A locksmith's first heist goes awry when his partner is killed by rival thieves after the theft. Betrayed by his girlfriend, he hides with the loot in a flat above a club, wary of its untrus... Read allA locksmith's first heist goes awry when his partner is killed by rival thieves after the theft. Betrayed by his girlfriend, he hides with the loot in a flat above a club, wary of its untrustworthy tenants while evading cops and crooks.A locksmith's first heist goes awry when his partner is killed by rival thieves after the theft. Betrayed by his girlfriend, he hides with the loot in a flat above a club, wary of its untrustworthy tenants while evading cops and crooks.
- Director
- Writers
- Stars
Trevor Reid
- Inspector Stevenson
- (as Colin Reid)
Linda Castle
- Zena - club hostess
- (uncredited)
Joe Wadham
- Policeman checking stolen car
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A couple of small-time jewel thieves carry out a little job on the quiet, but are soon in way over their heads when they're spotted with the swag by a powerful gang. Said bunch of baddies decide to throw the honour-among-thieves rulebook out the window and pursue the hapless duo to get from them what's rightfully theirs (alright, wrongfully theirs, but not as wrongfully as the gang that's thieving from the thieves). The gang are helped along by a couple of crooked dames who use their feminine wiles to relieve the pilfering pair... of their booty. So the morals of this little story? It's alright to steal, but not to steal from stealers. Oh, and don't trust women. Ever.
I have to say that I have rarely derived such perverse pleasure from a film as from this little 60s Brit pot boiler. Filmed on a shoestring budget with acting that, at times, scarcely merits the term, this is deliciously dreadful.
Lead man Johnny, the nice boy who gets in with the wrong crowd, is played (if that's the appropriate word) by Spencer Teakle-a name with which to conjour. Mr Teakle has mastered the rare art of acting without any movement of facial muscles or variation in vocal tone,a rare talent only equalled in recent years by "greats" of the screen such as Steven Segal.
Johnny is in love with Sylvia (Dawn Brooks), who wears a dress split down the side while singing in a sleazy night club owned by gang boss Ricky(Martin Benson), who is probably the best thing in it, from an acting perspective :a truly unpleasant man, mean, violent, lustful, treacherous, lecherous.
After a botched jewel heist our hero, flees to a clip joint tun by Mary Dorinda Stevens) a lady who could be described as "no better than she should be".
Mary is sensuous, sexy, blonde, beautiful and treacherous. Just my kind of girl_and the main reason I kept watching. Her sister, Jean, played by Felicity Young, is the "nice girl", the sort your mum would like you to bring home-and, therefore, about as sexy as cold rice pudding.
Ricky's two hoods, however, steal the show when it comes to bad acting. Al(Alan Edward's) looks like he stepped out of a period sitcom, while Ted's (Larry Burns) attempt to sound tough during car pursuit, is a thing of rare beauty - sounding like someone trying to speak after a particularly unpleasant visit to the dentist.
A film of first takes (one would hope), with a script written in the pub the night before, plus a director who must been anxious to move on to something more worthwhile - like a soap powder ad-make this an unmissable treat.
Enjoy!
Lead man Johnny, the nice boy who gets in with the wrong crowd, is played (if that's the appropriate word) by Spencer Teakle-a name with which to conjour. Mr Teakle has mastered the rare art of acting without any movement of facial muscles or variation in vocal tone,a rare talent only equalled in recent years by "greats" of the screen such as Steven Segal.
Johnny is in love with Sylvia (Dawn Brooks), who wears a dress split down the side while singing in a sleazy night club owned by gang boss Ricky(Martin Benson), who is probably the best thing in it, from an acting perspective :a truly unpleasant man, mean, violent, lustful, treacherous, lecherous.
After a botched jewel heist our hero, flees to a clip joint tun by Mary Dorinda Stevens) a lady who could be described as "no better than she should be".
Mary is sensuous, sexy, blonde, beautiful and treacherous. Just my kind of girl_and the main reason I kept watching. Her sister, Jean, played by Felicity Young, is the "nice girl", the sort your mum would like you to bring home-and, therefore, about as sexy as cold rice pudding.
Ricky's two hoods, however, steal the show when it comes to bad acting. Al(Alan Edward's) looks like he stepped out of a period sitcom, while Ted's (Larry Burns) attempt to sound tough during car pursuit, is a thing of rare beauty - sounding like someone trying to speak after a particularly unpleasant visit to the dentist.
