casino Royale' was especially damaging, since it was (VERY LOOSELY) based on a Fleming novel, and used the character of James Bond, 007. In fact, in `Casino Royale,' nearly EVERYBODY played `James Bond'. `If we don't know what we are doing, how will the enemy,' was the explanation `James Bond' (David Niven) gave to explain why MI6 was calling all its agents `James Bond'. To protect their franchise, the producers of the `real' James Bond movies emphasized in their promotion `Sean Connery IS James Bond.' In a demonstration of `gratitude,' Connery up and quit the series, leaving `On Her Majesty's Secret Service,' which was shortly to go into production, without a `Bond.'
Arguably the most ambitious and difficult to shoot of ALL the Bond films (at least to that time), it's a miracle ANYTHING works in OHMSS. Much of the time it works VERY well, though the shaky underpinnings of the first hour frequently threaten to undo it. There is so much choppy editing and dubbed dialogue, one begins to suspect he is watching a foreign film. The second hour plus works much better, all the more surprising since it was shot first. One reason may be that the film went WAY over both shooting schedule and budget, and there was enough made up `bad' press to put a great deal of pressure on the producers, first time director, Peter Hunt and star, George Lazenby. In the middle of it all, Lazenby's publicist announced that Lazenby was not going to do another Bond (Lazenby is credible when he says that announcement was not his idea. One suspects, from the bonus material, that Cubby Broccoli planted that story to discredit Lazenby, should the film fail). Add to all this the films' tacked-on, unhappy ending (planned to be the prologue for `Diamonds are Forever'), which plays completely against the humor of earlier moments, and it's a wonder the film was NOT a dismal failure. Quite the contrary, OHMSS is one of the BEST of the Bond films, filled with nonstop action, outstanding stunts, incredible sound, the best score (along with `Goldfinger') and a credible enough romance to lend it genuine poignancy. Lazenby overcame many tremendous handicaps: having to replace one of the best known and popular actors in the world; he was 28, younger than Connery when he made `Dr. No'; he was completely inexperienced as an actor (OHMSS was Lazenby's FIRST movie, not just his first starring role); his accent (thick Australian outback) and the INCREDIBLE physical demands (Lazenby did many of his own stunts). Considering all this, Lazenby is downright remarkable. Certainly, in my opinion he is better than either the snooty Timothy Dalton or the lightweight Roger Moore were in ANY of their outings as Bond.. The bonus feature on the DVD concludes with strong evidence that Lazenby became a scapegoat, despite the eventual financial success of OHMSS. Lazenby, refreshingly displays no bitterness that his career nearly ended as soon as it began. He's had a reasonably busy career playing character roles and we have OHMSS. Not a bad deal at all.
Arguably the most ambitious and difficult to shoot of ALL the Bond films (at least to that time), it's a miracle ANYTHING works in OHMSS. Much of the time it works VERY well, though the shaky underpinnings of the first hour frequently threaten to undo it. There is so much choppy editing and dubbed dialogue, one begins to suspect he is watching a foreign film. The second hour plus works much better, all the more surprising since it was shot first. One reason may be that the film went WAY over both shooting schedule and budget, and there was enough made up `bad' press to put a great deal of pressure on the producers, first time director, Peter Hunt and star, George Lazenby. In the middle of it all, Lazenby's publicist announced that Lazenby was not going to do another Bond (Lazenby is credible when he says that announcement was not his idea. One suspects, from the bonus material, that Cubby Broccoli planted that story to discredit Lazenby, should the film fail). Add to all this the films' tacked-on, unhappy ending (planned to be the prologue for `Diamonds are Forever'), which plays completely against the humor of earlier moments, and it's a wonder the film was NOT a dismal failure. Quite the contrary, OHMSS is one of the BEST of the Bond films, filled with nonstop action, outstanding stunts, incredible sound, the best score (along with `Goldfinger') and a credible enough romance to lend it genuine poignancy. Lazenby overcame many tremendous handicaps: having to replace one of the best known and popular actors in the world; he was 28, younger than Connery when he made `Dr. No'; he was completely inexperienced as an actor (OHMSS was Lazenby's FIRST movie, not just his first starring role); his accent (thick Australian outback) and the INCREDIBLE physical demands (Lazenby did many of his own stunts). Considering all this, Lazenby is downright remarkable. Certainly, in my opinion he is better than either the snooty Timothy Dalton or the lightweight Roger Moore were in ANY of their outings as Bond.. The bonus feature on the DVD concludes with strong evidence that Lazenby became a scapegoat, despite the eventual financial success of OHMSS. Lazenby, refreshingly displays no bitterness that his career nearly ended as soon as it began. He's had a reasonably busy career playing character roles and we have OHMSS. Not a bad deal at all.
