Elmer Gantry, le charlatan

From the exceptionally talented pen of noted author Sinclair Lewis comes this entertaining story of a fast-talking, yarn-spinning vacuum salesman with the natural gift of persuasion. In his ever lustful sights is a voluptuous female preacher. In order to conquer her, he must use his extensive repertoire of biblical quips, quotes and bawdy antidotes. Within the sphere of a traveling troupe of bible beating, evangelicals on a religious crusade, the author's hero, one Elmer Gantry (supurbly played by Oscar wining Burt Lancaster) is as energetic as his tales. Although it's difficult to know if Gantry's spiritual motivation is genuine or merely a ploy, throughout the film, one is kept guessing. The target of his earthly desires is Beautiful Sister Sharon Falconer (Jean Simmons) a sincere, but fallible woman out to build a ministry. A serious obstacle to her goal is Gantry, but more so is the cautionary and caustic pen of Jim Lefferts (Arthur Kennedy), a Pulitzer Prize winning journalist who questions the personal and financial motives of her entourage. Her main supporter is worldly William Morgan (Dean Jagger) who believes in Falconer, and sees Gantry and Lefferts for the opportunistic impediments they are. The film is a triumph for Lancaster and Kennedy and for all those who wish to visit a confusing period of Americanna, when the word of God was infected by preachers, pushers and spiritual leeches. ****

Based on the muckraker Sinclair Lewis' novel, and superbly translated to the screen by Richard Brooks (In Cold Blood , The Professionals, Cat on a Hot Tin Roof), this story of huckster-ism by religion is a masterpiece.

Burt Lancaster player the greatest role of his career, getting his only Oscar for his performance. Lancaster, so good in such films as From Here to Eternity, Atlantic City, and Seven Days in May, was spellbinding as the salesman for God.

Shirley Jones (The Music Man, "The Patridge Family," was simply delicious as Gantry's first conquest, and now a "five-buck hooker," that he left behind: "Oh, he gave me special instructions back of the pulpit Christmas Eve. He got to howlin' "Repent! Repent!" and I got to moanin' "Save me! Save me!" and the first thing I know he rammed the fear of God into me so fast I never heard my old man's footsteps!" 1960 was a great year for movies, and this was certainly one of the best of that year, and one of the best of all time. If you want to see real acting, this film should be on your "must-see" list.

It's the prohibition era. Elmer Gantry (Burt Lancaster) is a slick traveling salesman who is a boozer and a dog hound. He is a born salesman well versed with the bible. He is so good that it is hard to tell the difference whether he's sincere or lying. He is one haunted by his checkered past and his immorality. He is taken with Sister Sharon Falconer (Jean Simmons) who runs revival meetings. She's a true believer. He badgers her until she allows him to preach. He becomes so successful that he becomes indispensable to Sister Sharon's roadshow. Bill Morgan sees thru Elmer and tells Sharon that in 1917 he was expelled from the seminary for seducing the deacon's daughter. She ignores the warning and they become a great success in the big city. Then his past comes back to haunt him in the form of Lulu Bains (Shirley Jones) who is now a prostitute.

Burt Lancaster gives such a big performance. It is so big that it always has a tinge of falsehood. His laugh is so outrageous that it plays both sides of the divide. It's this big performance that is so memorable. Jean Simmons is the perfect compliment. She is the embodiment of purity of spirit. Burt definitely deserves his Oscar win. I can see some people taking offense from the depiction of religious revival. However I see a great role model in Sister Sharon. It's also a tale of salvation for Elmer Gantry.

I give this movie a 10 only because there is nothing above that.

I first saw this movie as a kid on TV not that long after it came out. It hasn't aged one bit. That it came out the same year as Inherit the Wind, another masterpiece, is interesting but not surprising. Hollywood was turning the spotlight on the dangers of religious fundamentalism that have since become far more powerful in this country.

Everything about this movie is first rate. Lancaster's acting isn't acting; it is better than that. He simply becomes Gantry, and you believe in him - as he believes in himself, from time to time - completely. The script is powerful, the directing first rate.

This is one of those movies that I sit down and watch when it shows up on TV, no matter how many times I have seen it before. It really is one remarkable movie.

For some reason Richard Brooks seemed to think of himself as the man best suited to turning great novels and plays into films, but if the results were at best entertaining ("The Brothers Karamazov", "Cat on a hot tin roof") they tended to fall far short of the originals. If "Elmer Gantry" worked better than most was largely due to Brooks ability to tell a rattling good yarn at a cracking pace and to the performances of a superb cast.

Burt Lancaster seemed born to play the role of the lustful traveling salesman whose desire for the Aimee Semple McPhearson-like Sister Sharon turns him into a charismatic preacher, (his performance here is a virtual reprise of his performance as Starbuck in "The Rainmaker" a few years earlier). As Sharon, Jean Simmons gives a luminous performance, all fragility and repressed sexuality and singer Shirley Jones is a revelation as a trampy prostitute; (both she and Lancaster were rewarded with Oscars). Not great then, but several cuts above what it might have been.