Exodus

Otto Preminger's presentation of Leon Uris' novel "Exodus" tried to evoke comparisons, in its trailer, to "Gone with the Wind" and "The Birth of a Nation". Those films overcome ideological flaws, and remain genuine, undeniable classics. Despite the starry cast and sweeping grandeur, "Exodus" fails to achieve its epic intentions. Mr. Preminger, coming off the superb "Anatomy of a Murder", gives it a long and dull direction. Paul Newman (as Ari Ben Canaan) and Eva Marie Saint (as Kitty Fremont) are quite unconvincing, in the leading roles. Still, there are some good characterizations, and nicely staged scenes.

The film offers two obvious, award-garnering career moves: Sal Mineo's masterful supporting performance, and Ernest Gold's beautiful musical score. Mr. Mineo (as Dov Landau) won a "Golden Globe" as "Best Supporting Actor"; and, arguably, he also deserved the year's "Academy Award". His subplot, played with pretty blonde newcomer Jill Haworth (as Karen Johansson), is far and away the most interesting story, thanks to Mineo's acting work. Mr. Gold's "Exodus" theme is also outstanding, selling well over a million copies of the Ferrante and Teicher version alone; it won not only an Oscar, but also a Grammy as 1960's "Song of the Year".

****** Exodus (12/15/60) Otto Preminger ~ Paul Newman, Eva Marie Saint, Sal Mineo

I liked this film, but didn't love it--mostly because the original novel by Leon Uris is so much better that I can't help but feel disappointed. In addition, having the film star so many "guest stars" made it seem a bit like an Irwin Allen picture instead of a serious film about the foundation of Israel in 1948. However, in its favor, the musical score is striking. And, even if the plot is diluted a bit and didn't need all the cameos, it still is immensely entertaining.

What I would really love to one day see is a mini-series based on the book--as there is just too much plot to shove into one film--even a long film like EXODUS. The writing and emotion was so exceptional in the book and I'd love to see it captured more completely. But next time, stop putting very American actors in the leads--Paul Newman, Eva Marie Saint, Lee J. Cobb and Sal Mineo were all fine actors but the film needed people in the leads--not movie stars.

I saw Exodus when it first came out in 1960. I lived in a New Jersey community with a large Jewish population and many of this population were Holocaust survivors. I also read the book in 1964 and although the movie couldn't include all of the events in text, it did give people an idea of the struggle to form a Jewish Homeland. I recommended it recently to a Palestinian young woman to give her some idea of this struggle by Israel to survive in a hostile environment. I also suggested that she read the book. In a world in which some people prefer ideas condensed, the movie at least gave some idea of the formation of a new country. Paul Newman was every Jewish girl's dream husband and every mother's son-in-law in my neighborhood, Sal Mineo was convincing in his anguish, the others did what they could. I would recommend it to people who aren't familiar with the events leading to today's difficulties in the Middle East. Perhaps Exodus should have been filmed like the Godfather movies. A movie depicting the past and the present lives of the characters could have helped. Hollywood wasn't in that mind frame in the 1950's and 1960's and that's too bad.

Growing up in Brooklyn in the Fifties and Sixties, I can tell you that every Jewish household seem to have a copy of Herman Wouk's Marjorie Morningstar and Leon Uris's Exodus. The characters in Exodus among the people I grew up with became as known as family members. So when Otto Preminger made the film, he had a built in audience, almost in the same way that every Star Trek movie has.

But we're not talking about a mythical future. The novel is about Israel's founding, but the issues still remain and Exodus should be required viewing for all who wonder about the need for a Jewish state. Wouldn't hurt to read the book either.

Exodus got only one Oscar, but there was really no competition there. Ernest Gold's musical score is one of the great ones done for the cinema. I remember how much it was played back when I was a lad. It's a vigorous and uplifting melody and like so many other good film scores it carries the viewer along in what is a lengthy movie.

Paul Newman and Eva Marie Saint are capable enough leads, but it is the supporting characters that really make this film. Two of my favorites are David Opatoshu as Akiva Ben Canaan, an Irgun leader and Gregory Ratoff as Lazavitch who was the rabble rouser on the ship Exodus. You will remember both of these people after viewing Exodus. Why the Academy overlooked either of them for nominations is beyond me. But that was a year rich in supporting performances.

Making this film must have been the highlight of the career of David Opatoshu. He was a leading actor in the Yiddish Theater and to be in this film must have been a dream come true. Seeing him in various roles, Opatoshu never gave a bad performance in his career.

Sal Mineo as Dov Landau was nominated for Best Supporting Actor,the young concentration camp survivor who joins the Irgun. Sal had some stiff competition that year. Other nominees were Chill Wills for The Alamo, Jack Kruschen for The Apartment, and Peter Falk for Murder, Inc. Groucho Marx made a public declaration that his vote was for Sal Mineo after an appalling campaign appeal was started for Chill Wills. But the winner was Peter Ustinov for Spartacus.

According to a new biography of Sal Mineo, he was very jealous of Ustinov's victory and would curse him out if his name was even casually brought up in conversation.

I'm convinced that Leon Uris in writing Exodus was influenced by the Diary of Anne Frank in creating the character of Karen played in the film by Jill Haworth. Funny also that the film version of the play came out the year before Exodus. It was as if Anne Frank had survived the camps and had come to the birthing of Israel. She's an innocent child who still retains her faith in people like Anne Frank did, making what happens to her all the more tragic. If you've read the book before seeing the film, Haworth's performance was all the more poignant.

Unfortunately Exodus is not history because the war is still being fought by the Jewish people against those who would wish and do evil upon them. Would that it were just history.

The film version of Leon Uris' Exodus was intentionally scripted for an American audience unfamiliar with Holocaust and Jewish themes. In fact, the film harps on major character Kitty's discomfort just being around Jews. Exodus is a 1960's Hollywood version of the creation of the modern State of Israel "for dummies", and in this it succeeds. While not having any religious Jewish content whatsoever, the film discuss themes of Jewish identity after the Holocaust, the plight of Jewish refugees under the British, the internal struggle of the Haganah versus the militant Irgun, and major historical incidents in the War for Independence 1948. While inaccurate about the actual Exodus ship incident, the film was a milestone in American Jewish cinema and identity. To this day, the film's music remains a mainstay in Jewish American homes.