Danger, planète inconnue

What if there were a parallel world to Earth's always hidden from us on the other side of the Sun?

This is the question that astronauts Roy Thinnes and Ian Hendry ask themselves when they discover a parallel world of Earth always hidden on the far side of the sun in this 1969 cult science fiction melodrama, released here in America as JOURNEY TO THE FAR SIDE OF THE SUN. The plot of the film was devised by British writers Gerry and Sylvia Anderson, the creators of such TV shows as "UFO", "The Thunderbirds" and "Space 1999". It is exceedingly weird at times, betraying the influence of "The Twilight Zone" and even Stanley Kubrick's 1968 sci-fi classic 2001: A SPACE ODYSSEY. The visual effects work of Derek Meddings, who would also later work on SUPERMAN: THE MOVIE, holds up surprisingly well under the last four and a half decades of special effects advancements (including CGI); and while they are not really on the same exalted level of the Kubrick film, they are very superb. If you don't anticipate a STAR WARS-type of a film and can overcome the occasionally trite dialogue, DOPPELGANGER is a good film; it was good enough for me to rank it a '7' and consider it an undiscovered sci-fi gem.

Most people who enjoy this film enough to sit through it multiple times probably first saw it, as I did, during their childhood back in the late 60's - early 70's. It was one of the first science fiction movies I saw as a child and it made enough of an impression on me for me to remember it decades later. It was more thought-provoking than your average 1960's "space opera" and the special effects were among the best of its time (second, at the time, perhaps only to '2001' which came out about a year earlier). And although the people behind it were definitely influenced by Kubrick's earlier masterpiece, it contains enough original thought to be fascinating in its own right. Most adults who didn't see this movie when it first came out will probably be too critical to be able to enjoy it if they were to watch it now. As for today's younger audiences, they would probably tend to measure it by the standards of today's movies with their much more advanced special effects and simply dismiss the film as too archaic for their tastes. Unfortunately, this movie is probably destined to languish in ever-increasing obscurity as its original audience gets older and eventually fades away...

How well I remember seeing this made for TV movie when it finally got over to this side of the pond on American television. This British made for TV film has a most intriguing idea, but it could have been better conceptualized.

Journey To The Far Side Of The Sun begins with the discovery some time in the future of a planet never seen before which is 180 degrees on the same plane diameter on the opposite side of the sun. Naturally the European Space Agency and its head Patrick Wymark want to make a voyage, certainly not in a straight line I hope or things could get hot for the astronauts.

Picked to go are American Roy Thinnes and British Ian Hendry. What they find there is something pretty frightening.

A lot's at fault here. I would think that an opposite Mercury and Venus would have been discovered as well, but no mention of that let alone the planets farther than earth from the sun. And while this body moves with'the same speed exactly across the diameter of the orbit the others certainly would have been noticed before even our time.

I also don't think the marital issues between real life husband and wife Roy Thinnes and Lynn Loring have anything to do with the main plot and add nothing.

An interesting idea not well thought out.

Interesting premise; interestingly worked out; the strongest feature of this film is the emotional tension of the astronaut who knows a truth, but is unable to convey it to others. Overlook the weaknesses and just enjoy the movie, but be prepared for a certain level of suspense.

I never claimed this film to be a masterwork. But, when I was a teenage boy, growing up during the Apollo project and the original Star Trek years, I found this film to be imaginative and thought provoking. The music score was especially to my liking - I didn't realize why at the time, but later in my career I came to understand what a fine composer Barry Gray was (I'm a school band director). The criticism offered in many reviews is unjustified. I recently purchased the DVD edition to add to my collection of 1950-77 sci-fi films (the "pre Star Wars" era). I always have held the film as one of the best of the era, largely because of its appeal to the emotions of "awe" and the film's visual and musical effects. Well worth owning, and far better than most of the junk produced during this era (with exceptions such as George Pal films, and of course, the entire Star Trek franchise).