Hibernatus

De Funes movies have filled my childhood and "Hibernatus" didn't leave me a good memory. At the time, I couldn't stand the doctor (Londsale) and the "hibernatus". In addition, i felt stuck in the big old furnished mansion.

Today, I find it rather enjoyable. The "hibernatus" really appears during the second half of the movie and the interview of the actor 30 years later available on the bonus helps soften his character. Moreover, De Funes steals the show as always and has the genius to turn "bad" guys into memorable characters.

As I underlined in other reviews, a truly good comedy surprises you at each viewing because you can't remember all the funny moments. This is also the case here.

In comparison with today movies, its short length (80 min) is appreciable because it's fast paced and has no time out.

This was neither the first nor the last film to ever explore the idea of a person out of time and the follies that ensue, but it might well be the silliest. Jean Bernard-Luc and Jacques Vilfrid go to great lengths in their screenplay to shape the most ridiculous farce that they could, from the introduction of high-strung businessman Hubert and those around him, to the thawing of the ice man and efforts to claim him, and amazingly becoming more outrageous still in the second half as preposterous accommodations go awry. The characters, dialogue, scene writing, and narrative at large are all specifically bent toward feverish energy and blustery nonsense, and from top to bottom we're treated to substantial detail to flesh out these elements. I'm personally of the mind that 'Hibernatus' doesn't make a big impression at first, possibly even feeling a tad forced, but it's well done all the while - and the second half is so strong that it unquestionably makes up for earlier relative weakness, and then some. Ultimately this is a classic that's very much worth the wait for it to build strength, equally smart and funny and well worth seeking out.

Filmmaker Édouard Molinaro follows Bernard-Luc and Vilfrid's guiding ethos to the letter with direction that maintains the unfettered zip throughout all of these eighty-two minutes. Every scene buzzes with thrumming electricity, and I can only imagine that every shooting day was fun at least as much as it was work. Of course, Molinaro's task is made much easier by a terrific ensemble, as every actor fully leans into the zestful tenor of the project. Louis de Funès has the most star power, and proves why with a performance that especially makes use of his animated personality and comportment, but his co-stars handily keep up. At one point or another Claude Gensac, Bernard Alane, Michel Lonsdale, Pascal Mazzotti, Martine Kelly, Paul Préboist, and everyone else all have a moment to shine, and the high spirits they bring to the picture are a major component of its success.

It also can't be overstated how fantastic this looks in every other capacity. These are some gorgeous sets that were constructed for this, most of them in the latter half, and I'd love to pour over every inch of the de Tartas home. Likewise, the costume design is plainly outstanding; between these two facets alone it sure seems like the producers "spared no expense," as the saying goes. The hair and makeup is no less excellent, any stunts and effects that are employed come off swell, and Monique Isnardon's snappy editing lends in its own way to the vitality of the proceedings. The themes of composer extraordinaire Georges Delerue mostly stick to the background, but mirror the light, playful mood at all times, and Raymond Pierre Lemoigne's cinematography is splendidly sharp. Granted, all these aspects pale in comparison to the writing, and in turn the direction and acting, but suffice to say that everything comes together wonderfully well to make 'Hibernatus' the superbly entertaining delight that it is. I don't know if I'd go so far as to say it's a total must-see, but if you do have the opportunity to watch, there's definitely no going wrong with this. Appropriate for all ages and recommended for all comers, this is a joyful romp that's well worth checking out!

For the second time director Edouard Molinaro and French comic star Louis De Funès worked together, after "Oscar" (1967).

In 1969 a group of scientists discover a frozen body, which belongs to a young man of 1900. This man still lives and after many adventures his custody is granted to his family (Louis De Funès and his wife, who is...the granddaughter of the man!). For avoiding him the big shock of living at the end of the Sixties, all his family dress and behave as if they were at the beginning of the century!

The comedy shows again the qualities of De Funès, who was unique with grimaces and nervous tics. The French actor was like a clown, many children and adults adored him.

"Hibernatus" is a nice movie, although a little too pretentious -De Funès made better films-. The story is a bit absurd, but the picture is still watchable for his leading actor.

I love Louis de Funès. His unique, very funny character makes me forget that he actually always played the same roles, or: whatever role he played, the role became like him. Many French films of the 1960s would have been boring and unsuccessful without him.