Rating-7/10
On Her Majesty's Secret Service is one of the most furious Bond film's there are and George Lazenby's one and only outing as Bond in which he does a good job in the end. A pretty good film that is close to being a straight good movie but nevertheless does the job well with Bond facing some of his most difficult villains of all time and a Bond girl who could finally get to James Bond's heart and maybe make him Love.
The story is full of action, adventure and good old Bond fun with guns, cars and Bob-sleighs? Yes Bob-sleighs feature quite a bit here as the majority of the film is set in a Swiss ski resort. It goes at quite a slow pace at parts but then certain bits can be very fast paced action and well done as well because some Bond stunts can seem just plain fake, but there done quite well in the late 60's flick. Finally I especially enjoyed the more sophisticated Bond who didn't sleep with everyone he met, maybe toned down just the tiniest from Connery's portrayal.
Lazenby as Bond is well, well he looks the part and even his hair seems perfect but his acting skills are not as sharp as Connery and even his voice seems to subdued by his surroundings. Diana Rigg as the Bond girl is perfect and she is fine throughout the entire film, the rest of the supporting cast excluding the main villains and Bond are average but overshadowed by the main roles like they should do. Telly Savalas as Blofeld is perfectly quirky and although not seeming evil as previous, he seem's to serve up a rational Blofeld, who doesn't kill so many people as always.
Written OK directed like that too it is nothing special and there is not too much that is needed to be said about it all. The stunts do though because they are brilliant although obviously near impossible as we see with every Bond film to date but in any case it was fun to see. I loved the setting the Ski resort which doesn't make it any better or worse but serves to give you a beautiful background with all the things also going on, who knew so much snow could look so great.
It isn't without negativity at all and I already said what I thought about Lazenby, but also some people may find the story drags a little and that there are too many skiing sequences but then again they can be fun to see as well. Also the script is ridiculous like other Bond's and put's some crazy scenarios but also one part which is funny is Lazenby when he has his voice dubbed into a posh British accent by another actor(Lazenby could not do the voice) but any way's it doesn't affect loads.
I think any Bond fan will like this as it has many things which Bond is known for and makes for a fun watch for even those who have never seen Bond if there around. Also if adventure is your choice then well he does go on an adventure but he stays in one place for long time so maybe not for you people but people can like this game a lot.
I give it overall a 7/10 and this is deserved fully, people will find it Good but also poor as well, but I think many people don't like Bond generally or only the modern one's. Just watch it and enjoy it, savour Lazenby's solo role and witness what I believe to be the saddest Bond ever(you will get what I mean by the end).
On Her Majesty's Secret Service is one of the most furious Bond film's there are and George Lazenby's one and only outing as Bond in which he does a good job in the end. A pretty good film that is close to being a straight good movie but nevertheless does the job well with Bond facing some of his most difficult villains of all time and a Bond girl who could finally get to James Bond's heart and maybe make him Love.
The story is full of action, adventure and good old Bond fun with guns, cars and Bob-sleighs? Yes Bob-sleighs feature quite a bit here as the majority of the film is set in a Swiss ski resort. It goes at quite a slow pace at parts but then certain bits can be very fast paced action and well done as well because some Bond stunts can seem just plain fake, but there done quite well in the late 60's flick. Finally I especially enjoyed the more sophisticated Bond who didn't sleep with everyone he met, maybe toned down just the tiniest from Connery's portrayal.
