Mardi?... C'est donc la Belgique

This movie is even more enjoyable for people who have been on a very similar trip, as I did in 1966, with Overland; however, it took five days from Belgium to Rome. I am a believer in happy endings, but Charlie ended up being treated the same way as he treated countless girls. I felt for him, because I also fell for a girl on the bus, but having previously also treated girls the same way, I paid the price, like Charlie. The characters in the movie reminded me of the characters on my bus. There is a very impressive list of character actors and guest stars which proves that the salaries then were far more reasonable than they are today. They don't make comedies like this anymore, unfortunately.

What makes this 1969 movie so entertaining is the collection of character actors who are given an opportunity to showcase their talents. Lots of little stories about a group of American tourist who are essentially barnstorming their way through Europe on a tour bus make up the plot. Each one of them has some special experience in one of their many tour stops.

This is one of those movies that can be watched over and over and never gets old. It is doubtful that a film like this could be made now because there just doesn't seem to be the same kind of character actors today who could appear and deliver in small scenes like the performers in this movie do.

Well when I last saw this one I was wearing Green check trousers and an Orange nylon jumper. Got to be at least 25 years. Ouch. But this one has worn rather better than me.

From memory I was expecting a sort of American Carry On movie - and I suppose this isn't a bad comparison. But the jokes are still funny - quite sharp infact at times. The acting isn't too OTT - no Kenneth Williams mugging here - and the scenery of an as yet unspoilt Europe was a nice reminder of what Europe used to be like.

Yes - the plot is pretty 'souffle' (light, sags in the middle) - but Ian McShane holds it together. Infact , both me and the wife were at a loss as to why I.M. never made it mega-big. He had a lot going for him back then, and he's aged well.

Worth a watch - should bring back some memories for any who first got to know Europe on a coach tour (Wallace Arnold as in my case).

I was nine when I first saw this film, when it first came out, and loved it ever since. Funny even with it's vintage 60's songs, and an appearance of pop star Donavan, it hasn't dated at all. In fact it's more like a time capsule of it's time, which was 1969.

The film is about a bunch of Americans taking a european tour is ten days. We have a large assortment of characters played by some expert character actors. There's the WWII veteran played by Michael (My Big Fat Greek Wedding) Constantine who has taking the tour because it goes to the same places he went to in the army. Then there is the typical ugly American (Murray Hamilton) who was forced to come on this tour by his wife(Peggy Cass), he hates every minute of it till Rome where.. no you got to see it for yourself. There is a poor husband, Norman (Mr. Roper) Fell who gets separated from his wife (Reva Rose) when she gets on the wrong tour bus and tries to find a way to get her back. Then there is Miss Sam (Suzanne Pleshette) who has decided to take a vacation from her fiancé, to get her head straight, but then becomes the object of tour guide Charlie(Ian McShane)'s advances. Also wonderful in the film is Sandy Baron, Mildred Natwick, Pamila Britton, Marty Ingles, and Aubrey Morris.

It was directed by Mel Stuart who followed this up with the classic, "Willy Wonka And The Chocolate Company". I ended up seeing this film three times in the theaters.It gets better with every viewing.

While not a laugh-out-loud comedy, "If It's Tuesday, This Must Be Belgium" is a humorous, affectionate take on group travel that will resonate with anyone who has been on a European bus tour. Ian McShane is the British guide for World Wind Tours Number 225, which will sweep through nine countries in eighteen days. McShane's American tourists include such comedic talents as Norman Fell, Marty Ingels, Reva Rose, Peggy Cass, Pamela Britton, and Sandy Baron. Although not well known for comedy, Murray Hamilton, Michael Constantine, and Mildred Natwick are spot-on funny as well and fill out the bus-load of stereotypes. Murray Hamilton stands out as the congenital cynic who was dragged away from his comfy couch for the trip. Hamilton's expressions and delivery capture the feelings of every male who has submitted to his wife's desire for a cultural experience in a foreign land.

The photography by Vilis Lapenieks captures the beauty of a Europe that flits by faster than the group can either absorb or appreciate. Strangely enough, only the Marty Ingels character, who is obsessed with photographing beautiful women to inspire jealousy among his male friends back home, appears to carry a camera. Predictably, a romantic liaison develops between tourist Suzanne Pleshette, who is as lovely as ever, and guide McShane. The Pleshette-McShane relationship, however, shines in contrast to the bloodless attraction between teens Hilary Thompson and Luke Halpin, who had better chemistry with dolphins. However, when the movie hits its target, it is engaging and oddly nostalgic, which the wistful title tune by Donovan underscores. For many, a quick glimpse of European wonders is a once in a lifetime experience whose memories must endure, and McShane emphasizes to Pleshette that tourists like her get an enormous return for their money.

Unfortunately, younger viewers may not react to the satire and sharp observations, because the film is firmly set in the 1960's. Veterans of World War II are increasingly rare and few make trips back to the battlefields. Hotels no longer monogram their towels for sticky fingered guests. Carnaby Street is no longer a mecca for mod fashion, and inoculations are unnecessary for European trips. However, anyone who has crossed the pond will recognize that Rome will never be a place to rent a car, American franchises abound in European cities, and yodeling is still an acquired taste. "If It's Tuesday, This Must Be Belgium" is a time capsule for those who want to relive or catch a glimpse of European travel before the EU, the euro, and the proliferation of the English language homogenized the continent and stole some of the fun away. With a bit of nostalgia, some talented comedians, and director Mel Stuart's pacing, which is nearly as fast as the tour bus, the film is gentle fun and above average entertainment.