A locksmith's first heist goes awry when his partner is killed by rival thieves after the theft. Betrayed by his girlfriend, he hides with the loot in a flat above a club, wary of its untrus... Read allA locksmith's first heist goes awry when his partner is killed by rival thieves after the theft. Betrayed by his girlfriend, he hides with the loot in a flat above a club, wary of its untrustworthy tenants while evading cops and crooks.A locksmith's first heist goes awry when his partner is killed by rival thieves after the theft. Betrayed by his girlfriend, he hides with the loot in a flat above a club, wary of its untrustworthy tenants while evading cops and crooks.
- Director
- Writers
- Stars
Trevor Reid
- Inspector Stevenson
- (as Colin Reid)
Linda Castle
- Zena - club hostess
- (uncredited)
Joe Wadham
- Policeman checking stolen car
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Are we sure that Ed Wood somehow didn't directed this? The movie's style and storytelling is just as bad as in an Ed Wood movie sadly.
The movie was released in 1960 but I've seen movies that were made 30 years earlier that style had a better and more professional looking visual style. Sadly London, in this movie ain't got such an atmosphere as for instance New York or Chicago do in movies from the same genre.
This is really one of those movies that makes you wonder; why did I even watched this in the first place? It's a pointless movie with a pointless literal and figural, black and white story. The acting is bad and the fights are over the top and hilarious to watch for the wrong reason.
It's hard to say anything about this movie. It's short and the story is way too weak to say any thing thought-full about.
Really not worth your time.
3/10
http://bobafett1138.blogspot.com/
The movie was released in 1960 but I've seen movies that were made 30 years earlier that style had a better and more professional looking visual style. Sadly London, in this movie ain't got such an atmosphere as for instance New York or Chicago do in movies from the same genre.
This is really one of those movies that makes you wonder; why did I even watched this in the first place? It's a pointless movie with a pointless literal and figural, black and white story. The acting is bad and the fights are over the top and hilarious to watch for the wrong reason.
It's hard to say anything about this movie. It's short and the story is way too weak to say any thing thought-full about.
Really not worth your time.
3/10
http://bobafett1138.blogspot.com/
Butcher's Film releases tend to be denigrated but for the budgets and time the producers had, their films had a interesting style. I especially like them and the Edgar Wallace Mysteries for the attractive and capable actresses that populated the casts, more enjoyable to watch than any number of contemporary actresses working today. The writer does blow it with a poor climax about a bungling safecracker sidetracked with sexy girl problems, notably three of them (tart Dorinda Stevens, nice girl Felicity Young, cheater Dawn Brooks). Martin Benson is the nervous nightclub owner/mobster looking to steal Spencer Teakle's swag. Benson was the friendly alien in Cosmic Monsters and the unfortunate Mr. Solo in Goldfinger. He always brought gravitas to the films he did.
I have to say that I have rarely derived such perverse pleasure from a film as from this little 60s Brit pot boiler. Filmed on a shoestring budget with acting that, at times, scarcely merits the term, this is deliciously dreadful.
Lead man Johnny, the nice boy who gets in with the wrong crowd, is played (if that's the appropriate word) by Spencer Teakle-a name with which to conjour. Mr Teakle has mastered the rare art of acting without any movement of facial muscles or variation in vocal tone,a rare talent only equalled in recent years by "greats" of the screen such as Steven Segal.
Johnny is in love with Sylvia (Dawn Brooks), who wears a dress split down the side while singing in a sleazy night club owned by gang boss Ricky(Martin Benson), who is probably the best thing in it, from an acting perspective :a truly unpleasant man, mean, violent, lustful, treacherous, lecherous.
After a botched jewel heist our hero, flees to a clip joint tun by Mary Dorinda Stevens) a lady who could be described as "no better than she should be".
Mary is sensuous, sexy, blonde, beautiful and treacherous. Just my kind of girl_and the main reason I kept watching. Her sister, Jean, played by Felicity Young, is the "nice girl", the sort your mum would like you to bring home-and, therefore, about as sexy as cold rice pudding.
Ricky's two hoods, however, steal the show when it comes to bad acting. Al(Alan Edward's) looks like he stepped out of a period sitcom, while Ted's (Larry Burns) attempt to sound tough during car pursuit, is a thing of rare beauty - sounding like someone trying to speak after a particularly unpleasant visit to the dentist.
A film of first takes (one would hope), with a script written in the pub the night before, plus a director who must been anxious to move on to something more worthwhile - like a soap powder ad-make this an unmissable treat.
Enjoy!