Lazenby as Bond is well, well he looks the part and even his hair seems perfect but his acting skills are not as sharp as Connery and even his voice seems to subdued by his surroundings. Diana Rigg as the Bond girl is perfect and she is fine throughout the entire film, the rest of the supporting cast excluding the main villains and Bond are average but overshadowed by the main roles like they should do. Telly Savalas as Blofeld is perfectly quirky and although not seeming evil as previous, he seem's to serve up a rational Blofeld, who doesn't kill so many people as always.
Written OK directed like that too it is nothing special and there is not too much that is needed to be said about it all. The stunts do though because they are brilliant although obviously near impossible as we see with every Bond film to date but in any case it was fun to see. I loved the setting the Ski resort which doesn't make it any better or worse but serves to give you a beautiful background with all the things also going on, who knew so much snow could look so great.
It isn't without negativity at all and I already said what I thought about Lazenby, but also some people may find the story drags a little and that there are too many skiing sequences but then again they can be fun to see as well. Also the script is ridiculous like other Bond's and put's some crazy scenarios but also one part which is funny is Lazenby when he has his voice dubbed into a posh British accent by another actor(Lazenby could not do the voice) but any way's it doesn't affect loads.
I think any Bond fan will like this as it has many things which Bond is known for and makes for a fun watch for even those who have never seen Bond if there around. Also if adventure is your choice then well he does go on an adventure but he stays in one place for long time so maybe not for you people but people can like this game a lot.
I give it overall a 7/10 and this is deserved fully, people will find it Good but also poor as well, but I think many people don't like Bond generally or only the modern one's. Just watch it and enjoy it, savour Lazenby's solo role and witness what I believe to be the saddest Bond ever(you will get what I mean by the end).
"On Her Majesty's Secret Service" is a sadly under-appreciated Bond film which is stylishly-directed and features an outstanding score, like most of these early Bond films. Other than a silly self-referential line in the teaser and some sappy romantic montages, "On Her Majesty's Secret Service" is a thrilling adventure which sees Bond traveling to the Swiss Alps to encounter villains and partake in dangerous action sequences.
It sounds like a Bond film, alright, but this is actually quite different from the formulaic films one would later expect from the series, and the sort of film Bond was gravitating towards with "Thunderball" and "You Only Live Twice". It certainly delivers on the promise of sexual innuendo and lots of provocatively dressed women, but it's a different sort of Bond in that it seems to be more straight-faced and harsh, culminating in what is probably the saddest Bond ending. It's also probably the closest to Fleming's version of Bond outside of "Casino Royale", although "The Living Daylights" was also somewhat similar to the literary Bond. As a Fleming fan it is nice to see the Bond series take after the books.
Lazenby, who has been frequently criticized and is many people's least favorite Bond, actually does a decent job of the role. He's nowhere near as good as Connery, of course, but I thought that other than the scenes where he tried to seriously emote, he carried the film with his charisma and physical presence. I strongly believe he should have continued in the role. Lazenby fits the content of the film, which is certainly far more down to Earth than many other Bond films, and focuses heavily on hand-to-hand combat in the action scenes, which is somewhat refreshing after the overblown (entertaining, but seriously outrageous) action scenes in "You Only Live Twice". This is a genuinely good script, with a solid plot, good dialogue, and good characterization.
It's not just a throwaway action flick, it's an excellent espionage thriller with a strong dramatic core, and as fun as things like "Goldfinger" certainly are, it's nice to see one of these movies treat women as more than mere sex objects, and it's interesting to see a Bond girl paired with a Bond who reacts as a human would and not a cartoon character. Diana Rigg is probably my favorite Bond girl. She gives a strong performance and is helped by an excellent script which gives her a fair amount to do.
By staying closer to the source material, "On Her Majesty's Secret Service" dramatically improves on its two predecessors and features some of the best locations in the series, although I admit my familiarity with the majority of the Swiss shooting locations gives me a nostalgic view of things. "On Her Majesty's Secret Service" is a strong contender for the title of best Bond film.
