Les voyages de Gulliver

The reteaming of Kerwin Mathews, Bernard Herrman and Ray Harryhausen after the success of THE 7TH VOYAGE OF SINBAD may not be the classic we were hoping for, but instead is a kiddie-orientated version of the classic Jonathan Swift tale GULLIVER'S TRAVELS with enough ingredients to make it enjoyable for adults too. Sure, at times the film is sentimental and goes overboard in promoting a strong moral message, but this is never offensive as in recent productions. In retrospect, it all seems rather charming and a little dated, but that's what makes it unique. This is a colourful and lively romp which is fun for adults and children alike.

I'm sure the classic tale is familiar to most readers so I won't bother readdressing it, other than that this film concerns solely on the two kingdoms of Lilliput and Brobdingnan, ignoring the other minor lands of Swift's tale and concentrating on the most well-remembered ones. The first half of the film concerns Lilliput, and is boosted by some fine effects from Harryhausen which involve lots and lots of back and forward projection which is never less than convincing. Indeed the classic scene of Gulliver being tied down by the little people is present and as realistic as you could ever want it. The characters are interesting, the story good and bolstered by the likable presence of Kerwin Mathews, one of the most naturally charming of fantasy actors from the period who always lifted any movie he appeared in (another good one is JACK THE GIANT KILLER).

The second half of the film, concerning the land of the giants, isn't quite as good, but again the special effects of the miniature Mathews and Thorburn are better than average. Although it drags a little at times, the characters are interesting if not likable, and thankfully some stop-motion animation is interested by Harryhausen to enliven the proceedings. The creations include a briefly-seen but genuinely impressive giant squirrel which abducts Mathews, miniature animals kept in cages, and a miniature crocodile which then proceeds to battle Mathews in a fight to the death, a classic action moment which comes as a reward to those looking for Sinbad-style monster action.

THE 3 WORLDS OF GULLIVER is a film worth watching for the talent involved alone. As well as Mathews, the quality cast includes the lovely June Thorburn as the love interest and a whole host of familiar British character actors - including Charles Lloyd Pack in a meaty role for a change as an evil wizard - playing the miniature people and the giants. Bernard Herrman's score is also lively and always entertaining, whilst Harryhausen seamlessly integrates the large and small people so that you never for a moment doubt the quality of his effects. Not a classic, but a fine, friendly, old-fashioned adventure, as heartwarming and cliffhanging in equal measure as you could want. A TV-movie adaptation (with lots of unnecessarily-added extraneous scenes) with Ted Danson followed in the mid 90's.

The special effects that let Gulliver be a giant in Lilliput and a mite in Brobdingnag are by the reigning genius of the day, Ray Harryhausen, but writer/director Jack Sher's 1960 film wisely uses them only in the service of the story. They have held up quite well, in part because they were used with restraint to begin with and they do nothing to interrupt or distract from the story and its points. (A minor exception could be the fight with a giant animated crocodile that must have been damn fun for the effects team, but even it is kept within reason.)

Is this a film for children or a film for adults? The too-easy answer is that it is obviously a children's version: There is none of the trumped-up insanity element that the dreary-but-great-looking 1996 TV movie shoe-horned in for cheap drama. Neither is there the despair or genuine misanthropy of the book.

Only Lilliput and Brobdingnag are visited. (No Laputa, Balnibari, Luggnag, Glubbdubdrib, Japan, or Houyhnhnms. The third world is Gulliver's own normal-sized world.) Gulliver puts out the fire in Lilliput by spitting wine. (In the book, the wine has been processed by Gulliver's bladder before he douses the fire with it.) Many characters, though not all, are all done in a cartoonish way clearly aimed at children. The travels are framed within the added-on love story of Gulliver and his fiancée Elizabeth.

These are good choices. Children are inherently interested in the size contrasts. (It must add something to the experience that first they identify with the Lilliputians but later identify with Gulliver.) Spitting the wine is good enough. The cartoonish-ness makes the characters less threatening than they could have been. The love story is light and easy to follow, and promotes marriage.

There are even a couple of musical numbers, one a love song that Gulliver sings. The Bernard Herrmann score is a fine complement to the film, as you would expect from the composer of music for the original Psycho, Citizen Kane, Magnificent Ambersons, Ghost and Mrs. Muir, Day the Earth Stood Still, Alfred Hitchcock Presents (tv), Have Gun Will Travel (tv), Perry Mason (tv), Twilight Zone, Cape Fear (1962), Taxi Driver, and on and on and on.

But Sher's script and direction have preserved some important points and spirit from the book: The gratitude of princes is short-lived. The causes of war can be shockingly petty. Vanity and unreason among the powerful make truth an early casualty in the pursuit of power. The various unpleasant characters (and the few nice ones) actually reflect things inside all of us. If it's okay for an adult to be reminded of these things in a playful way (certainly more playful than the original), then this film will amuse and inform that adult.

And what are Gulliver and Elizabeth doing when their ball-field sized marriage license falls over them like a tent, and King Brob, peeking under it, is moved to say, "You're right dear. I'd better marry them at once."

