Sur ordres du Führer

Here we have, yes, another Italian war movie from the early 1970s. This one features a half-decent international cast and a slew of decent action sequences.

As the British evacuate Dunkirk, several German saboteurs infiltrate their forces. They kill a squad of English troops and take their ID tags. Frederick Stafford, the platoon leader, finds the dead men and realizes their IDs are missing. Upon returning to England, he heads efforts to locate the saboteurs before they can blow up radar installations along the coast.

The film boasts a good international cast: Frederick Stafford, though dubbed, is pretty good as the Hungarian-English Captain. Van Johnson does a corny bit as an English Air Marshall and even participates in a few aerial battles. Francisco Rabal is very good as the German officer who befriends Stafford; Stafford realizes who he REALLY is and must face him during the bone-shattering climax. Hottie Ida Galli turns in a good performance as Stafford's girlfriend. I must also note the presence of Luigi Pistilli as the German group leader. The man was marvelous in the Leone westerns and is very good here as well.

The battle sequences range from superb to incredibly corny. The dogfights involve live action, miniatures, and poorly edited black and white stock footage. The ground combat scenes are often confusing -- but exciting -- since the British and German infiltrators wear the same uniforms. Great cinematography -- this appears to be filmed on location in England is is done well. The music score is typical adventure type stuff but does the job. Much of the combat footage found itself recycled in Umberto Lenzi's FROM HELL TO VICTORY in 1979.

Overall, for a good cast and great direction by Enzo Castellari, I give it a 7/10.

Here's an oddity - an Italian made war film that is actually quite good. Okay the dubbing is bad, and the locations are a bit "mediterranean" particularly Dover and Dunkirk, but all in all a well made war film. Its the story of a group of German commandos who intermix with returning British troops from Dunkirk, and wearing British uniforms attempt to destroy the radar installations around the coast and therefore aid the imminant German invasion. A British Captain played by Frederick Stafford attempts to track down the Germans aided by Van Johnson as a British Air Marshal - an odd bit of casting, but I'm sure the aging Van welcomed the money.

This comes up for sale on video every now and then, and I recommend it to war film buffs.

This is the most innacurate depiction of the RAF and the Battle of Britain that anyone could envisage. Look no further than the aircraft in use on the movie. They have Messerschmitt 109s dressed up as spitfires and Spitfires dressed up as Messerschmitts. How stupid could you get.

The idea of Van Johnson as an air Commodore hysterically controlling an air battle above wartime London from the cockpit of a Fighter of indeterminate breed is also to ludicrous to contemplate.

Possibly one of the worst war films ever made

This is an odd case of casting, as the very American actor, Van Johnson, plays a British officer! However, despite this, the film looks very good for an Italian-made WWII film--sort of like a 'spaghetti' war film. For example, the Dunkirk scene was quite nice and had a pretty expansive look--with a relatively large cast and lots of ships. And SOME of the airplanes were done well (such as the fake He-111 cockpits--VERY nice). Unfortunately, the rest of the planes in the film are an odd lot--probably because the original models weren't available to the Italian film company. The German fighters were often American T-6s or even British Spitfires and the Spitfires were sometimes some odd plane (I assume Italian) that looks a bit like it but whose cockpit and undercarriage look more like that of the German Bf-109. To make it even more confusing, the exact same plane was often used interchangeably by BOTH sides in the film. And, at one point a British fighter plane becomes a Lysander observation plane. Clearly the film's attention to these sort of details was pretty poor...at best. And, late in the film the planes are CLEARLY cheap models. It's best to just close your eyes or so get a snack during these scenes because even if you don't care about these details, it still will confuse you.

The plot itself is rather clever. At Dunkirk, a group of Germans who speak English well are chosen to assume the identities of dead British soldiers. Then, when the British army is rescued, these agents can then infiltrate the country and eventually attack the Brit's most important secret weapon--their radar.

The bulk of the film is executed reasonably well (not always great--but not bad) and it's obvious they spend some money on the film. However, there were a few problems. The punching sounds in the fight scenes sounded EXACTLY like the punching sounds from a kung fu film! There also was a scene involving the killing of a German female agent and it was silly and WAY overdone--and completely unnecessary. All together, the film was very uneven but the good still far outweighed the bad. I would really love to see this film re-done--with a tighter script and more consistent special effects.

From the director of the original 'Inglorious Bastards', this war film contrives rather cheekily to transpose the English-speaking Germans behind enemy lines from the Ardennes Offensive to the aftermath of Dunkirk; while there's plenty of dramatic spectacle on what was doubtless a fraction of the sort of budget Tarantino later had to play with.