I Start Counting

This is another very well made British Thriller from the late 60s / early 70s. Like other reviews I had seen 'I Start Counting' once before, on late night television, one (I think) Sunday evening in the early 1980s.

It is a film that stayed with me but could never remember its title or even who was in it (I didn't even remember Jenny Agutter as the lead!) until I accidently came across it on a IMDB list. I did recall that it was don't miss a minute suspenseful.

I have now just watched it again and it still stands the test of time. It's a horror / thriller that doesn't rely on blood, gruesome murders or cheap shocks. It keeps the viewer thinking but that is because it is a film with many levels of which the underlining narrative about a serial killer stalking young girls in a village is one of the least compelling - at least to me watching again 50 years after the film was made and around 40 since I last sat entranced.

Agutter and Bryan Marshall are superb in this. She of course has since given many more excellent performances in a lot of very good films but I have never seen Marshall in anything as good or give a portrayal as naturally convincing as this. To be honest I have not seen him in another role so integral to the story.

I would definitely be interested to know why this film is so rarely seen. It is certainly one for fans of the period and also for people who like their suspense to come without gratuitous violence.

A film well worth discovering.

I have no

This movie is awesome. I don't know why it isn't more popular. the cinematography was fab and the lead actress who played Wynne had this real innocence about her, that was so believable. I thought the storyline was great, it was something unusual. the synopsis based it around Wynne's suspicious feelings towards her brother and the murders, but I found it was about something more than that, about the way different people perceive situations and how different peoples duties and commitments can be seen differently in others eyes.

The rest of the cast were great. I loved the few parts of humour in the film, that lifted from the somewhat dark and serious theme, and showed how unusual the film is. the theme song I Start Counting was awesome. It was an awesome name for the film

I'm totally raving about this film man. It freaking rules! I love it!

Jenny Agutter (Wynne) is 14 going on 15 and has a crush on her elder brother Bryan Marshall (George). He's 20 years older than her and isn't her real brother so it's not as twisted as it sounds. They live in the same family house along with another brother Gregory Phillips (Len), mother Madge Ryan and granddad Billy Russell. Agutter has a flirtatious friend Clare Sutcliffe (Corinne) and together they hang out and talk about boys and love. Agutter shares her fantasy about her brother with her friend and we see how she really cares for him. Alongside her troubled teenage time, there is a serial killer on the prowl and girls and young women are not safe in the area.

I liked it. Another British hit for creepiness. Who is the killer? You'll probably change your mind a few times on this one as you try to figure it out. It's filmed on location with a sinister undertone and keeps you watching with various plot twists. We also get Jenny Agutter on a journey to discover what her role in life isn't destined to be and the heartaches she encounters. Who knows, maybe she gets her way once the film finishes?

It is a good few years since I last saw this movie but the memory lingers on. I first saw it as a teenager a couple of times but haven't been able to catch it since. Boy it sure was creepy. The whole cast are excellent throughout. Has British television forgotten about this fantastically creepy movie. With the proliferation of movie channels now available surely one of them can secure the rights to show it. It would be even better if it was released on DVD.

For me this movie was quite a find. It appeared late at night on what was normally waste-of-time English-language cable station in Turkey. The syrupy opening theme song nearly made me turn it off, but it caught my attention because it featured underrated British actress Jenny Agutter, most famous for appearing in the superb Australian art-house film "Walkabout" and playing the female love interest in a smattering of more mainstream fare like "Logan's Run" and "American Werewolf in London". Because her international debut "Walkabout" was much more famous for it's incredible cinematography of the Australian outback than it's very understated acting and almost non-existent dialogue, Agutter would become much more renown for her incredible five-minute nude swimming scene than any thespian talent she might have displayed. Her subsequent international roles were thus somewhat limited (for example, even in the PG-rated "Logan's Run" she somehow managed to have a completely gratuitous full-frontal nude scene). Only older British viewers who remember her work as a child actress on obscure BBC television programs would have too much idea of her acting talent.

This movie would rectify that immensely if it ever finds a larger audience. Agutter (a couple years younger than she was in "Walkabout")plays a troubled pubescent girl in love with her older foster brother. When she begins to suspect that he is a serial killer terrorizing the local neighborhood she chillingly begins to cover up for him, but the truth turns out to be something quite different.

The movie manages to be both a tense thriller and a sensitive coming-of-age flick while deftly avoiding the excesses of either genre. It obviously takes place at a time when London was in full swing (which can be seen in the panty-flashing mini-skirts worn by the characters' slightly more experienced best friend), but the movie also remains somewhat provincial and very British, kind of an early version of a Mike Leigh film. This would make a good double-bill with "Deep End", another superb but sadly forgotten film of 60's era British youth. My only complaint is the music, which aside from a smattering of Jimi Hendrix, is absolutely wretched, especially compare to the music that was coming out of Britain at that time. Nevertheless, I would definitely recommend this one.