The story of this movie was surely not tailor-made for Louis. It wouldn't need him, Louis is only an additional bonus here. „Hibernatus` is an absurd little comedy based on a completely crazy idea. A man is found alive in the ice after sixty-five years and in order to spare him the shock of waking up in a completely different world, the whole town is „dressed` like in 1905. Louis de Funès' family takes over responsibility for the man and of course, Louis is the one who suffers because of that.

The film is very short and I suppose, it shouldn't be longer. It has many funny moments apart from the basically great idea. Playful, creative, sweet.

The frozen body of Paul Fournier (Bernard Alane) is discovered in Greenland where he had disappeared during a scientific expedition circa1905. Perfectly conserved he is brought back to life in the 1960 to surprise of investigators and scientists . His descendants , a wealthy upper-class man named Hubert de Tartas (wonderfully played by the great Louis de Funes) and his wife Edmée de Tartas (Claude Gensac) take care of him . To spare him the cultural shock they behave so to make believe it's 1905 , as he is not aware that many decades have passed . But things go wrong when some fake characters pose as his ascendants causing confusion and mayhem .

This enjoyable film is a Louis de Funes recital , he stooges , makes acrobatics , tongue twister and puts faces and grimaces . It's a pretty amusing farce that will appeal to Funes fans . In this top-notch comedy , here the splendid and brilliant comedian Louis de Funes plays a stiff-upper-lip , rich businessman called Hubert de Tartas about to marry his son , Didier de Tartas , actual real-life son, Olivier De Funes , all of them get in trouble when his wife's grandfather has been revived thanks to science . Very stylish Seventies film with full of color , fast-moving , as well as overacting , twisted mountage , gaudy scenarios , lavish production , dated gowns , and anything else. Funny and entertaining Louis de Funes vehicle in which he shows his ordinary excessive vein that we watch before. Here Funes faces a quite weird problem , boasting his farsical skills and extraordinary qualities that we see very often. Louis de Funès shot to international fame in the 1960's after his roles in such slapstick comedies as Gendarme Saint-Tropez (1964) and the Fantomas (1964) trilogy . He brilliantly portrayed a funny French policeman , whose hilarious hyperactivity , uncontrolled anger, and sardonic laughter produced a highly comic effect. Funès was voted the most favorite actor in France in 1968, and remained very popular in Europe during the 1970's. He also continued to play on stage during his career as a film star, and was acclaimed for his stage works in classic French theatre . Funès was instrumental in making film adaptations of such theatre plays as 'Oscar continues' and the Molière's 'The Miser', among other plays . His first cinematic roles were "Devil and 10 Commandments" , "Captain Fracassa" , "La Vendetta" until his biggest hits as "Don't look we are being shot" along with Bourvil , Fantomas trilogy along with Jean Marais , Mylene Demengeot : "Fantomas" , "Fantomas Strikes Again", "Fantomas vs Scotland Yard" , to "The Cadillac Man" , "The Restaurant" , "Wing and the thigh" and his last film feature : "The mad adventures of Rabbi Jacob" . Although Funes really excelled in Ludovico Cruchot series as "Le Gendarme of Saint Tropez" , "Gendarme in Balade", "Le Gendarme in N. Y." , "Le Gendarme and creatures of outer space" and "Le Gendarme and Gendarmettes".

Hibernatus (1969) displays a charming and lively musical score by Georges Delerue with plenty of attractive and catching sounds . As well as atmospheric and colorful cinematography in Eastmancolor by cameraman Marcel Crignon . The film was well directed by Eduardo Molinaro who orchestrates the action with military precision, injecting attractive life into the proceedings. Movie director and screenwriter Molinaro was a good French filmmaker who made all kinds of genres with penchant for Comedy , in fact his most commercial films have been comedies . He started making short films and won several amateur film awards before working on feature films as an assistant director in 1949 . Member of the jury at the Cannes Film Festival in 1961 , this French director of the New Wave movement started out making crime films, before directing his first big hit : Oscar (1967) , being best known for commercially successful comedies , as he directed : Le souper, Beaumarchais the scoundrel , L'amour en douce , Palace and his biggest boxoffice : La Cage aux folles that had its successful American version : The mad Cage . Hibernatus (1969) Picture is a Funes vehicle , and many consider his best comedy , he's an authentic comedian and real farceur . If you like Louis de Funes's crazy interpretation , you will most definitely enjoy this one .