Liens d'amour et de sang

Incredible production values for a Fulci film. This may be his best looking work - from the set to the costumes - it's a great looking film. The acting is also much better than in most of his other films. However, the story was not that interesting. Its told in a series of flashbacks. I finished the film just not knowing what the point of it all was. Not a horror film, but it features horrific content.

I read the 12 reviews (at this time), and not much to add really. It really feels like the 16th century. There is something special about the detail put in to the costumes and set designs. The acting is really 1st class, and Fulci really works them to get convincing performances. The story line deserves a lot of credit, this being a 1969 flick. Its non-linear structure is maximised to full effect. Sadly its literally unheard of, despite coming out 2 years before The Devils (1971). Would have thought the controversial content, would have at least have kept it in the spot light over the years. Its a fine period piece, and I can see why Fulci was proud of it.

A terrificly executed period piece from the Godfather of Gore, Beatrice Cenci(1969) is a masterpiece of tragic beauty. This movie is a contradiction to the accusation of Fulci as a misogynist from his later films. Adrienne LaRussa does a nice job in conveying the almost gentle nature of the female protagonist. George Wilson as the father does a good job in portraying someone truly evil. Cries of death to the director were shouted in a theatre due to the film's anti-catholic nature.

The Catholic church is presented in the film with absolute disdain. In fact, they are seen as greedy and hypocritical. Beatrice Cenci(1969), along with The Witchfinder General(1968) are probably the best films dealing with the late middle ages. The direction is nearly perfect, and the story is well done. The film revolves around a labyrinth of flashbacks in the style of Reservoir Dogs(1992). The main source of influence seems to been The play version of The Cenci by Artoud, Antonin as well as the five act play by Percelly Shelly.

There are two films that Beatrice Cenci(1969) compares with. One film is Don't Torture A Duckling(1972) which also deals with Catholic repression. Another film is The Devil's Honey(1986) which deals deals with a woman's urge to be an independant woman. Beatrice Cenci(1969) is not only overlooked by Fulci supporters but by Fulci distractors as well. This movie shows that Fulci was capable of more ambigious and personal films then the many ones that he direct in his career(Its too bad as he had the talent that would have made him one of the best directors of his generation in Italy).

I have to say that a lot of effort and great work has gone into producing such a fine Blu-ray print. I once tried to watch this some time ago and it was just too washed out but this is wonderfully sharp and colourful - a real treat for the eyes. Trouble is I must have lost concentration now and again what with all the Latin, the religious ceremony and the general historic recreations, for I seemed to miss the back and forth time lapses and got terribly confused. Got the lengthy torture scenes loud and clear and eventually caught up but this is not an obvious pleasure but certainly a magnificent looking number for Fulci completists.

This is further evidence that Lucio Fulci was a man of many talents before becoming bitter at diminishing budgets and the pigeonholing of his skills into gory horror. Here, Fulci gives us a historical drama about the corruption of the Catholic church (and not for the last time!) as well as the hypocrisy of Roman nobility, It's gory and horrible too, but in a dramatic, historical way!

Beatrice Cenci is the daughter of Francesco Cenci, a Roman nobleman whom we first see feeding a man to a pack of dogs. He's a nasty bastard all right, and has done something to offend the current Pope and now has to make amends by giving up a third of his wealth. His children all hate him, even Beatrice, who has petitioned the Pope behind his back in order to enter the church as a nun. This breaks the heart of her lover, Vassal Tomas Milian, but he still remains loyal and goes with her wishes.

However, while celebrating the death by smallpox of his two eldest sons(!), Francesco finds out about Beatrice wanting to join the church and arranges instead to keep her captive in the basement of his tower until he dies…which seems to happen almost immediately after he says that. As the film jumps back and forth on the timeline, we don't get to see what happened right away, which allows the Catholic Church to hire medieval Colombo to sort the mystery out! Should that be D'catolic choich?

Yes, the film is gory and full of violence and torture, but I think this only goes to show how awful human beings actually are and how corrupt the Catholic Church were back then. Folks are put on racks, burned with tongs, and one character foreshadows many a future Fulci film by having a huge nail rammed into his eye. That said, the film is not cheap looking and it's all deadly serious. Everything looks exactly like a Fulci film too – no matter how cheap his films became in the late eighties, they still retained that certain look.

Tomas Milian stands out here as the repressed, subdued servant which had me worrying if he would ever do his 'covered in filth, screaming' bit (it happens about an hour in). It's depressing stuff, but it's also interesting to see these directors working in different fields. I'm not watching any of his comedies however, although I do like the title The Senator Liked Woman's Bottoms.