Alerte satellite 02

Moon Zero Two boasts a standard Western movie plot-a battle over mining rights -and simply transposes the story to the Moon .You can even see the main character ,Captain Kemp as a variation on the archetypal drifting cowboy,except that it is the deep range of space rather than the prairie that forms his environment. He is engaged by multi- billionaire J J Hubbard (Warren Mitchell )to bring back a rogue asteroid made from pure sapphire and land it on a remote part of the moon.He is also assisting the bewitching Clementine -fetchingly portrayed by Catherine Von Schell-to locate her brother who has gone missing on the moon .The plot strands are linked when it is revealed that he has been killed by Hubbard's minions as Hubbard needs the area of the claim to land the asteroid on.

The look and feel of the movie are very late 60's -bright colours;"dolly girl "hairdos and clothes for the women, and the "swinging" muzak like noise that passed for soundtrack music in the lesser movies of the day. The action scenes are awful-a bar room brawl is about the worst committed to celluloid ,and a shoot out with the bad guys on the abandoned mining site is stupendously lacking in excitement or pace. Add some poor acting in most of the roles --I except Warren Mitchell and Schell -and the result is tiresome and lacking in flair or pace

Treasure Hammer Movies for the horror movies they did and forgive them this misfire

This is not actually that bad a film, if you take away the stupid bits and ignore some of the wooden acting. But I'm afraid it hasn't stood the test of time that well, thanks largely to the awful music and costumes on show here. If you can ignore those, the story isn't too bad.

It's always interesting in these types of movies to do the "Hey! Isn't that...!" thing when the actors appear. Here we have Warren Mitchell as the bad guy.....who went on to play Alf Garnett in "Til Death do Us PArt" in the same year as this film, and for many years after. Also here is Catherine Schell, of Space 1999 fame. Of course the main star here, James Olsen, is probably more familiar from his roles in The Andromeda Strain a couple of years later, or the Arnie vehicle, Commando, some time later. Also present is that stalwart of Carry On movies, Bernard Bresslaw.

Of course, this movie has its bad points. The least of which is the music. It's just so 60's its almost criminal. Add to that, the PVC clothes which we all will apparently wear in the future, along with the garish, often lop-sided wigs (which must have been re-used in UFO, methinks) and you have a film which will always be dated to the time it was made.

Other bad points include the acting. I won't go into the many instances but at one point big Bernie Bresslaw (who plays a heavy) has to look bored and almost asleep during the plot exposition by the bad guy's scientist. He does this so well that you think he really is bored of the film, not the scene he's in.

The science isn't too bad for a film of this era. No one wandering about on the lunar surface without a helmet, for instance, or other foolishness.

But unfortunately, the costumes, wigs and music will always make this movie a bit of a chuckle. I suspect this was something of an experiment by Hammer, to see if they could break out of the horror genre. I don't know how well it went down at the time, but I guess it wasn't that well, as I can't recall any other Hammer sci-fi projects.

Anyway, a dated piece, but worth a look if there's nothing better on (or you just want to laugh at 60's fashions).

OK, I've read several reviews of this film in books, online and from sci-fi fans and usually the overall feeling of the film is split down the middle. I really enjoy this film, it has a very good cast; James Olson, Catherine Schell (Who would go on to star in the classic sci-fi series; Space: 1999), Adrienne Corri, Warren Mitchell, Michael Ripper (Hammer regular) and Sam Kydd, it had some great looking sets, a very capable director in Roy Ward Baker and the opening tune is one I can't get out of my head for days, after watching the film or listening to that track. Hailed as the first space-western, the film does it's best to combine a futuristic look with the ideals and wild ways of the old west. To sci-fi fans looking for something really serious and up on the technical feel of a straight-from-the-hip science fiction story, chances are you're going to be disappointed with the overall effort of the film, but if you like a film that can be serious at times and still poke fun at itself, then this is a film you're probably going to enjoy.....just don't go into viewing this in a serious mood! Have fun with it and relax.....the anti-gravity fight scene in the saloon is not to be missed!

Overall, Moon Zero Two isn't that bad a movie. It is curious that Mystery Science Theater used it as an experiment, albeit an early one. It is a decent movie with a good plot and engaging characters, something 99% of the other MST movies do not have.

The cartoon sequence in the opening credits along with the title song, suggest something along the lines of a Pink Panther movie rather than a science fiction movie. The be-bop jazz soundtrack is woefully out of place in dramatic scenes where something more serious is required, but this is nit-picking.

The fact that the MST episode guide does not talk much about this movie seems to speak more to the film's availability than to its actual lack of worth as a cinematic form of torture. (A similar movie would be "Quest of the Delta Knights".)

No one will confuse this film with 2001, but it's not Star Trek 6 either. I wouldn't set my VCR to watch this movie, but if there is nothing else to watch on a rainy Saturday afternoon, it's worth your time.

A space-pilot is caught up in a claim-jumping scheme on the far side of the Moon. Touted as the first 'Moon-western', the film would have been much better if it had simply lifted plot and character tropes from the classic oaters and dispensed with silly trappings such as the 'gunfighter-style' holsters and the awful 'saloon-themed' bar complete with the dancing girls and inevitable brawl (a particularly silly scene). On the plus side, 'Moon Zero Two' has the entertaining look of contemporaneous British science fiction with carefully detailed and well thought-out miniatures, and fashions and hair styles straight out of 'UFO' (1970) or 'Space 1999' (1975). The central plot is clever (albeit implausible) and the special effects generally good (although as usual the filmmakers couldn't resist adding sounds in space). The cast of British character actors is OK but they are saddled with trying to deliver an awkward mélange of adventure and parody through a tongue-in-cheek script that is nether very clever nor witty. Unfortunately, the end product is a film that is worse than it looks and likely of interest only to fans of genre fans or those nostalgic for the short skirts, austere jumpsuits, beepy machines, and vibrantly coloured wigs of the British vison of the future in the late 60s/early '70s. If you can sit though the goofy, incredibly 60s-looking, animated opening-credits sequence and tolerate the theme song, you can probably survive watching the film.