Macunaïma

This film is hard to categorise because one can say that it is sincere, naturalist, mocking of urban life of metropols in Brazil; while being very entertaining and relatively easy to watch. Not quite knowlegdeable what is going on at that side of the ocean, I can only find the resemblances with my own country (Turkey), which is on par with Brazil in terms of industrialization, wealth and education. What you see in the film is streets are dangerous in many ways. Thievery, trickery and violence are present and politics are involved too. But it is very fortunate that this film is not totally a cold-hearted judgment of society of Brazil. Fantastic elements are incorporated so well that the result is very amusing in some sequences but it still leaves ashes in your mouth. Characters are greatly genuine and colorful and and script makes you curious about the book it is based upon. You just wanna watch more and you stumble upon its anarchic and modernistic wisdom. You needn't dig very deep to get the best out of this movie yet it touches nicely to the matters of society in Brazil. As you watch just be curious more and more about Brazil's problems. A very impressive movie hard to fault that deserves 8 out of 10.

Macunaima is Monty Python meets Jodorowsky and Robert Downey Sr. in a pool of piranhas. A full-grown black man, a " Brazillian hero", is birthed from a white woman in drag in the middle of the jungle. He discovers a magical water fountain that turns him white. He moves to the city, falls in love with a bomb bearing urban radical activist who wears a magic stone necklace that brings good luck. The magic necklace is stolen by a by an evil corporate cannibalistic millionaire. This causes a bomb to kill his wife and son (done in such a cartoonish way that it is all the more ridiculous). At this, Macunaima is plagued with bad luck through many of his misadventures and wants to get back the necklace from the evil corporate honcho. Part social satire, part serious political commentary set in a folklore steeped surreal Brazil. Based on the 1928 novel by Mario De Andrade that is considered on of the founding texts of Brazilian modernism; and the film itself is widely considered one of the most important films of the Brazilian Cinema Novo. But if you forget all the academics, it's a wild, weird, colorful, magical, surreal wonder-work with endless memorable moments, such as: a defecating goose, a pool of piranhas in which people swing above on a trapeze until they fall in, a water nymph and much more!! Who can forget such brilliant one liners such as "God gives nuts to those with no teeth". This film is a must see! One of the funniest films of any country! An underrated gem!

If you like films like Jodorowsky's "The Holy Mountain", you will love Macunaima! Overall just a very fun spirited movie, and a very interesting perspective of the Tropicalia movement of the late 60's and early 70's of Brazil.

I'm not sure if I understood even half the cultural and political references this film makes. After all it is Brazilian and from the late 60's. In many ways a product of that era but because it seems to be based on fairy tales or legends there's an interesting timeless quality to it as well. That and the outrageous sight gags, combined with crazy costumes makes this seem like a live-action cartoon. Definitely a fun ride through jungles filled with carnivorous nymphs, machine-gun toting topless commandos, men changing race when they smoke marijuana, a piranha pool party and much much more! Well worth a look though you may need a friend versed in Brazilian history & culture to make sense of it all. The restored 2K print is absolutely gorgeous.

I first saw Macunaima in a World Cinema class here at Rutgers University. The film is about a native Brazilian born fully grown as he is depicted as defecated more than born, a dark Black baby to a White mother and all White siblings.Macunaima faces the harsh reality of his color, as he picks out the scraps a pig's end trails as his brothers eat the succulent flesh.He then finds a well which spurts water which turns him White, in a fantastically colorful sequence, Macunaima revels in his new color, as it changes his life and opens doors of opportunity to metropolitan Sao Paulo as he meets a guerrilla assassin femme fatale with whom he bares a Black child. She is killed, he seeks to avenge her death and realizes being White isn't all its cracked up to be. Macunaima has to wrangle with blood sucking neocolonialists. Despite its serious subject matter, Macunaima creates a carnivalesque atmosphere, light hearted wit and sexy mystique that defines Brazil