Hannibal

The print that I viewed was the one available from "Belle and Blade Video". The print quality is not great but watchable. This one really needs to be seen in the widescreen format as this Pan and Scan version has many scenes where actors are speaking and are not even in frame. I can only guess how this would effect some of the many battle scenes. The problem with this movie is not so much in the screenplay, with all the elements we have come to expect in the Italian Sword and Sandal movies. The obligatory "love story" and the not too historical depiction of Ancient Combat. Trying to tell the complete story of the Great Carthaginian leader who kept Rome in Terror for nearly a decade is not an easy one. The direction and editing is what I think is the real problem here. Some scenes are just too long while others cry out for more attention. There is a disturbing quality to some of the battle scenes, which switch from outdoor photography to sound stage. Since it is the only movie out there on Hannibal, it wins by default. I am amazed that this story has not been redone. Overall, if you are into Ancients and the Sword and Sandal Genre you probably will like this film. Oh, by the way the obligatory "Elephants" are there, and handled as well as one might expect from this type of film.

This exciting Peplum in average budget blends historic events , drama and spectacular battles . It is an epic and fiction film released by the producer Ottavio Poggi and professionally directed by Carlo Ludovico Bragaglia and Edgar G. Ulmer . Hannibal history is imaginatively brought to life on colorful images with acceptable production values by means of hundreds of extras and spectacular shots filmed in SuperCinemascope . This cardboard costumer saga contains sword-crosses , drama and a love story between the known general badly performed by Victor Mature who falls in love with a Roman virgin played by Rita Gam , all of them abound in this moving adaptation on audacious Hannibal's existence , one of the most glorious military in the History . The Carthaginians were given the habitual all-purpose Mideastern costuming.

The actual historical deeds are the following ones : Two new powers rose to the West . On the south shore of the Mediterranean there was Chartage, a Phoenician colony grown rich on trade . On the north, there was an impressive city on the peninsula called Italy . The two were bound to collide . They did , in a series of wars called the Punic . Carthage's most extraordinary general was Hannibal (Victor Mature towards the end of his career) , who achieved the feat of attacking Rome from the north by going through Spain in crossing the Alps into Italy . At the beginning he made an oath in the presence his father, Amilcar Barca , to revenge the injustice inflicted on his country , Charthago. Amilcar had three sons , Hannibal (wooden acting by Victor Mature) , Mago (Mirko Ellis) and Asdrubal (Rik Battaglia) , both of whom gather together for battling Romans . Hannibal broke the ¨statu quo¨, as he crossed the river Ebro, the natural frontier between the Roman power and the Charthaginian and he attacked Sagunto as allied of Roma, causing the second Punic war . The mastermind Charthaginian commander going on crossing the Pyrinees and Alps with a colossal Army : 5o.ooo military, 9.ooo horses and reportedly bringing with him a corps of 37 trained elephants transported from Africa . As Hannibal's army coped with engineering problems involving elephants and Alpine streams . As he vanquished the Roman Army in several battles : Trevia (218), lake Trasimeno (217) which caused a great commotion and Rome appointed a Dictator named Favio Maximus (Gabriele Ferzetti) . Finally the Romans suffered the most great defeat : Cannas (216) . Then was appointed as General of the Roman Army , the commander Publio Cornelius Scipion who achieved to defeat the Charthaginians and he took Cartago Nova and Gades and beheaded to Asdrubal , whose head was sent his brother Hannibal . Despite the Anibal's theatrical coup de main , he was eventually beaten by Romans . While Hannibal hoped reinforcements from Chartago , Publio Cornelio Escipion the African disembarked in Africa and threatened Chartago . Then Hannibal returned to Africa for confronting Escipion . And Hannibal was ultimately defeated in Zama (202) , in spite of getting a most numbered Army . He flees and takes refuge under king Antioco III in Syria and he posteriorly committed suicide.

Other films about this famous historic character are as follows : ¨Jupiter's Darling¨ (1960) , a musical full of anachronisms with Esther Williams and Howard Keel as Hannibal, the Italian classic titled ¨Scipio Africanus : the defeat of Hannibal¨(1937) and the recent and spellbinding documentary/fiction titled ¨Hannibal" (2006) played by Alexander Siddig .

This makes a good addition to the Victor Mature section of your film library. But I was mostly disappointed in just about all the aspects. First the music in the background did not match the situation. Then the movie starts in the middle of Hannibal's life as he started over the mountains if you do not know the history then you will be lost thru the movie. The dubbed voices reminded me of the voices in "Fractured Fairy tales." The were all sort of squeaky and of course as in the tradition of dubbed Italian movies did not match the speech timing. The one exception was Victor he would show the right or left profile and read his likes perfectly. I don't know how he kept a straight face. By the way he was 45 at this time.

