Norman dans la marine

Grocer delivery boy Norman Puckle is frustrated in his attempts to et a local girl and tries to kill himself. However he is saved at the last minute and told that to join the navy is to get all the girls he'll ever want. However Norman is not a sea-faring man by trade and struggles with the disciplined lifestyle required. Things are made worse when The Admiral selects him for an experimental rocket as proof that any sailor could operate it given the proper training. He hadn't planned on Norman.

Wisdom is very much an acquired taste. I'm not an Albanian but I do still enjoy most of his films. Here the plot sees him as, wait for it, a lowly worker who makes good, gets the girl and shows up the toffs at the same time! So not a mile (or a yard) away from the usual fare then. But that's fine, the usual stuff is actually OK. Here his usual routines are mostly OK but some are just average. If you usually get a laugh from it then this will just about suffice.

Wisdom is good and has a strong support cast. However the problem is that it feels too heavily on his shoulders and the rest aren't used well enough to share the load. When you've got actors like Hunter, Chapman, Jones, Alexander and the ever great Le Mesurier then you need to use them. Most have the odd good line or two but I wanted more from all of them.

The comedy is basic and times and you know where it's heading from minute number 1! I'm a fan and found this to be amusing but not Wisdom's best by any means. If this is your first meeting with Wisdom then you may be disappointed, fans will enjoy it.

Norman Wisdom is- in all of his films- very human. The puppy-dog eagerness, willingness to do anything set before him, ability to make a mistake and then go on to make it worse- are, of course, the very stuff of the comic character that he sets up for us to laugh at. But his genius lies in the ability to make us identify with him, to 'live the life' with him, even as we guffaw.

In the Bulldog Breed there are stock characters aplenty, and the players act their roles accordingly, but Wisdom- like a wicked imp- seems to dodge and dart round the convention & hierarchy that still- in 1960- characterized much of the English way of doing things. He is like the benign counterpart of a poltergeist: causing disruption, certainly, but not as an alien or supernatural incursion, rather a human intervention into a stiff and inhuman environment. The sequence in which he gets a whole ship's crew into the water is an excellent example of this.

One thing that often goes unremarked in Wisdom's films is the sexual presence there. There is almost always some lubricious lovely in the line-up and, in this case, Wisdom (after some other amorous adventures) ends up on the beach with a girl in a grass skirt, being told to 'carry on'. By contemporary standards what is there is so laughably little that it seems distinctly odd to regard it as 'sex interest' but, in historical context, it is definitely that, and as much a part of the humour as 'dirty postcards' were a part of the English seaside holiday of the time.

Bear in mind, by the way, that in the years running up to the first moon-landing, this film is also a comment on Britain's presence in space!

'The Bulldog Breed' is one of my favourite Norman Wisdom films, but not one of his best.It is interesting because of the space flight angle, and the film certainly captures the mood of the era.

In many respects this is a sad film; Puckle is portrayed as a rather tragic character, who never really finds his niche.The whole films carries a slight air of depression about it, which is not helped by the melancholy music score.

There are several funny scenes, notably the 'man overboard' scene, the diving lesson, and the mountain climbing episode. In all of these though, the comedy is diluted by the overall gloom of the film.

A hidden gem in the film are the brief, uncredited, appearances of Michael Caine and Oliver Reed in the cinema foyer scene.

Our Norman's appeal was that of the 'little man', - which is why his films were considered sufficiently politically correct to be screened in Albania, where he remains a household name to this day - while the recruitment methods employed by the Royal Navy are definitely shown to be highly questionable.

The proof the pudding however is in the eating, and the little weasel shows a nasty inclination to throw his weight around whenever he gets the chance and often demonstrates that the ability to hurt goes straight his head and just what he is capable of when permitted a modicum of power over others; although his stunt work is up to his usual high standard.

They say women love a man in uniform, which is the only plausible explanation that in one memorable scene the gorgeous Liz Fraser gives him the time of the day.

Norman takes on the Navy and its archaic judging system, there are a few laughs but nothing tremendous, Norman is still fun and accident prone, but not as funny as in other films.

Look out for a droll John Le Mesurier and Frank Williams, both who found fame in Dads Army later, Liz Fraser who was in the Dad's Army film, David Lodge, Cyril Chamberlain, Michael Caine and Oliver Reed, there were also a few bit-role players who did a good few Carry On's.

Not the best, but worth watching if not for the actors, but just to see Norman in another film.