Amblin'

If you've heard the name Amblin, you may recognize it as Steven Spielberg's production company. As it turns out, the name comes from a surreal short that the director made in the late '60s. "Amblin'" focuses on a young man and young woman wordlessly roaming through the California desert. The movie looks like a product of the '60s, complete with a theme song that sounds a bit like Simon and Garfunkle's "Scarborough Fair". One might interpret the end of the movie as a representation of the lost dreams of the '60s.

In relation to most of Spielberg's work, "Amblin'" looks like a standalone movie. There's none of the themes that pervaded his later movies. Of course, he was just getting started, so it doesn't lessen the movie. I thought that it was a good movie. Definitely something that could function as an inspiration to aspiring directors.

Too see Spielberg in his early years has always been a thrill for me. I'm always looking for a film that he made in the days before "Jaws" and such. This particular film is no exception. It's about two hitchhikers who become friends in the end as they hitchhike.

The scenery was great, the story was good, the acting (despite no dialog) was good. I really liked this movie. It's a shame that Spielberg calls it a "Long Pepsi Commericial," because I see it as something more. I see it as a film about being separated from everyone else and then finding a friend along the way and being able to open up to others.

This is Spielberg at his most natural and fluid, loving every minute of being behind the camera. A short, sharp, comedy - road movie. This has a bittersweet quirkiness and some genuine touches of genius. Witness the opening credits, to see the influence of Saul Bass. Spielberg is toying around, being inventive and inquisitive, and his cast serve him well. Those who have been brought up on a diet of Shooting Gallery shorts, should really check this out, to see where it is at!!! Excellent!!!

I think anyone who can finish a movie is a winner. It is one thing to sit around talking about making movies; it takes a lot to actually do it. Flicks killer (who ever he is) probably is an angry man who will never amount to anything in his life, but sits back and criticizes everything everyone else does, especially with an alias name. I've scene this flick and it was decent, very good job. No I don't worship the ground Steven walks on but I do identify and connect with his movies. That is why he is a winner. If Jaws failed or any of his other movies failed, he wouldn't be where he is. So for the "long Pepsi commercial" it still had good intentions. How is that for wanting Names, how about yours (FK)?

Two hitchhikers cross paths and travel together.

The filmmaking craft on display is excellent, as the camera and editing tells the story perfectly. It has a great use of landscapes, body language, tracking shots, lighting, shadows, music, and some especially effective transitions. I love how everything you see tells you what you need to know about the characters.

As for the story, it is depends how interested you are in the characters for how much you are likely to take out of it. I liked the portrayal of the characters that builds up to a fairly good reveal, but other than for the technical aspects it is not something I would personally choose to rewatch. It works well if you like sixties nostalgia.

For aspiring filmmakers it is worth watching to see what can be achieved with minimal resources.