After he makes it over the mountains it becomes a love story between Hannibal and Sylvia the niece of the Roman determined to do Hannibal in. Even Hannibal's men think they are in trouble because Hannibal is gaw gaw over a Roman girl. Here uncle thinks she is a traitor but still loves her like a daughter.

A few wars with some so so elephant scenes and a lot of obviously fake blood. Hannibal's ex turns up and Sylvia runs off.

Will Hannibal and Sylvia ever get their lives together? Who wins the war? Why did they stop the story so abruptly?

This is one of several epic Italian productions 'supervised' by Hollywood directors - others of its ilk include THE GIANT OF MARATHON (Jacques Tourneur, 1959), Joseph AND HIS BRETHREN (Irving Rapper, 1960), THE MONGOLS (Andre' De Toth, 1961), THE THIEF OF BAGDAD (Arthur Lubin, 1961), THE WONDERS OF ALADDIN (Henry Levin, 1961) and SODOM AND GOMORRAH (Robert Aldrich, 1962); Ulmer himself served again in the same capacity on L' ATLANTIDE (1961).

As was generally the case, in spite of the participation of such noted film-makers, these spectacles displayed little directorial flair; in fact, this particular example is only distinguished from similar sword-and-sandal efforts by its above-average cast - though, to be fair, Ulmer stated in the accompanying interview on the VCI DVD that he didn't have final say on the film and, consequently, his vision was compromised by financiers who found his approach "too philosophical"! In any case, while the "elephant walk" (Hannibal famously crossed the Alps on pachyderms) and battle sequences are well enough staged, the look of the film is rather shoddy and bears evidence of budgetary restrictions. By the way, the Italian side of the directorial chores were handled by Carlo Ludovico Bragaglia - a veteran of costume pictures who would soon replace Vittorio Cottafavi on AMAZONS OF ROME (1961), after the latter fell out with leading man Louis Jourdan!

Victor Mature, himself a regular of this type of film, is ideally cast as the legendary Carthaginian warrior - though his performance is merely adequate, the script having made his character distinctly one-dimensional (where he's involved in an unconvincing and dreary romance with Rita Gam, a woman from the enemy ranks); Gabriele Ferzetti lends dignity to the proceedings as a Roman senator. A surprising presence here is that of Spaghetti Western/action-comedy icon Terence Hill (billed under his real name of Mario Girotti) - playing the key role of Ferzetti's son; according to the IMDb, his subsequent frequent on-screen partner Bud Spencer also appears in the film...but I didn't spot him!

The supplements on the VCI disc include a precious 33-minute audio interview with Ulmer (conducted by Peter Bogdanovich), which imparts several interesting bits on the production of F.W. Murnau's THE LAST LAUGH (1924) - on which Ulmer served as art director - and HANNIBAL itself; also, besides having the director enthusiastically discuss John Schlesinger's MIDNIGHT COWBOY (1969), it reveals his dislike of fellow expatriates Otto Preminger and William Dieterle!

I like Victor MATURE and would even go as far as to call myself a "fan" of this Arnold Schwarzenegger-predecessor/archetype (with Austrian roots actually), but even I have to admit, that this flick ain't any of his better ones, unfortunately (sigh).

It's awkward from beginning to end: The first scene takes place in the Roman Senate, then you have a long one with the elephants crossing the Alps (that's probably the best of the whole picture, actually you can now turn off your TV-set) and now we're already well over 5 minutes into the picture, still no Hannibal/Annibale. Suddenly one sees some elephants getting loose and a guy which we can identify on second look as Victor Mature does some awkward gestures to get the elephants away. Pretty strange entry for "the hero". Only in scene number 4 and well 10 minutes into the movie someone takes the chance to identify our hero and calls him with his name. OK, the introduction of "the hero" has been managed, somehow.

The ending is equally abrupt, we see Hannibal's army moving along and get a voice over. Obvioulsly the directors (Edgar G. Ulmer usually does it better, but I assume he didn't have much to say in this one) had decided that enough celluloid had been "wasted" and called it a day.

The dialog is so unsophisticated, it hurts, but still not unintentionally funny, only hammy and boring, witless.

Everything in this picture is unfortunately mediocre to sub-par: ahead and foremost the script, but also acting (Victor is certainly also already too old for the role, sorry), photography, whatever. Only the music by Carlo RUSTICHELLI is slightly better, of course he's no Miklos ROSZA either, but at least the music is fitting and powerful. But that does not justify sitting through the whole picture (enjoy the main theme and quit).

For Terence HILL Fans it is worth mentioning that Mario GIROTTI, later known as TH, has a medium large part here and you can watch him "acting" (woodenly, but so what) a Roman.

So my rating is: If you are a Victor Mature fan: 4 out of 10, if you are a Terence Hill fan: 3 out of 10, if you're neither nor: 2 out of 10, so better stay away.

I wish I could have written a better review. :-(