A film of first takes (one would hope), with a script written in the pub the night before, plus a director who must been anxious to move on to something more worthwhile - like a soap powder ad-make this an unmissable treat.
Enjoy!
As others have already said, this is a pretty average Butcher's B-movie from the time. A thin plot and average production values here, so don't watch it with any high expectations, because you will almost certainly be disappointed.
Looking at it now, it is a different (and mostly rather drab) world. Arguably the most exotic thing in the movie is the (most) bad guy's car which is (I think) a (Lincoln) Continental MkIII or MkIV from 1958 or 1959. Coming from the era in American car design when 'bigger was always better' this was one of the largest cars ever built. With the (optional) spare wheel holder at the back it would have been over twenty feet long! Probably it belonged to the producer or something and they used it to add glamour to the film; it needed all the help it could get, but it wasn't enough....
Looking at it now, it is a different (and mostly rather drab) world. Arguably the most exotic thing in the movie is the (most) bad guy's car which is (I think) a (Lincoln) Continental MkIII or MkIV from 1958 or 1959. Coming from the era in American car design when 'bigger was always better' this was one of the largest cars ever built. With the (optional) spare wheel holder at the back it would have been over twenty feet long! Probably it belonged to the producer or something and they used it to add glamour to the film; it needed all the help it could get, but it wasn't enough....
Butcher's Film releases tend to be denigrated but for the budgets and time the producers had, their films had a interesting style. I especially like them and the Edgar Wallace Mysteries for the attractive and capable actresses that populated the casts, more enjoyable to watch than any number of contemporary actresses working today. The writer does blow it with a poor climax about a bungling safecracker sidetracked with sexy girl problems, notably three of them (tart Dorinda Stevens, nice girl Felicity Young, cheater Dawn Brooks). Martin Benson is the nervous nightclub owner/mobster looking to steal Spencer Teakle's swag. Benson was the friendly alien in Cosmic Monsters and the unfortunate Mr. Solo in Goldfinger. He always brought gravitas to the films he did.
I taped The Gentle Trap recently when BBC2 screened it during the early hours and despite reading bad reviews, I thought I'd see what it was like.
A pair of burglars break into a jewellery shop and pinch some diamonds but as they are making their getaway, some gangsters ambush them. One of the pair goes on the run from the police and gang leader. He stays with two sisters and when one of them reports him, he goes on the run once again with the other sister, with the police on their trail. They catch up with them on a farm and he is caught after a shoot out at the end.
The cast is lead by Spencer Teakle and he is joined by Felicity Young and Martin Benson.
Though certainly not brilliant, The Gentle Trap is watchable. The UK made quite a few of these low budget crime dramas in the 1950's and 1960's.
Rating: 2 stars out of 5.
A pair of burglars break into a jewellery shop and pinch some diamonds but as they are making their getaway, some gangsters ambush them. One of the pair goes on the run from the police and gang leader. He stays with two sisters and when one of them reports him, he goes on the run once again with the other sister, with the police on their trail. They catch up with them on a farm and he is caught after a shoot out at the end.
The cast is lead by Spencer Teakle and he is joined by Felicity Young and Martin Benson.
Though certainly not brilliant, The Gentle Trap is watchable. The UK made quite a few of these low budget crime dramas in the 1950's and 1960's.
Rating: 2 stars out of 5.
Did you know
- TriviaUnusually, for a 59-minute British B-feature, this film enjoyed a three week run in the West End. It opened at the London Pavilion on 28 October 1960 and shared the bill with Beat Girl (1960). However, when The Gentle Trap was generally released at normal prices on 11 November 1960, the distributors decided it would better support main feature Un cadeau pour le patron (1960).
- GoofsWhen Felicity Young and John Dunbar are sitting in the lorry the "scenery" passing behind them is obviously a revolving illuminated drum with foliage painted on it.
- ConnectionsFeatured in Truly, Madly, Cheaply!: British B Movies (2008)
- SoundtracksI Could Go For You
(uncredited)
Music by William Davies
Lyrics by Bruce Wyndham (as Ray Mack)
Sung by Dawn Brooks
Details
- Runtime59 minutes
- Color
- Aspect ratio
- 1.37 : 1
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