Lead man Johnny, the nice boy who gets in with the wrong crowd, is played (if that's the appropriate word) by Spencer Teakle-a name with which to conjour. Mr Teakle has mastered the rare art of acting without any movement of facial muscles or variation in vocal tone,a rare talent only equalled in recent years by "greats" of the screen such as Steven Segal.
Johnny is in love with Sylvia (Dawn Brooks), who wears a dress split down the side while singing in a sleazy night club owned by gang boss Ricky(Martin Benson), who is probably the best thing in it, from an acting perspective :a truly unpleasant man, mean, violent, lustful, treacherous, lecherous.
After a botched jewel heist our hero, flees to a clip joint tun by Mary Dorinda Stevens) a lady who could be described as "no better than she should be".
Mary is sensuous, sexy, blonde, beautiful and treacherous. Just my kind of girl_and the main reason I kept watching. Her sister, Jean, played by Felicity Young, is the "nice girl", the sort your mum would like you to bring home-and, therefore, about as sexy as cold rice pudding.
Ricky's two hoods, however, steal the show when it comes to bad acting. Al(Alan Edward's) looks like he stepped out of a period sitcom, while Ted's (Larry Burns) attempt to sound tough during car pursuit, is a thing of rare beauty - sounding like someone trying to speak after a particularly unpleasant visit to the dentist.
A film of first takes (one would hope), with a script written in the pub the night before, plus a director who must been anxious to move on to something more worthwhile - like a soap powder ad-make this an unmissable treat.
Enjoy!
Spencer Teakle is a young man who has just qualified as a lock smith. but he's got a girl and ambitions, so he decides to get into a related line of business, and assists an older man with a burglary. When his partner is run down, Teakle finds himself on the run from the police, asking sketchy acquaintances for help. They're willing, for half the take. His problem is they don't see any reason to split with him.
Like many of Charles Saunders' later films, this quota quickie has a nice story, some decent actors, and a budget that doesn't allow much in the way of cinematic frills. With Martin Benson -- best remembered from GOLDFINGER -- as the chief bad guy, it runs through its paces quickly and efficiently enough to never pall, despite an annoying score by William Davies.
Like many of Charles Saunders' later films, this quota quickie has a nice story, some decent actors, and a budget that doesn't allow much in the way of cinematic frills. With Martin Benson -- best remembered from GOLDFINGER -- as the chief bad guy, it runs through its paces quickly and efficiently enough to never pall, despite an annoying score by William Davies.
I taped The Gentle Trap recently when BBC2 screened it during the early hours and despite reading bad reviews, I thought I'd see what it was like.
A pair of burglars break into a jewellery shop and pinch some diamonds but as they are making their getaway, some gangsters ambush them. One of the pair goes on the run from the police and gang leader. He stays with two sisters and when one of them reports him, he goes on the run once again with the other sister, with the police on their trail. They catch up with them on a farm and he is caught after a shoot out at the end.
The cast is lead by Spencer Teakle and he is joined by Felicity Young and Martin Benson.
Though certainly not brilliant, The Gentle Trap is watchable. The UK made quite a few of these low budget crime dramas in the 1950's and 1960's.
Rating: 2 stars out of 5.
A pair of burglars break into a jewellery shop and pinch some diamonds but as they are making their getaway, some gangsters ambush them. One of the pair goes on the run from the police and gang leader. He stays with two sisters and when one of them reports him, he goes on the run once again with the other sister, with the police on their trail. They catch up with them on a farm and he is caught after a shoot out at the end.
The cast is lead by Spencer Teakle and he is joined by Felicity Young and Martin Benson.
Though certainly not brilliant, The Gentle Trap is watchable. The UK made quite a few of these low budget crime dramas in the 1950's and 1960's.
Rating: 2 stars out of 5.
Did you know
- TriviaUnusually, for a 59-minute British B-feature, this film enjoyed a three week run in the West End. It opened at the London Pavilion on 28 October 1960 and shared the bill with Beat Girl (1960). However, when The Gentle Trap was generally released at normal prices on 11 November 1960, the distributors decided it would better support main feature Un cadeau pour le patron (1960).
- GoofsWhen Felicity Young and John Dunbar are sitting in the lorry the "scenery" passing behind them is obviously a revolving illuminated drum with foliage painted on it.
- ConnectionsFeatured in Truly, Madly, Cheaply!: British B Movies (2008)
- SoundtracksI Could Go For You
(uncredited)
Music by William Davies
Lyrics by Bruce Wyndham (as Ray Mack)
Sung by Dawn Brooks
Details
- Runtime
- 59m
- Color
- Aspect ratio
- 1.37 : 1
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