Les Jeunes Loups

I love this picture. I think it's one of his best. For years I have been hoping it come to VHS. It's time to go into that library of movies and put them in VHS. I hope someone take a look at this and put on tape.

This film suffers from most of the shortcomings mentioned in many of the comments above. Nevertheless, it's worth watching for two principal reasons: The breath-taking, youthful beauty of Natalie Woods, the most beautiful young woman I've ever seen, and the performance of Pearl Bailey, a fascinating personality and a marvelous actress and singer. Sadly, Pearl doesn't get to sing nearly enough (2 blues songs), but her part alone was decently written, and she acquits herself quite well in the meaty role. Wagner does a creditable job despite having to recite the idiotic and banal lines of his character, and the others are passable at best. Hamilton is borderline OK and Kohner munches the scenery something awful in most of her scenes. Were it not for Woods' stunning beauty and Bailey's excellent work, this one would truly stink.

If you're looking for happy moments, then this isn't your film. The problems grow and grow and you never see a solution for them. Under my point of view, it's not a bad film, but the story hasn't got a message and it's so sad that the only way to enjoy the film is by appreciating the acting, the directing, etc...

My rating is 7 out of 10

What I love about this film, is the fact that it includes a respectful and loving relationship between a black woman and a white man during the apartheid era of racism here in the United States (before the "Freedom Rides," which occurred not long after).

I admire Robert Wagner and Natalie Wood (especially), as rising young stars in Hollywood, for taking the chance to be in this type of picture at that time in history.

When Susan Kohner's character calls Pearl Bailey a "nigger," Robert Wagner whacks her one but good! And then he educates Miss spoiled brat and much misinformed Kohner, that Pearl is more decent than any of the white people in this movie! And more deserving of love and respect.

And folks, was he right. Bailey's character and performance are the most worthwhile in the film.

Yes, the basic story between Natalie Wood (poor country girl looking to move up in the world by passing Wagner's baby off as rich boy Hamilton's), Robert Wagner (poor confused misunderstood boy with talent for "race" music, but seemingly not much ambition to do anything with it), George Hamilton and Susan Kohner (spoiled RICH siblings taken in by Wood and Wagner -- but both hopelessly in love with the two)is schlock.

But the story between Wagner and Pearl Bailey (suicidal famous singer mourning the loss of her lover, who becomes charmed with Wagner and does her best to help him before she purposely succumbs to alcoholism) saves the day.

Also, Natalie Wood is simply outrageously gorgeous in this picture. And Robert Wagner and Hamilton are pretty easy on the yes as well. So, when the story gets to be too much, just enjoy the view!

I wish that Wood and Wagner had more screen time together in this film (and that they ended up together), but that's because I love RJ and Nat together as a couple under any circumstances (and believe me one has to love them unconditionally -- as their story lines and acting and accents don't feature either near the top of their talents).

Still, a brave story to undertake. Its bad/good and very interesting. I recommend it for having the guts to be ahead of its time.

Nancy J Ordinaryfool

Anderson's movie is derivative.It looks like lite Douglas Sirk: the spoiled kid sister (played by Susan Kohner who worked with Sirk) is not unlike Marylee (Dorothy Malone) in "Written on the wind" ;besides ,Ruby's funeral will fatally make you think of that of Annie in "Imitation of life" ,a black choir singing "Free at last" replacing Mahalia Jackson.The screenwriters also borrow from Kazan's "splendor in the grass" as far as the two leads' fate is concerned.And the baby trick was used a hundred times or more in the thirties and forties melodramas (notably Bette Davis' "the big lie" and "the old maid" ;Olivia De Havilland' s "to each his own").

Having said this,one must credit Natalie Wood for making the best of the stereotyped part of a go-getter;Robert Wagner's moody looks work wonders too when he plays the trumpet and in the scene when he backs Pearl Bailey's impressive vocals.

This is the kind of movie they don't do anymore;this is the kind of story which could go on and on and on and on;in a word,it's the perfect soap opera ,and it still exists today in the form of the TV series.

Like this?try these.......

Peyton Place Mark Robson 1957

Imitation of life Douglas Sirk 1959