Lions Love

Agnes Varda directed this fascinating cinema verte like fictional film in 1969. The film traces Gerome Ragnai and James Rado (the composers of HAIR) and Andy Warhol actress Viva as they try to break into the Hollywood lifestyle. American feminist icon filmmaker Shirley Clarke is featured in an extended role, also playing a fictionalized version of herself. Clarke is attempting to get studio financing for a film project that seems to be consciously satirizing the struggles Varda must have had in getting this film made. This film is funny, beautifully shot and imaginatively edited. It is a must see for fans of Varda and the French New Wave.

If we were to debate about French filmmakers who have made successful films in Hollywood,it would appear that Agnès Varda is certainly not the first person from France who made a film in Hollywood.There were many people before her including great French master Jean Renoir who made films which had favorable outcome in Hollywood.What is important to note is that her films based in Hollywood gained more popularity as she and her husband Jacques Demy were close to American cultural icon Andy Warhol.This is also the case with her film "Lions Love" in which she makes attempts to understand working style of Hollywood people.The highlight of the film is her quest to fathom how American films get their finances in a tough jungle called Hollywood.Lions Love is also a tale of reflections of a French lady on American events of the time as there is a significant mention of the assassination of American president John.F.Kennedy.Those who are looking for traces of feminism found in other films by Agnès Varda would be highly disappointed as Lions Love is very much a light work in terms of its filming style and theme.

I checked this movie out as it sounded interesting as it starred Warhol discovery Viva and the writers of the musical "Hair" and was filmed by Agnes Varda who made "Cleo from 5 to 7". I was looking forward to seeing this but was so disappointed because it is a terrible and amateurish film with unappealing characters.

Rado and Ragni should never have stepped in front of a camera. (Instead they should have been busy writing a new hit musical.) It is now clear to me why Viva never became a movie star and why this movie now is forgotten and unseen. Shirley Clark is the only interesting person in it and I wonder what this movie would have been without the Kennedy assassination.

It's ironic that the film studio people in the film talk about having the final cut of a film project and how the Clarke's agent wants her to retain creative control over her film. This film HAD been better with a lot of editing, cutting out all of Viva, Rado and Ragni (but the there wouldn't have been anything left!).

What could have been a cult documentary of the scene in 1969 California is just an incredibly dull because of Varda's choice of lead characters. Just because these people had been involved in some cool 60's projects did not mean that they were worthy of being subjects of a documentary. The only funny part is when they discuss pregnancy and how it would be good to speed up the process.

Imagine Andy Warhol if he were slightly less boring and considerably more humanistic and you have some idea of the great limits and small virtues of this LA time capsule from the spring and summer of '68. Give it a C plus.

Lion's Love is a pseudo-documentary with no concrete direction. It asks us to be voyeurs of three people who define cavalierism.. An oddly fascinating look at late 60's America via the very french Varda. Hard to recommend, but cineastes of new-wave/non-linear film will love it. Worth noting for a cameo by James Douglas Morrison as a theater patron.