9/10
It sounds like a Bond film, alright, but this is actually quite different from the formulaic films one would later expect from the series, and the sort of film Bond was gravitating towards with "Thunderball" and "You Only Live Twice". It certainly delivers on the promise of sexual innuendo and lots of provocatively dressed women, but it's a different sort of Bond in that it seems to be more straight-faced and harsh, culminating in what is probably the saddest Bond ending. It's also probably the closest to Fleming's version of Bond outside of "Casino Royale", although "The Living Daylights" was also somewhat similar to the literary Bond. As a Fleming fan it is nice to see the Bond series take after the books.
Lazenby, who has been frequently criticized and is many people's least favorite Bond, actually does a decent job of the role. He's nowhere near as good as Connery, of course, but I thought that other than the scenes where he tried to seriously emote, he carried the film with his charisma and physical presence. I strongly believe he should have continued in the role. Lazenby fits the content of the film, which is certainly far more down to Earth than many other Bond films, and focuses heavily on hand-to-hand combat in the action scenes, which is somewhat refreshing after the overblown (entertaining, but seriously outrageous) action scenes in "You Only Live Twice". This is a genuinely good script, with a solid plot, good dialogue, and good characterization.
It's not just a throwaway action flick, it's an excellent espionage thriller with a strong dramatic core, and as fun as things like "Goldfinger" certainly are, it's nice to see one of these movies treat women as more than mere sex objects, and it's interesting to see a Bond girl paired with a Bond who reacts as a human would and not a cartoon character. Diana Rigg is probably my favorite Bond girl. She gives a strong performance and is helped by an excellent script which gives her a fair amount to do.
By staying closer to the source material, "On Her Majesty's Secret Service" dramatically improves on its two predecessors and features some of the best locations in the series, although I admit my familiarity with the majority of the Swiss shooting locations gives me a nostalgic view of things. "On Her Majesty's Secret Service" is a strong contender for the title of best Bond film.
9/10
Did you know
- TriviaSir Sean Connery originally was meant to appear in this film but opted to drop out due to the Studio Refusing to pay his $1,250,000 fee as a result Connery would be replaced by George Lazenby. however Connery was able to renegotiate with the studio and return in the next Bond film (1971)
- GoofsBond's Aston Martin's tires screech repeatedly on the loose sand of the beach. And during the later car chase, tires screech almost all the time when cornering on snow and ice.
- Quotes
James Bond: [to the camera] This never happened to the other fellow.
- Crazy creditsDuring the opening credits, images are shown of Bond girls and villains. (This is the first Bond movie since Goldfinger to feature previous movies' footage in its credits.) Specifics are as follows. *First Set. *Honey Ryder from James Bond 007 contre Dr. No (1962), standing on the beach. *Dr. No from the same, in front of his underground aquarium. *Tatiana Romanova from Bons Baisers de Russie (1963), messing around with her hair. *Pussy Galore from Goldfinger (1964), in the barn scene. *Second Set. *The title character from Goldfinger. *Assorted Bond girls from Goldfinger and Opération Tonnerre (1965). *The "Flaming Car Crash" scene from Thunderball. *Third set. *Emilio Largo, the main villain from Thunderball. *Aki, Kissy Suzuki, and a swordsman from On ne vit que deux fois (1967). *Blofeld's volcano lair exploding from the end of the same. Note the strategic absence of Blofeld from You Only Live Twice, due to the change of Blofeld actors.
- Alternate versionsIn the French theatrical version the song "Do You Know How Christmas Trees Are Grown?" by Nina was sung by Isabelle Aubret under the title "Savez-vous ce qu'il faut au sapin de Noel?" (Do You Know what a Christmas tree needs?).
- ConnectionsEdited into Passeur d'hommes (1979)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Al servicio secreto de Su Majestad
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $22,774,493
- Gross worldwide
- $22,828,813
- Runtime
- 2h 22m(142 min)
- Aspect ratio
- 2.35 : 1
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