Genesis II

The architecture referred to by another reviewer is actually the campus of the University of California at Riverside. It was filmed while I was a student there, during spring break so no students were around. While I loved the film, it was hard to suspend my disbelief looking at buildings I saw every day. We hoped it would take off as a series, since the campus got a paint job, some landscaping, and a few thousand dollars for our scholarship funds in exchange for letting them film. That "futuristic" architecture was mostly built in the early to mid 1960's. But it still has that "future" look. One of my fond memories of my undergraduate alma mater.

Call me a geek, but I was 13 years old when I first saw this pilot, at a pre-release screening at a Star Trek convention.

It exhibits numerous elements characteristic of Roddenberry's finest, including a compelling premise, focus on recognizable human interactions, and some light, thoughtful humor: e.g. a reference to the teachings of "Saint Freud".

Sadly, it didn't have quite the kick of some of his better work, but rather plays like one of the weaker episodes of one of them. That is to say the story is pretty good, some of the characters display a potential for significant depth, but it drags a bit. I see it as kind of a "Star Trek - The Motion Picture", without the million dollar light show, or the established relationship with the characters that would have brought us back for Star Trek II no matter how excruciating it was.

It ain't easy maintaining the emotional pacing necessary for a "human adventure" while interspersing enough action (and scifi eye candy/gadgetry) to keep the plot moving. I thought it was not just watchable, but endearing in it's way... which is more than I could say for "Planet Earth"; which I thought came across as a rather superficial remake, dumbed down a bit for the masses.

Originally filmed as the pilot for an aborted television series, this television movie from the creator of Star Trek stands as a strong piece of entertainment on its own. It's rarely seen today; there has never been official VHS or DVD release in America, in fact.

The movie demonstrates a lot of ingenuity (the sub-shuttle and the idea of Freud as a saint come to mind). It also captures some of the magic of the original series in its themes, but presents them with a 1970s mentality. It also has some of the camp charm of the original Trek (especially in regards to the underground cave set); the futuristic city's architectural style reminds me of a better realization of the planet Deneva from the original series episode "Operation--Annihilate!" The parade of former Trek actors -- Majel Barrett (Christine Chapel), Percy Rodgriguez (Commodore Stone), Ted Cassidy (Ruk), and of course, Mariette Hartley (whose two belly buttons here is a "gotcha" to the censors, who wouldn't permit her belly button to be shown on the original Trek) is also sure to please any original series fan.

While the film occasionally lapses into weak moments (the reactions to the nuclear shockwave at the end are among the laughable moments), it is nonetheless indicative of a series with great potential. A rare find, and well worth the watch to catch a glimpse of one of a Roddenberry series that never was. (This film was remade as Planet Earth, another failed pilot, a year later.)

Genesis II is stunning sci-fi with an absorbing dilemma. A scientist (Alex Cord) volunteers for a suspended animation experiment, and due to an earthquake is buried. When he is finally excavated it is over 200 years in the future. He finds himself with the choice of joining one of the two factions left on future earth after nuclear war, both factions rather authoritarian in different ways. In ignorance, he chooses the wrong (worst) one and then has to figure out how to extricate himself and return to the original faction which found him (PAX). Mariette Hartley is wonderful as the manipulative beautiful mutant who cozens Dylan Hunt (Alex Cord) into joining the Terraneans. Cord makes a terrific hero, note particularly the scene of his defiance when commanded to repair the Terranean nuclear generator when he is tortured with a "stem", the Terranean pain-inducing taser. The contrast between the two factions is fascinating, with Dylan caught on the horns of a dilemma. Unlike most other stories of this kind, there is no way for Dylan to return to his past, he must live in his present on the best terms he can make.

Genesis II was made for CBS, who turned it down in favor of the Planet of the Apes series, with the thinking that a network could have only one science fiction show on its schedule at a time.

Planet Earth was made for ABC, and it wasn't a sequel, rather, the next episode of the same premise, with a new male lead and a lighter tone.

Star Trek: The Motion Picture's script was written to be an episode of Genesis II. (and was in turn, stolen from an older episode of Star Trek! (Earth satellite comes back looking for its maker))

Andromeda uses two of the characters' names (Dylan Hunt and Harper Smythe)though it has little to do with the original concept. By using the names I suppose the producers could call it "Gene Roddenberry's Andromeda") I really wish they would have made a Genesis II series instead,

IMHO: I liked that Mariette Hartley was set up to be a recurring, love-interest/villain for Dylan. It could have been a good show, though I have to agree with the poster who said it probably would have only lasted one season. Still, 26 episodes would have been great to have.