Macunaïma

Macunaíma (Grande Otelo / Paulo José) is a lazy anti-hero born black in Amazonas. After the death of his mother, he moves with his two brothers to Rio de Janeiro, but along his journey, he baths in a fountain and becomes Caucasian. Once in Rio, he incidentally meets the killer guerrilla woman Ci (Dina Sfat), who wears an amulet made of stone, and they fall in love for each other. They live together and a couple of months later, Ci delivers a black baby. While carrying a bomb for a terrorist attack in the stroller, the bomb explodes and Ci and the baby die, and the amulet vanishes. A very strong man finds the stone and Macunaíma tries to recover it. In the end, he returns to the jungle.

"Macunaíma" is a non-sense, anarchic, crazy and surrealistic Brazilian cult-movie and I am not sure whether a foreigner may like it or not. The story is funny, and belongs to a very specific moment of the history of Brazil, with the "Cinema Novo" ("New Cinema") and "Tropicalismo" movements and the military dictatorship. Further, it is absolutely original and unique, without any reference to another movie or use of clichés. Just as a curiosity, the rigid censorship in 1969 did not allow to expose two breasts at the same time. It was permitted to show one, but not both of them. The viewer can note that specially when Dina Sfat is in the kitchen wearing no shirt. When she turns, her left breast is covered by an object that she is holding. Today (04 April 2008) I have watched this film again, now in a magnificently restored (unfortunately very expensive) DVD. My vote is eight.

Title (Brazil): 'Macunaíma'

I first saw Macunaima in a World Cinema class here at Rutgers University. The film is about a native Brazilian born fully grown as he is depicted as defecated more than born, a dark Black baby to a White mother and all White siblings.Macunaima faces the harsh reality of his color, as he picks out the scraps a pig's end trails as his brothers eat the succulent flesh.He then finds a well which spurts water which turns him White, in a fantastically colorful sequence, Macunaima revels in his new color, as it changes his life and opens doors of opportunity to metropolitan Sao Paulo as he meets a guerrilla assassin femme fatale with whom he bares a Black child. She is killed, he seeks to avenge her death and realizes being White isn't all its cracked up to be. Macunaima has to wrangle with blood sucking neocolonialists. Despite its serious subject matter, Macunaima creates a carnivalesque atmosphere, light hearted wit and sexy mystique that defines Brazil

I discovered this movie by chance so many years back when I was watching a film by Rogério Sganzerla. The first time I ever saw this movie was a hacked-up version of a torrent file. Even with all its naughty bits cut out, I could see this movie was a definite cult classic. When I finally got to see the whole thing during the lockdown, I could not stop laughing. It is a Bizarre political reading of Brazil with a lot of satire and is a kind of folk fairy tale told in a style that blends Terry Jones, Tomás Gutiérrez, Alea Mario Monicelli, Ulrike Ottinger with Jean-Luc Godard. Two major themes form the center of the film. On the one hand it is about racism, social class and anthropophagic portrait of Brazil. The second, major topic deals with miscegenation. For this reason, Joaquim Pedro de Andrade shifts the narrative perspective towards the big city after black Macunaíma turns white. As for the rest of the film, it's a mixed bag of weirdness--all cloaked in a strange and bizarre plot involving weird encounters and surreal sequences supported with an amazing soundtrack. In summary: if you're looking for a serious film that has terrific visual effects and absolutely no gaping plot holes, look elsewhere. I'd even go so far as to say that this film intentionally utilized poor visual effects and more than a few plot holes just to make the movie weirder. This is a big plus, and makes it all the more remarkable, because you can tell this was done on a small budget, but makes the best of it.

I'm not sure if I understood even half the cultural and political references this film makes. After all it is Brazilian and from the late 60's. In many ways a product of that era but because it seems to be based on fairy tales or legends there's an interesting timeless quality to it as well. That and the outrageous sight gags, combined with crazy costumes makes this seem like a live-action cartoon. Definitely a fun ride through jungles filled with carnivorous nymphs, machine-gun toting topless commandos, men changing race when they smoke marijuana, a piranha pool party and much much more! Well worth a look though you may need a friend versed in Brazilian history & culture to make sense of it all. The restored 2K print is absolutely gorgeous.

This film is hard to categorise because one can say that it is sincere, naturalist, mocking of urban life of metropols in Brazil; while being very entertaining and relatively easy to watch. Not quite knowlegdeable what is going on at that side of the ocean, I can only find the resemblances with my own country (Turkey), which is on par with Brazil in terms of industrialization, wealth and education. What you see in the film is streets are dangerous in many ways. Thievery, trickery and violence are present and politics are involved too. But it is very fortunate that this film is not totally a cold-hearted judgment of society of Brazil. Fantastic elements are incorporated so well that the result is very amusing in some sequences but it still leaves ashes in your mouth. Characters are greatly genuine and colorful and and script makes you curious about the book it is based upon. You just wanna watch more and you stumble upon its anarchic and modernistic wisdom. You needn't dig very deep to get the best out of this movie yet it touches nicely to the matters of society in Brazil. As you watch just be curious more and more about Brazil's problems. A very impressive movie hard to fault that deserves 8 out of 10.