La déesse

Examining the dangers of blind faith & superstitious beliefs through the adversity of a young woman who finds herself deified by her father-in-law following a vivid dream, Devi captures the absurdity of religious delusion and the oppressive role a patriarchal society plays by not giving women their own voice even when they are held to a divine status.

Written & directed by Satyajit Ray (The Apu Trilogy & The Music Room), the story aptly introduces us to all the characters before the main plot surfaces but once it kicks into action, things only get more tragic & heartbreaking from there on. Ray makes sure his critique doesn't mock the Hindu religion, and is mainly concerned with the grave consequences of such blind conviction.

The religious fervour that erupts from one man's idiotic interpretation of a dream is depicted with both honesty & understanding. The splendid camerawork, steady pace & skilful editing do their part but what makes the ride so gripping, involving & interesting is the strong & sincere performances from the committed cast, with Sharmila Tagore impressing the most in the designated titular role.

Overall, Devi (The Goddess) is yet another socially relevant film from Satyajit Ray that tackles a sensitive subject matter with elegance & composure, and delivers a rich, evocative & thought-provoking experience. As is the case with most films of this esteemed auteur, the story brims with a timeless quality, the social themes it addresses have a universal appeal, and the sensible storytelling makes it worth a shot.

Being a Bengali, I had the privilege to read the original story by Prabhat Kumar from which the screenplay was adapted, and the story had a concrete conclusion with a deep impact where Ray finished it with surrealism and abstraction. Mostly he avoided the actual ending to bypass the social stigma which prevailed at that time. Also the story provides a very intimate adoration between the lead couple which was also avoided for probably the same reason.

Apart from that it possesses all the characteristics of Ray's direction with thrilling music, cinematography and screenplay. Definitely a must watch.

In the countryside of India, Umaprasad (Soumitra Chattopadhyay) has been happily married with his seventeen year-old wife Doyamoyee (Sharmila Tagore) for three years. They live in the house of Umaprasad´s father Kalikinkar Roy (Chhabi Biswas), who worships the goddess Kali, with Umaprasad´s elder brother Taraprasad (Purnendu Mukhopadhyay), his wife Harasundari (Karuna Bandyopadhyay) and their child Khoka. Umaprasad has a conversation with Doyamoyee and explains that he will move to the big city to study English and she questions why he needs to travel to go to school. Sometime later, Kalikinkar has a dream that Doyamoyee is the reincarnation of Kali and the locals come to Kalikinkar´s house to worship her. Doyamoyee asks Harasundari to write to Umaprasad and soon he returns home. But Doyamoyee has been brainwashed with the situation and begins to believe that she might be the reincarnation of Kali leading the family to a tragedy.

"Devi", a.k.a. "The Goddess", is a little gem with a story of family tradition (and respect), religion, superstition and ignorance in the Nineteenth Century in India. "Devi" is beautifully shot in black-and-white and has magnificent performances and a perfect open conclusion. My vote is eight.

Title (Brazil): "A Deusa" ("The Goddess")

This film was made in 1960. This is interesting because it is highly doubtful that the same film could be made in India today, in spite of India's massive film industry. The film does a great depiction of the crisis faced by people struggling to be modern yet encumbered with the traditional systems and the specter of having been colonized.

The younger son is ready to walk away from the bondage of traditional and as he sees, the superstition of the traditional life. Of course, he is reaping the benefit of life as a high caste. His young wife becomes the Devi - the embodiment of the goddess. This film also works well for its psychological content for the way we see the father project his desires onto those around him, and the choices faced by each character. In light of the fundamentalism worldwide - Christian, Muslim & Hindu - it is hard to image that this film could be made today in India since it leans to a skeptical view of Darsan and the goddess.

'Devi' is so good I went out and bought the whole 'Apu Trilogy.' Which was expensive, and I'm poor. 'Devi' is so good that I've watched it enough times to be able to mouth along to it in Bengali, and I don't speak Bengali. "Khoka khotay?" "Aaaa... cheko ta." (I'm now learning Bengali because I love this movie so much!)

There is such an intricate web of relationships between the characters, that it reminds me of Macbeth. The story is very specifically about the Indian culture (it's revealing investigation into Hinduism could have happened nowhere else) but its tale of strife between generations is something anyone can understand and feel.

If you would like to talk about this film, please email me! "Namoskar." (I'm pretty sure that means 'goodbye!')