Ultimately, it has to go down in the books as a children's film, but surely an uncommon one: an intelligent adaptation, if abridged and lighthearted, of a great classic, that stands on its own for entertainment and, if you like, can whet your child's appetite for the book when that time arrives.

Like the tacked-on love story, there is a tacked-on ending that suggests that the whole thing might have been a dream. I originally found this annoying.

These days, watching with my little girl, I find that I'm glad for the admittedly sore-thumb reminder that the value of the story is not in whether those characters do or don't exist, but in what the story says about what is within us. As with all such points in the film, you'll have to talk with your child a bit to be sure that it comes across, but what a pleasure - to find a film that sparks such a discussion with your child.

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Other works by Jack Sher:

-------------------------------------------------------- Writer - filmography -------------------------------------------------------- Female Artillery (1972) (TV) (story) Goodbye, Raggedy Ann (1971) (TV) Move Over, Darling (1963) Critic's Choice (1963) Love in a Goldfish Bowl (1961) Paris Blues (1961) 3 Worlds of Gulliver, The (1960) ... aka Worlds of Gulliver, The (1960) Wild and the Innocent, The (1959) Kathy O' (1958) (also story) Joe Butterfly (1957) Four Girls in Town (1956) Walk the Proud Land (1956) ... aka Apache Agent (1956) World in My Corner (1956) (also story) Kid from Left Field, The (1953) Off Limits (1953) ... aka Military Policemen (1953) (UK) Shane (1953) (additional dialogue) My Favorite Spy (1951)

-------------------------------------------------------- Director - filmography -------------------------------------------------------- Love in a Goldfish Bowl (1961) 3 Worlds of Gulliver, The (1960) ... aka Worlds of Gulliver, The (1960) Wild and the Innocent, The (1959) Kathy O' (1958) Four Girls in Town (1956)

(with thanks to The Internet Movie Database http://www.imdb.com)

The 3 Worlds of Gulliver (1960) *** Fantastic adaptation of Jonathan Swift's classic tale about Dr. Lemuel Gulliver (Kerwin Mathews) who embarks on an unusual odyssey involving the tiny denizens of Lilliput and the giants of Brobdignagnan including the adolescent giantess Glumdalclitch (Sherry Alberoni) with a wonderful blend of action and the great stop-motion animations of Ray Harryhausen's. Fun for the entire family. ** Personal note: Begging for a Hollywood remake with a female Gulliver (Gina Gershon anyone?)

The 3 Worlds of Gulliver could easily have been made into an adult satire as Jonathan Swift originally intended, but I daresay Columbia Pictures would not have realized too much box office had they gone that route.

I saw it as a 13 year old back in the day in theater which is really the only way to appreciate the special effects of Ray Harryhausen. It's a wonderful film for a juvenile, but later in reading about the times one can appreciate what Swift was trying to say and the humorous way he said it.

At the time Gulliver's Travels was originally written the age of the religious wars of the 17th century was coming to an end. Swift was a member of the Tory Party who sought to put an end to the War of Spanish Succession which the Whigs in power seemed to drag on and on. For the Whig view of the conflict I suggest strongly reading Winston Churchill's Life of Marlborough which equates the Tories of the day with the Baldwin-Chamberlain led Tories of the Thirties. Swift looked about and just saw a lot of carnage with power politics and religion all jumbled together so that you could not tell where one left off and the other began.

Gulliver's Travels is how Swift saw the world of his day, religious intolerance and a budding imperialism. Swift was in fact an ordained minister who apparently had a vision that HIS way of worship was not necessarily THE way of worship for all. A novel idea back then, expressed in the war the Lilliputians and Blefescuans wage over which end of the egg to break.

The Brobdingnag tale where Gulliver once a giant in Lilliput is now a small wee creature in a land of giants. And these giants think that because they're bigger and mightier they can rule over all. They see Gulliver and his bride as pets to kept as long as they amuse. It's a classic commentary against imperialism, unusual in its day and made Swift most unpopular in high places.

These issues aren't for kids of the Saturday matinée crowd and Kerwin Matthews as Gulliver is playing for them. Matthews had a great career doing these fantasy things and he was real good in them. Maybe because he played the roles absolutely straight and we believed because he believed the part.

Ray Harryhausen is at the top of his game and the film holds up very well. Even better in fact when you know the background from which the material came from.

Never viewed this 1960 film dealing with Gulliver's travels and found it very enjoyable to view along with excellent photography. The story starts out with Dr. Lemuel Gulliver, (Kerwin Williams) having a fight with his girlfriend, Elizabeth, (June Thorburn) about his wanting to go aboard a ship as a doctor and she does not want him to leave. The ship sails and becomes shipwrecked and Gulliver finds himself in a completely different land where there are miniature people and he appears to them as a huge giant who must be captured and tied up. The rest of the story will hold your interest from the very beginning to the end and I almost forgot, a war was almost started over cutting an egg on the top and other people who cut their eggs on the bottom of the shell. Enjoy.