Mardi?... C'est donc la Belgique

Comedy about a group of Americans on a 18 day (I think) tour of Europe.

Unlike some previous posters, I've never been to Europe, so watching this film was not like reliving old memories. On its own, this was a very pleasant movie. The script is not bad and the jokes are pretty funny. There are some real groaners too, but the good ones far outweigh them. And the cast is full of talented character actors giving their all.

The movie basically concentrates on a romance between the tour guide Charlie Cartwright (Ian McShane) and tourist Samantha Perkins (Suzanne Pleshette). Usually romance subplots in comedies are the kiss of death, but this one works. McShane is very handsome and Pleshette incredibly beautiful; the dialogue is well-written; they both give good performances and they have great chemistry with each other. It also is a good excuse to show all the romantic places in Europe (this was shot on location). And the romance has a surprising, realistic ending.

Another point of interest is an 18 year old girl Shelly (Hilary Thompson) meeting a guy her age Bo (Luke Halpin). Their fashions are VERY 60s and the dialoge is SO old-fashioned...but it's all interesting. Also a visit to Canaby Street in London (which was the place to be in the late 60s) is visually fascinating. Also Murray Hamilton's one liners throughout the movie are frequently hilarious.

They visit London, Holland, Germany, Switzerland, Italy, Venice and end in Rome. I saw a widescreen print on TV in strong color and the movie just looked beautiful. Sometime it was like seeing a travelogue but an INTERESTING travelogue.

It's not a great movie but a pleasant one. You could do worse! Recommended.

Suzanne Pleshette stars and looks great here. Lots of good character actors, including Michael Constantine. One thing I notice, like other 1960's movies, this one doesn't mind basing gags on the concept of pretty young women and lecherous older guys who would like to chase them.

Taking the movie as a whole, it's worth watching once: for Suzanne, the European scenery, the sometimes funny scenes, and a few affecting ones. Murray Hamilton stands out as especially good in this movie. I bought this on DVD; to me, it is more of a catch-it-on-cable type movie, in terms of value.

What makes this 1969 movie so entertaining is the collection of character actors who are given an opportunity to showcase their talents. Lots of little stories about a group of American tourist who are essentially barnstorming their way through Europe on a tour bus make up the plot. Each one of them has some special experience in one of their many tour stops.

This is one of those movies that can be watched over and over and never gets old. It is doubtful that a film like this could be made now because there just doesn't seem to be the same kind of character actors today who could appear and deliver in small scenes like the performers in this movie do.

The film is not a cinematic gem, but a bit of enjoyable 60's fluff.

It rolls along at a pace and doesn't let up, much like the tour party visiting the European cities. Unfortunately there is not too much about the actual places, but that's not why we are watching this film.

The ensemble of actors all work well, although I'm not too sure about the cameo roles. For example, blink and you'll miss Senta Berger, Joan Collins, John Cassavetes, Ben Gazarra and so on, but then again, that's the fun perhaps.. As the for the main parts, I thought Suzanne Pleshette was the best, trying to resist the attention of the tour guide (Ian McShane), who has a "girl in every port" but others actors were worthy contributors too.

If you want a 60's film then this just about hits most bases, with clothes (Carnaby Street), Music (including Donovan for one tune), light heartedness, a few hippies (sharing a smoke), love interest (without nudity), old vehicles etc. Your choice. Me? I enjoyed the ride/tour, and was exactly what I was looking for.

While not a laugh-out-loud comedy, "If It's Tuesday, This Must Be Belgium" is a humorous, affectionate take on group travel that will resonate with anyone who has been on a European bus tour. Ian McShane is the British guide for World Wind Tours Number 225, which will sweep through nine countries in eighteen days. McShane's American tourists include such comedic talents as Norman Fell, Marty Ingels, Reva Rose, Peggy Cass, Pamela Britton, and Sandy Baron. Although not well known for comedy, Murray Hamilton, Michael Constantine, and Mildred Natwick are spot-on funny as well and fill out the bus-load of stereotypes. Murray Hamilton stands out as the congenital cynic who was dragged away from his comfy couch for the trip. Hamilton's expressions and delivery capture the feelings of every male who has submitted to his wife's desire for a cultural experience in a foreign land.

The photography by Vilis Lapenieks captures the beauty of a Europe that flits by faster than the group can either absorb or appreciate. Strangely enough, only the Marty Ingels character, who is obsessed with photographing beautiful women to inspire jealousy among his male friends back home, appears to carry a camera. Predictably, a romantic liaison develops between tourist Suzanne Pleshette, who is as lovely as ever, and guide McShane. The Pleshette-McShane relationship, however, shines in contrast to the bloodless attraction between teens Hilary Thompson and Luke Halpin, who had better chemistry with dolphins. However, when the movie hits its target, it is engaging and oddly nostalgic, which the wistful title tune by Donovan underscores. For many, a quick glimpse of European wonders is a once in a lifetime experience whose memories must endure, and McShane emphasizes to Pleshette that tourists like her get an enormous return for their money.

Unfortunately, younger viewers may not react to the satire and sharp observations, because the film is firmly set in the 1960's. Veterans of World War II are increasingly rare and few make trips back to the battlefields. Hotels no longer monogram their towels for sticky fingered guests. Carnaby Street is no longer a mecca for mod fashion, and inoculations are unnecessary for European trips. However, anyone who has crossed the pond will recognize that Rome will never be a place to rent a car, American franchises abound in European cities, and yodeling is still an acquired taste. "If It's Tuesday, This Must Be Belgium" is a time capsule for those who want to relive or catch a glimpse of European travel before the EU, the euro, and the proliferation of the English language homogenized the continent and stole some of the fun away. With a bit of nostalgia, some talented comedians, and director Mel Stuart's pacing, which is nearly as fast as the tour bus, the film is gentle fun and above average entertainment.