The Dark at the Top of the Stairs

Robert Preston will be forever remembered as "The Music Man"-and well he should be. However, he gave many other fine performances, and one of the best was as Rubin Flood in The Dark at the Top of the Stairs.Dwight McDonald once wrote an essay mocking "Ingeland and Kazanistan", and he may have had a point. At the same time, the series of films based on William Inges plays includes some of the best dramas of the fifties and early sixties..still, perhaps the most underrated period of Amnerican film.This film is not just an example of sentimental "americana". Though set in the past, it is not an exercise in simplistic nostalgia. Instead it reveals the sexual repression, Anti-Semitism,and snobbery which poisoned American life in the early part of this century.However, it does not simply look at the past from a standpoint of smug superiority. Instead, it suggests the dignity and inner strength of these people, as they struggled with economic and moral uncertainty.It has a superficially "happy' ending', yet it is still a sad and troubling portrait of the fragility of quotidian existence.

I saw this film at the age of 19 or 20 and it colored my days for some time afterward. The subject matter was heavy for me, as it probably was for most young women living in small towns in the 1950s. Most of us were anything but sophisticated and mature in our late teens.

The plot examined those sensitive subjects we were old enough to be aware of and wondering about, but too repressed or timid to discuss with our parents. And my girl friends were little help, as their experience, or lack thereof, was much the same as mine.

Preston was great, and I'll never forget Dorothy McGuire, Shirley Knight or Eve Arden for their roles in this fine film. When seeing this movie, I was closest in age to Shirley's character and completely sympathized with her. Had I been going through the heavy stuff she and her family were dealing with, I would likely have been affected in much the same way.

What a shame this is not available on video or DVD. It's a film of real substance---far better than much of what passes for good viewing these days.

This film used to be shown on TV (mostly on WGN channel 9 from Chicago). I have been waiting all these years for it to be released to DVD or BluRay so I can own a copy of my own. The acting in it is top rate, and the story is as relevant now as it was the day it was released to the theaters. I love this movie, and I would love to share it with so many of my friends who have come to love vintage movies as much as I do. Can someone PLEASE help me find out the status of this wonderful film, and if it will ever be re-released to the public?? Thanks for any help I can get !!

Events take place in a small town atmosphere. Rubin (Robert Preston), being a family man, faces the bleak fact of losing his job when business takes a downturn, and at middle age it's not so easy for him to cope. His wife Cora (Dorothy McGuire) as well as their two children, each have needs of their own. When Rubin goes off for four days and returns to argue and confront his wife with his needs, she in turn reveals what is troubling her, money, that they seem to argue over all the time. Sounds very familiar!

I think Robert Preston turns in a fine dramatic performance and fits the role perfectly. His next film was to be The Music Man so he obviously carried over all that dynamic energy to a musical, a very versatile man.

Eve Arden, as Lottie, is always too talkative, seeming to wonder aloud on every thought that comes into her head. Eventually she pours out her troubles to Cora while on a visit and this bonds them closer as sisters since both are having difficulties in their marriage.

Mavis (Angela Lansbury) is very friendly to Rubin, almost becoming the "other woman" but he's not really ready to cross that line. She's a very understanding and wise lady as it turns out later.

It's interesting to get a glimpse into the lives of each character, young and old -- a slice of life, you might say, and to observe the prejudices of the day as they are played out.

I think in many ways we've learned to be more tolerant in our time.

One of the most simple yet moving of William Inge's plays is presented here with some of the finest American actors to grace the screen. This is American cinema at its greatest. Anything else I could say would sound even more trite. If you can find this film (it's never been released on video as far as I know) give it a try. I was able to tape it off of Encore once, and I am forever grateful that they aired it.