Les naufragés de l'espace

I've always liked this movie, still holds some modern jaded audiences to the edge of their seats. One comment. I saw this at age 10 in a downtown theater in original 70mm print. The curtain opened and the house lights went half dim. I knew what I was looking at on the screen but I suspect I was the only one there who did. I kept yanking on my dad's arm, pointing at the (blank?) screen, yelling "look!" "look!". The original opening was the coolest thing I've EVER seen on screen, a near silent, ultra-slow zoom-out and slow pan to the horizon through a fully extended Baker-Nunn camera that was looking out into nothing but black outer space. Damn amazing. Total, utter, deep space - pure blackness until it got to the horizon. Outstanding. There's about 10 seconds on the DVD, it was more like 10 minutes in the theater. Gave you a real feel for where these guys were about to end up Marooned -in-. The only thing I've ever seen on film that compares - and it's the reverse situation - is the ending of Electraglide in Blue. I'll never forget it. Thank you old time American cinema. These days you'd get commercials for your 9 dollars.

OK, the film is plodding and the over caution and dourness of Gregory Peck's Dr. Keith gets irritating, but James Franciscus, stalwart of many a tv movie and dodgy international co-production, puts in a career best performance as the scientist-astronaut struggling to keep a grip on not only his faculties, but those of his fellow astronauts. Because he can work out scientifically what's going to happen, Clayton Stone (Franciscus) has the added burden. The scenes where he's trying to convince his wife back on Earth that they're going to make it, when the evidence is telling him in his mind of the opposite, the way he struggles with trying to convey how he feels when he's more a cerebral person and the end when its down to him to rescue himself and Buzz Lloyd (Hackman) are all excellently portrayed. It's a shame that he was seldom given another role that would have as much depth.

This creepingly slow space drama was mainly conceived, I'd posit, as a showcase for the acting talents of the four leads: we're treated to Hackman, Crenna and Franciscus playing the astronaut trio trapped in space, and Peck as the no-nonsense controller back on the ground whose attempts to return them to Earth make up the bulk of the running time.

Sadly, 'bulk' is right when it comes to this movie: it's way overlong, with much of the length consisting of repetitive dialogue sequences or scenes which add little to the narrative. In some cases, it actually feels quite stodgy, especially during the lengthy mid section. I was often looking at the clock and wondering how much more of this I could sit through.

Invariably, the special effects are quite dated and often look laughable in this day and age. Yet despite these detractions, the film does have a special kind of timeliness to it (considering the year it was made) which adds significance to the production. And I'll admit that things do get quite thrilling in the last half hour, when we're treated to the kind of suspense that should have been present all the way through.

The actors are the main reason to tune in these days: it's hard to fault any of them, but I think Crenna gives the best performance of the lot as a compassionate family man. Hackman is almost unrecognisable in comparison to the later tough, mannered character actor he became, and as always Franciscus seems to me to be underrated. Peck is very good too, but then that's a given.

I found this movie while I was searching through all the new movies on OnDemand. I usually look through the new movies about once a week, searching for some hidden gem I've never heard of. I'm not always successful, but this time I was.

I'm a pretty big sci-fi fan and especially love "speculative fiction;" meaning content about the near future that isn't necessarily out-of-this-world sci-fi. Authors like Philip K Dick and Jonathan Lethem excel in this genre, and I like Marooned fits in it very nicely.

Released in 1969, it obviously takes place at a not-much-later date - the inclusion of SKYLAB, launched in 1973, proves this. The rescue vehicle used also looks like a very crude version of the space shuttle - a futuristic test vehicle that looks grounded in reality enough to escape being campy. A few lines of dialogue also hint that a Mars expedition is something that is considered to be right around the corner.

Most complaints in the comments section refer to the pacing. All i can say is: go read a book. If 90-minute action fests are your barometer for the worth of a film, go elsewhere. There are no exploding fireballs or meteors ripping through space stations with stereotypical crazy Russians here. Instead, you get a fully realized and believable view into what might happen if some of our astronauts became stranded in space.

Personally, I was invested fully into the film and felt sad when the movie ended, the same way I feel when I finish a good book. The pacing here, if you are interested in the subject matter, is fine. For fans of science fiction, this movie is a must-see. For those of us who actually can sit through a book and enjoy it (and I don't mean "page-turners"), this movie is a great way to spend an afternoon. For everyone else, please avoid. You will only drag this movie's rating further into the mud.

Astronauts Richard Crenna, Gene Hackman, and James Franciscus are on a several month mission in outer space. It's scheduled for seven months, but NASA Director Gregory Peck decides to bring them home early as they are showing signs of fatigue.

But something goes terribly wrong with the reentry rockets and the guys are stranded up there in space with about a 42 hour supply of oxygen. It's looking pretty grim because we're not sure that a rescue mission is feasible. Chief astronaut David Janssen and Gregory Peck lock horns on this issue at a staff meeting. Add to that a hurricane is developing in Caribbean that will be passing over Florida and Cape Kennedy.

But they try and Marooned is about that attempt. As a film it doesn't get too much into character development except during a sequence when the astronaut wives, Lee Grant, Nancy Kovack, and Mariette Hartley are brought in to boost morale all around. It does concentrate on the rescue mission and the special effects for which Marooned got an Academy Award in 1969.

I'm not a science buff by any means, but Marooned was projected several years into the future, the long missions that Crenna, Hackman, and Franciscus were on were years away. But Marooned seemed to get the future right.

It's a dated film now, but still exciting and suspenseful.