In the Nick

There were a number of prison comedies at the time. Two Way Stretch and The Wrong Arm Of The Law were 2 which are just as funny as when they were made. The same cannot be said of this lamentable effort. There is not one laugh to be found in the whole 105 minutes.

James Booth is no Peter Sellers and Anthony Newly is woefully miscast as a prison psychologist trying to have a beneficial effect on the prisoners.

There are lots of very familiar faces, Darren Nesbitt,Harry Andrews,Sam Kydd and Ian Hendry to name but a few. There is a dramatic subplot but it is fairly inconsequential.

Bernie Winters features to little effect during his brief solo film career.

Anne Aubrey does a reasonable job as the only female in the cast.

I managed to catch up with this film only very recently, after having searched for it for a long while. I originally watched it in the cinema, and remembered enjoying it. Second time round - watching at home I was a little disappointed - but still had a few laughs. However what made me really recall the film was the catchy title song, composed by Lionel Bart, although Ron Goodwin is given screen credit - it is also played and sung right through the end credits. Anthony Newley was his usual competent self, as was of course Harry Andrews as Chief Officer Williams. In The Nick is not a great film, but is worth watching, and I'm sure you will have your toes tapping to the title song.

In the Nick is a forgotten British film, and, after seeing it, one can easily understand why. The film is not really bad, yet it never rises above the mediocre.

Four youngish hooligans are sentenced to an experimental correctional facility. A gate at the end of the drive replaces bars on windows. Dorm rooms replace cells. An emphasis on rehabilitation replaces punishment. The four friends settle in for an easy one year sentence. Then, they run afoul with a rival (Ian Hendry), who handles all of the center's contraband and is considered the leader of the prisoners. In addition, a new psychologist (Andrew Newley) takes an interest in the four friends, wanting to prove, through them, that rehabilitation works.

The first response a viewer might have is to ask why these four were chosen. It is not on account of their youth, since, while most of the center's prisoners appear somewhat young looking, there are also some middle-aged faces in the crowd. Nor, were the four picked as first time offenders, since as the psychologist mentions one of them has been in prison "five of the last ten years." It appears the four were picked just because. This laissez-faire approach to sentencing does cause Get Carter fans to hold out hope that Michael Caine might show up and abuse Ian Hendry some more, but, alas, he does not.

The second response a viewer might have is to wonder what mood the film is trying for. In the Nick is clearly meant to be light entertainment. The four friends find a secret passage out of the center - a swinging bookcase, no less - and set up an egg smuggling ring. Yet, despite this outlandishness, the film is not particularly funny. Furthermore, the psychologist storyline is played relatively straight (except for a love triangle that involves a girlfriend of one of the prisoners). This leaves the viewer uncertain of how seriously he or she should take the film.

In the Nick is professionally made. The film was shot in scope, so some amount of time and effort went into its production. The film is watchable, and, yet, it does not leave one with much. There is nothing here to make this film stand out. As a result, it's forgotten soon after viewing. This fact might explain why there are no other reviews posted for In the Nick.