Four Rode Out

Unusual American-made, filmed-in-Spain melodrama that for intents and purposes can be considered a "Spaghetti Western", bearing many notes common to that genre.

Pernell Roberts is a Marshal hunting a wanted Mexican man. Leslie Nielsen is a bounty hunter of sorts after the same man. Sue Lyon is the wanted man's white girlfriend. These three disparate characters head out to the desert where the wanted man is hiding. After his capture, the four must make their way back to town, all the while battling the elements and each other.

The setup of the film reminded me of JAWS, with an initial setup followed by a long, protracted, isolated showdown. Not much happens after the first 20 or so minutes (the fugitive is captured rather quickly), so the drama of the pic comes out of the various tensions and shifting allegiances between the four people.

Pernell is solid as an honest-to-a-fault lawman. Despite a lack of charm, he is a good foundation to lay the picture on. Julian Mateos has the least to do here, but brings a Tomas Milian-style empathy to his bandit. I wish we had heard more from his character, rather than him being somewhat of a device to move the story along. As Myra the girlfriend, Sue Lyon is appropriately lovestruck, defiant, and impetuous, leaning toward shrill overacting at times.

By far the standout among the cast is the handsome, devilish Leslie Nielsen, whose Mr. Brown turns more and more creepy and craven as the story moves along. Early on, he is merely a callous and smug bounty killer; later in the show we are given reason to question his true allegiance.

I might have found a way to trim 10 minutes of desert walking out of this; at times the film does drag its feet. However, these instances are contrasted by sequences of intense drama as the cast fight over water, hidden weapons, saddlebags of cash, etc.

Not a hidden gem by any stretch but a solid C+, with special mention again of Nielsen's fine performance.

Also of note is the title music performed in 1970s folksinger fashion by Janis Ian. A very unusual choice, adds to the unique character of the film.

6/10 stars

FOUR RODE OUT (1 outta 5 stars) Kind of a pathetic excuse for a western starring Pernell Roberts who gave up his role in TV's "Bonanza" to star in this... a movie which isn't even as good as an average episode of that classic series. Sue Lyon (mostly known for starring in Stanley Kubrick's "Lolita") plays the loyal girlfriend of a Mexican bandit (Julian Mateos) being hunted for the murder of her father. It wasn't really murder... the father killed himself after discovering that his daughter was sleeping around with a Mexican. Regardless, Pernell is determined to bring the bandit in for a fair trial. Leslie Nielsen also appears as a nasty Pinkerton agent with dollar signs in his eyes. Somehow they all wind up in the middle of the desert with little water and not much hope of making it back to the nearest town. Still, they find time for plenty of bickering, an impromptu wedding and even a strip show by the curvy Ms. Lyon. Looks like the kind of movie that could have been shot over a long weekend.

Four Rode Out is a European western to be sure not made in Italy so it does not rate being called a spaghetti western. It was made on the plains of Spain in the dry season as you'll see by the landscape. The same plains where the armies of Napoleon and Wellington rode back and forth upon.

For a Spanish made production, three Americans were brought over to star in this essentially four person soap opera, Pernell Roberts late of Bonanza who plays a US Marshal on the trail of bandit Julian Mateos who has just robbed a bank where a guard was killed. Mateos not wanting to leave without a little nookie from girl friend Sue Lyon also accidentally kills her father in self defense when the old man caught Sue and Julian in the act. The third American is Leslie Nielsen, a really grungy character who is a Pinkerton man interested in recovering the money and the bounty on Mateos' head. He declares himself as accompanying Roberts on the hunt and Lyons follows them both to make sure her man is taken while he still has a pulse.

Acting honors such as they are belong to Nielsen who turns out to be a far more loathsome character than even the viewer thinks when first meeting him. There's not much traditional western action after Mateos is taken alive no thanks to Nielsen. But on the way back the flaws come out in all the characters.

Four Rode Out might have been better in American hands with folks who know what the western genre is all about. As it is it becomes more of a soap opera than a horse opera, not a recipe for western fans to like.

About the only thing interesting in this early '70's western is the soundtrack. Composer and performer Janis Ian had a long, distinguished musical career, frequently working in Hollywood on both features and indie projects. Other than an obscure short, this 1971 feature was Ian's first effort. Ian provides not only several songs, but also the guitar work for all tbe incidental music. A great first effort in an otherwise forgetable movie. Parnell Roberts leads?

"Four Rode Out" could have been titled, "Four Walked Out,"since the quartet of characters spent most of their time on foot. The horses were done with one by one in scenes that looked almost too real.

It is, to say the least, a very stark movie - slow-moving, yes, but constantly engrossing. The clown critics who gave it one star were probably affected by the hot desert sun coming through their screens, affecting their minds. Whoops - almost said brains.

As to the acting. Young Mateos as the b.f. was convincing. Sue Lyon, accused by one critic as over-acting, was quite good handling a rather complex character, one almost as naive as Lolita. (Had to get that in).

Leslie Neilsen sandwiched between his early near-fame days, to steering the Poseidon into near oblivion, to good-sized stardom, seemed to have a blast as a baddie - a real baddie.

Pernell Roberts, Bonanza's maverick, was excellent portraying a very questionable character.

The silent ending wrapped the story beautifully. The minus was Janis Ian's contribution - totally unnecessary, totally dull.

The rest of the music was justifiably sparse. For a change, it did not blast out at you.

All in all, "Four Rode Out" is worthwhile. Fie on the naysayers. Give it a chance. It is sometimes frighteningly captivating.